Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1385336
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This scarce piece is a Colima water carrier figurine that dates to the Proto-classic Period, circa 100 B.C.-250 A.D., and is approximately 13.25 inches high. This piece is intact with no repair and/or restoration, and has a nice even deep red glaze over the entire outer surface, save the bottoms of the flat feet. This piece also stands solidly by itself, and the water carrier seen here has a large jar on his back that has detailed ropes and fittings which are not normally seen on scarce pieces of this type. This water carrier also has his hands behind his head in order to steady his heavy load, and he also has a serene expression which runs counter to one that has a heavy load on his back. This piece also has some spotty black mineral deposits, and the surfaces show little wear. An exceptional example seldom seen on the market. Ex: Sotheby's pre-Columbian Art, New York, Nov. 2006, no. 387. ($5,000.00-$7,000.00 estimates, $9,000.00 realized.) Ex: Private Kansas collection, circa 2000's. Published: Featured in the ATADA Online Show, Aug. 9-19 2018 (www.atada.org/online-show). I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1295397
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This beautiful Greek coin is a silver drachm attributed to the mint and city of Larissa, and dates circa 400-380 B.C. This piece is approximately 20mm in diameter, weighs 6.15 g., and is in EF-/EF condition. This piece also has extremely high relief and the obverse features the beautiful facing head of the nymph Larissa; and the reverse shows a grazing horse standing right on a ground line, with Greek lettering below meaning "Larissa". There is also the minute lettering "AI" seen below the belly of the horse, and this represents the signature of the die artist. According to C. Lorber in "The Silver Facing Head Coins of Larissa", Early Classification, Type 3: "The artist 'AI' became the mint's chief engraver, displacing he who signed himself 'SIMO', and the present dies are among the finest in the entire series." The coin offered here is one of the earliest dies of the series, and the early dies of the series had the two artist signatures noted above. In addition, the flank of the standing horse has a brand that appears to be the Greek letter "X". This "X" brand is also one of the few known examples, and appears only on this particular reverse die. It is unknown as to the meaning of this brand, and as this coin was signed by the artist, there certainly has to be a meaning behind this symbol. The early series with the facing heads of the mint Larissa predating circa 380 B.C., are the most desirable among collectors, and have a high degree of art. The attractive facing head seen here is leaning to the left, as the right shoulder is raised, and the female image has flowing hair that appears to be moving with the wind. The artist was able to convey a great deal of movement on the obverse, and in contrast, a complete sense of calm is conveyed on the reverse with the standing and grazing horse. This coin type, along with the artist's signature, is also considered by many numismatists to be a masterpiece, not only within the series, but also for the period. An exceptional coin of great beauty which is now scarce on the market. C. Lorber, Early Classification, no. 20.2. Ex: Harlan Berk collection, Chicago, Ill., circa 1990's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1356496
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These scarce nearly identical standing nude concubine gold earrings date circa 1st century B.C.-1st century A.D. These erotic pieces are approximately 2.25 inches high, from the top of the hoop to the bottom of the figures, and are .3 inches wide at the shoulders. The figures themselves are approximately 1.5 inches high. These solid gold pieces together weigh 4.4 grams, and are not gold gilt over another metal which is sometimes the case relative to ancient jewelry. These attractive pieces are complete, and have no restoration/repair. These pieces are also very durably made, and are solid examples that can easily be worn today. Each of the figures are completely nude, and have some minute punched details such as dotted breast nipples, belly button circles, circular eyes, and minute linear hair. Each figurine also appears to be wearing an Egyptian type wig, and the standing body pose is classic Egyptian, with the arms straight down at the sides and the legs tightly together. The frontal design is slightly raised on both pieces, and the back of both earrings are mostly flat. Each figure is also made from two gold sheets that were folded over, and this doubling of the thin gold sheet gave these earrings some added strength. These earrings are highly erotic, and were likely worn to identify a woman who was a concubine for a wealthy and/or important person in antiquity. They also resemble the goddess Isis, and these pieces may have been worn in a religious capacity as well. The nude figurines also resemble a small carved ivory Egyptian concubine that is now seen in the Walters Art Museum. (This piece is approximately 2.5 inches high, and the back is flat as the gold earrings offered here. This piece was also purchased by Henry Walters in 1930. Inventory no.: 71.522. See attached photo.) The scarce to rare erotic gold earrings offered here can easily be worn today, as they also have thick gold hoops that are very solid. It's likely that these pieces were worn in antiquity, and may also have been a votive type object worn in the afterlife. A custom metal earring stand is included. Ex: D. Weller collection, Essen, Germany, circa 1930's-1990's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1329657
Apolonia Ancient Art
$1,265.00
This Greek gold pendant dates to the Hellenistic Period, circa 4th-3rd century B.C. This attractive piece is approximately 1 inch high, by .65 inches wide, by .26 inches thick, and weighs 3.9 gms. This piece was made of solid sheet gold, and was hammered and folded over molds which formed a pendant that has three tubular compartments. Each of these three compartments contained a blue/purple glass paste inlay that extended past each of the open ends of each tubular compartment. The ancient Greeks, and especially the ancient Egyptians, incorporated the color "blue" into talisman pendants and rings in order to ward off evil and bring good luck. The pendant offered here may have been a talisman pendant of this type, as this piece has an attractive blue/purple glass paste inlay. The top and bottom compartments still retain the original glass paste inlay, while the middle compartment has this missing. There is also a raised decorative cable border seen at each tubular end, and this cable border added extra strength to the open ends of each compartment. There is also an applied hoop seen at one end, and this pendant was likely suspended from a gold chain, and may also have been an element in a large necklace. This piece is complete, save for the missing glass paste inlay in the middle tubular section, and the remaining glass paste inlay is very solid. There are some minute dents and stress cracks which are not very noticeable, and overall, this piece is a solid example that can easily be worn today. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1333494
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This little gem is a Greek Attic black-glazed kantharos that dates circa 350-325 B.C. This piece is approximately 2.4 inches high, by 4.6 inches wide from handle to handle. This charming piece is intact, and is in mint quality condition with no repair/restoration. The lustrous black glaze is even around the vessel, and is seen both on the inner and outer surfaces. This piece has a "flat handled" design, and these handles have spurred edges, a looping design, and connect to the main body of the vessel. This piece sits on a torus foot, and there is no reserve underneath, as this piece is entirely covered in a black glaze. This dainty piece was also designed to imitate silver vessels of this type. This type of Attic black-glazed ceramic is also scarce to rare on the market, as it is a rare form. This piece has some spotty white calcite deposits, and a multi-colored iridescent patina. (Another analogous vessel of this type was offered by Charles Ede Limited, London, 2010, Catalog 182, no. 35 for 900.00 pounds.) For the type see, B. Sparkes and L. Talcott, "The Athenian Agora, Vol. XII, Black and Plain Pottery", Princeton, 1970, no. 701, fig. 7. Ex: Private U.K collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv. #091613-05. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1290942
Apolonia Ancient Art
$985.00
This attractive piece is a Roman bronze ring that dates circa 1st-2nd century A.D. This complete piece is approximately 1 inch wide, is ring size 6.5, and was made for a young man or woman. This ring has an oval shaped hoop, and this shape provided for a wide face that looks very large when worn on the finger. This piece is very solid and can easily be worn today as well. This piece has sections of original gold gilt seen over the bronze, and this piece has a brilliant translucent orange carnelian stone that is firmly attached to the bronze bezel. The beautiful carnelian stone was never reattached to the ring, and it is firmly in place in it's original setting. The brilliant orange carnelian stone also has a carved image of a seated animal, possibly a dog or a fox. This animal is seen on a ground line, and has raised ears and a long curled tail. The brilliant orange carnelian stone is also highly polished, has an oval shape, a flat bottom, and is clear save for a small black inclusion that is deep within the stone. This piece was also used as a personal seal/signet ring, and makes a sharp impression. The condition of this piece is superb, and is intact with no repair/restoration, and has original gold gilt seen on the inner and outer surfaces of the bronze bezel. Overall, this attractive piece is in better condition than most examples of its type, and is in its natural "as found" condition. Ex: Private New York collection, circa 1980's. Ex: Phoenix Ancient Art, New York and Geneva, Inv. #P33-091-031915. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388383
Apolonia Ancient Art
$925.00
This attractive Greek terracotta dates to the 4th century B.C., and is approximately 3.75 inches high. This large bust is intact to just below the jaw line where it is broken at the neck, and is a bust of a goddess such as Demeter. This esoteric bust has exceptional artistic style, as the portriat is of a more mature goddess with a vibrant face with a slight smile. She is also seen wearing a diadem with perhaps agricultural stalks that are seen within the diadem. Demeter was the mother of Persephone who was responsible for the change of the seasons, and the "rebirth" of crops during the year. This attractive large bust is also in it's natural "as found" condition, and has some minor earthen and mineral deposits. An exceptional example with an intact face and a high degree of eye appeal. This piece is also mounted on a custom steel and Plexiglas display stand with a total height of approximately 5.3 inches. Ex: Munzen and Medaillen AG Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1148500
Apolonia Ancient Art
$1,865.00
This mint quality piece is a Greek amphora that dates to the Hellenistic Period, circa 220-180 B.C. This large piece is approximately 10.75 inches high, and is mint quality, with no repair/restoration, cracks, and chips. This piece is a light red terracotta, and has an attractive white over glaze with some earthern deposits. There are also some minute spotty black mineral deposits and root marking, and this piece is in its natural "as found" condition. This piece has a flat bottom, attractive rounded body, and two raised strap handles which attach just below the lip of the vessel. This piece resembles a pelike, but unlike a pelike, this piece has a narrow opening with raised handles which are attached below the upper lip of the vessel. This design type is a common feature that is seen with most Greek amphoras. This piece also has a "double lip" type design, which allowed this piece to have a seal over the top which could easily be secured with a cord below the top lip. This type of piece has a very pleasing eye appeal, and is very decorative. In addition, this piece is scarce to rare, and is seldom seen on the market in this mint condition. Ex: Private New Jersey collection. Ex: Fortuna Fine Arts, New York. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1207767
Apolonia Ancient Art
$3,865.00
This scarce Pre-Columbian piece is a Mayan cylinder vessel that dates Late Classic, circa 550-950 A.D. This attractive piece is approximately 7 inches high by 4.9 inches in diameter. This superb to mint quality vessel is a "Molded Orangeware Vessel", El Salvador/Honduras region, that has well-defined mold made impressions seen within two box-shaped fields seen on each side of the vessel. Each box-shaped field has a standing Mayan priest/dignitary holding an elongated rectangular object in his extended right hand, and the other panel shows this rectangular object hanging on the right elbow of this standing individual. This standing Mayan priest/dignitary seen within both panels has his head placed within a raptorial beaked bird, which may represent a sacred "Moan Bird", and this raptorial beaked bird is likely a ceremonial headdress. This individual is also seen wearing royal ear flares and bracelets, has a water-lily emerging from his lips, and is wearing a sashed lioncloth. There is also a stippled woven mat pattern seen in the background, and the overall composition on both panels have very sharp details and is better than most examples. In addition, each panel shows this standing individual in a slightly different position, and this design conveys a slight movement of this individual, as one views this exceptional piece from panel to panel. This convention of art relative to Mayan ceramics, is generally seen on scarce to rare Mayan molded vessels of this type. This intact piece also has some attractive light gray burnishing, some minute root marking, and spotty dotted black mineral deposits. An analogous example is seen in Sotheby's Pre-Columbian Art, New York, Nov. 24, 1986, no. 127. ($1,500.00-$2,500.00 estimates, $2,750.00 realized. See attached photo.) Ex: Private CA. collection, circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1295159
Apolonia Ancient Art
$12,675.00
This rare piece is a Roman bronze figurine that dates circa 1st-3rd century A.D. This impressive piece is approximately 2.8 inches high, and is an intact example with no repair/restoration. This complete piece also has an even beautiful dark blue/green patina with spotty red highlights, and is in excellent condition with no noticeable breaks or chips. This piece is seen standing with the full weight on the left leg, and the other leg is slightly bent while the body is seen slightly leaning to the right. This piece also stands by itself, and is placed on a custom stand for added stability. This piece has extremely refined facial detail, and there are other minute details seen on this piece such as the design of the sandals. The figure seen here may also depict Alexander the Great, as it displays many attributes that are known for this dynamic Greek figure from antiquity. Although this piece is a Roman bronze, the Greek features seen on this piece are unmistakable, such as the Greek muscled cuirass which is worn over the Greek knee-length "chiton", the attached cape "chlamys" which falls behind, and the pose of the figure that is seen with the weight on one leg. In addition, this figure has upswept curls above the forehead known as an "anastole" hair style, along with thick locks of leonine hair, deep set eyes, an angular jaw, and a prominent brow which are all facial features of Alexander the Great. This figure is also seen extending his right arm, and the open upturned hand likely held a missing round "phiale", which held wine that was used for sacrificial offerings to the Gods. This military figure also appears to be in the act of offering wine sacrifice to the Gods, and this type of wine sacrifice using a "phiale" was purely a Greek religious rite, rather than a Roman ritual. It's possible that this figurine reminded the owner in Roman times of Alexander's visit to Troy, as he was the new Achilles - the champion of the Greeks and, as Achilles had done 1,000 years before, he sacrificed in the temple of Athena. Wealthy and cultivated Romans would often engage the topic of Alexander's notable personality, his superhuman accomplishments, and the human fate with their philosophical discourses. It would not be surprising to find his image in the intimacy of a domestic villa. The famous Villa dei Papiri in Herculaneum contained a whole collection of several bronze busts representing Greek Hellenistic rulers, Greek poets, and philosophers, which serves as an eloquent example of the cultural preferences of the Roman elite. This figurine also appears to be grasping a Roman sword known as a "gladius", which had a rounded pummel as seen here. The Roman general Marcus Antony also favored Greek dress as seen on this figurine, and this piece may also represent a "duality of portraiture", in that it is a combination of Greek and Roman attributes, and may represent more than one famous individual and/or military leader. What is certain relative to this rare figurine, is that this figure is both a military and religious figure, and this combination is best displayed in the figurine offered here. (Another analogous example of a Roman bronze figurine in the guise of Alexander the Great, was offered by Royal Athena Galleries, New York, in "Art of the Ancient World", Vol. XXIII, 2012, no. 49. Approximately 3.75 inches high, circa 1st-3rd century A.D., and complete. $47,500.00 fixed price. See attached photo.) The piece offered here is a rare type that is seldom seen on the market. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Metalwork : Pre AD 1000 item #1208989
Apolonia Ancient Art
$1,275.00
This interesting piece is a Near Eastern bronze roundel, that dates circa 1000-650 B.C. This rare piece is approximately 2.5 inches in diameter, and it has a concave design. This piece was likely attached to a cloth backing such as a garment, as there are some minute attachment holes seen on the outer flat perimeter band. Its quite possible that this piece could have made up a armored object such as a cuirass, a belt, or a quilted protective garment with several of these attached roundels. The concave design, with a protective inner core of leather or wood, would have offered some added strength. The flat outer perimeter band also has a detailed dotted pattern that runs around the piece, and another larger dotted pattern is seen just inside on the inner concave section of this piece. Centered in the middle of this concave section is a cat-like design which likely represents a lion or lioness, as it has a small upturned tail, paws, and feline ears, nose, and eyes. The stylized design of the head is very interesting, as there is an insect design seen within the head of this animal. This insect resembles a bee or an ant, as seen from the perspective of a top view and looking down. This piece may be from the Luristan, Urartian, or Marlik cultures, as the fabric and artistic style of this piece is analogous to other bronze pieces from those cultures. However, the duality of design is not often seen relative to the cultures noted above, and this piece is rare to extremely rare. This piece likely was used as a "protector type" piece, given the symbols seen on this piece, and this also makes perfect sense as a work of arms. The dark green patina of this piece is exceptional, and there is some attractive spotty light brown and reds seen within this piece. This piece has some minor losses seen on the upper outer edge which does not detract from this attractive piece, and this piece has a great deal of eye appeal. This pieces comes with a custom wooden and clear Plexiglas stand, and simply slips down into the stand and can easily be removed. Ex: Private German collection, circa 1990's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1234381
Apolonia Ancient Art
$875.00
This scarce piece is an extremely large Mayan green jadeite tube that dates circa 600-900 A.D. This solid piece is approximately 8.5 inches long by 1.4 inches in diameter, and has a beautiful dark to light green color. The beautiful stone seen here is likely jadeite, rather than serpentine, as it is extremely dense. This interesting piece has a bow-drilled hole at each end which connect near the center, and the bow-drilled holes are approximately .5 to .6 inches in diameter which also slightly narrow within the tube. There is also a layer of gray calcite deposits seen on the inner surfaces, and a light mineralized patina on the outer surfaces as well. This piece is also not perfectly round, has a somewhat rectangular shape, and has a great deal of eye appeal. There is a very strong possibility that this scarce piece was used in Mayan smoking ceremonies, and/or may have been used in Mayan regalia and served as a decorative item in a headdress, a necklace, or a sacred ceremonial object. This piece is also somewhat heavy, as it is likely a dense green jadeite which was sacred to the Maya. According to Francis Robicsek, in "The Smoking Gods", University of Oklahoma Press, 1978, p. 73, Robicsek elaborates on the forehead tube that was used to identify God K: "Forehead tube thought to represent a cigar. This is a fairly constant trademark of this deity. The identification of God K of any portrait lacking the forehead tube is suspect. It is nearly always present on ceramic representations and on stone carvings, but is usually absent from paintings in the codices. The object may be tubular or funnel-shaped, or it may resemble a celt. Sometimes it is undecorated, but more often it is striated, dotted, or marked with oval symbols. It also varies greatly in size and, if painted, in color. As a rule the tube emerges from the forehead; however, in two paintings, both of them on Peten ceramics, it protrudes from the mouth. On most portrayals the handle of the tube is sunk into the head and it is not visible; on others it emerges at the nape. As discussed earlier, these tubes probably represent cigars, but the possibility that they may represent torches or celts cannot be excluded." In addition, the piece offered here may also have been used by the Maya relative to the relationship of the royal elite to God K, and may have been used by the Maya as noted above in some capacity as a decorative element and/or used relative to the smoking culture of the ancient Maya. This piece also sits on a custom display stand. Ex: Private CA. collection, circa 1980's. Ex: Private Arizona collection. Ex: Private CO. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1310457
Apolonia Ancient Art
$6,875.00
This interesting piece is a Greek Attic "Red-Figure" kylix that dates circa 480-470 B.C. This piece is approximately 3.6 inches high, and is 10 inches wide from handle to handle. This nice Attic ceramic is classified as a "Red-Figured, Type C" kylix, and is attributed to the "Painter of London D12", who is a rare Attic painter that is seldom seen on the market. This piece is intact, save for an ancient break in the stem section of the stemmed footed base, and was repaired in antiquity with a bronze and lead pin. It's quite possible that this piece was broken in antiquity while playing the drinking game "kottabos", which was played at a drinking party known as a "symposium". This game was played by spinning the kylix on the index finger in order to fling the wine dregs swirling in the bottom of the cup onto a target in the room. Obviously, many kylix drinking cups were broken while playing this game. The ancient bronze and lead pin is approximately 2 inches long, and reattached the stemmed base to the main body of the piece. One end of the pin can also be seen on the inner surface in the middle of the tondo, and the other end can be seen centered within the stemmed base on the bottom side. The original owner must have thought enough of this attractive piece to have had it repaired for use again. This piece has a seated young man facing right within the round tondo, and is seen wearing a himation (cloak). The facial details of this young man are very detailed, and his pleasing young face is easily seen. The cloak also has curved definition lines, and a single thick black line that defines the garment edge, and both of these artistic features are artistic features of the early 5th century. It's quite possible that this piece may be attributed to an earlier painter such as "Makron", due to the artistic features noted above, rather than a slightly later painter such as the "Painter of London D12". The exterior surface has a lustrous black glaze, and overall, this piece has a great deal of eye appeal, and is an exceptional piece that is also a scarce example with an ancient repair. Ex: Christie's Antiquities, New York, Dec. 1994, no. 109. ($4,000.00-$6,000.00 estimates. See attached photo.) Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1378546
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This very rare Greek (EL) electrum stater is from Kyzikos, and dates circa 550-450 B.C. This coin is approximately 20mm wide, weighs 16.12 gms, and is in extremely fine condition (EF/EF). This coin has a light reddish/brown patina, and perfect centering. The (OBV.) features a bust of Athena wearing a crested "Attic type" helmet facing left, with a zig-zag and pellet pattern designed crest base, and a tunny fish below. The (Rev.) features a quadripartite incuse square. This coin probably was influenced by the helmeted Athena coinage of Athens, and perhaps signaled a trade alliance. An exceptional specimen not often seen on the market. References: Boston MFA 1446; Gulbenkian 609. Ex: Private German collection, circa 1990's. Ex: Roma Numismatics, Auction IX, 2015, no. 320. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1184568
Apolonia Ancient Art
$2,875.00
This superb vessel is a Moche fineline ceramic that dates circa 450-600 A.D., Moche IV-V periods. This vibrant piece is approximately 12.2 inches high by 6.5 inches in diameter, and is in intact condition with bright dark red and cream colors. This complete piece has no repair/restoration, some attractive light brown burnishing with some minute spotty light brown mineral deposits. There is a small probe hole seen near the base on one side which is also commonly seen on many authentic Moche ceramics. This piece also has a flat bottom and two lively running serpent warriors facing left, which are carrying shields/maces in an extended arm, and are seen with a bended extended leg. The fineline painting, along with the "wave motifs" seen on the raised stirrup, are painted in a vibrant dark red slip. This piece is one of only a few recorded examples that was likely painted by the same hand of a singular master painter, and is very analogous to the example seen in the Sackler collection. (See "Art of the Andes: Pre-Columbian Sculptured and Painted Ceramics from the Arthur M. Sackler Collections", Arthur M. Sackler Foundation Pub., Washington, D.C., p. 181, no. 58. See attached photo.) These serpent warrior examples are also thought to have been found in one geographic location, i.e Chimbote in the Santa Valley, and this theory also supports the premise that this piece was painted by an individual master painter. (This theory is also mentioned by Paul Clifford in the Sackler reference noted above.) The Sackler example and the superb example offered here, both show a coiled serpent body which conveys movement, a lively open mouth, dotted eye, and dark red trefoil body spots. This serpent warrior anthropomorphic composition conveys not only movement, but also a lively expression, which in combination makes this piece a master Moche composition. The anthropomorphic running serpent warriors composition also is a representation seen within the Moche spirit world, and may represnt the resurrection of a Moche warrior. This piece is a rare to scarce type, and is seldom seen on the market. Ex: Private German collection, circa 1970's. Ex: Dr. Klaus Maria collection, circa 1980-2012. (Note: Additional documentation is available to the purchaser, including a TL test document from Gutachten Lab, no. 3821027., dated Nov. 27th, 1982, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1373047
Apolonia Ancient Art
$725.00
This scarce Roman bronze lamp dates circa 2nd-3rd century A.D., and is approximately 2.5 inches long, by 1.1 inches high. This piece is complete, has no breaks and/or chips, and is in mint "as found" condition. This piece has two openings, one in the top center for filling oil, and the other at the end of the vessel that would hold the wick. The other end of the vessel has an attachment hoop for a chain, or a cord, and could have been hung as a votive offering pendant. This piece also has a flat bottom and easily stands by itself. This piece not only was likely made as a votive offering, but it was also likely functional as well. This piece has a beautiful dark green patina with dark red highlights, and has some heavy dark brown mineral deposits on the inside of the vessel. This piece comes with a custom Plexiglas display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1398684
Apolonia Ancient Art
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This attractive and complete piece is a Roman bronze hanging lamp that dates circa 1st-2nd century A.D. This two-part piece is approximately 4.7 inches long, by 1 inch high for the main body of the lamp; and 4 inches long, by 2 inches high for the hanging nail hook. This piece has an attractive dark green patina with dark red highlights, and is in superb "as found" condition; as the hanging chain is complete, the hanging nail hook is intact, and the attachment lanyards on the lamp are intact. This piece was also cast as one piece, and the main body of the lamp has raised round circles at the bottom base which diffused heat. This lamp also has a double spout, and the hanging nail hook allowed this lamp to be extremely portable, and there is a distinct possibility that this lamp was made for a Roman legion that was on the move. It's also important to note that the chain, the hanging nail hook, and the main body of the piece are also contiguous, as evidenced by the matching patina seen on all of these pieces. A superb and complete hanging lamp not often seen on the market. A custom display stand is also included. Ex: Private German collection circa 1980's-2000's. (Note: Additional documentation is included for the purchaser, including US Customs Entry documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1366326
Apolonia Ancient Art
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This mint quality Moche stirrup vessel depicting a lucuma fruit dates to the Moche IV Period, circa 400-600 A.D. This attractive piece is approximately 6.9 inches high, by 4.25 inches in diameter, and has vibrant orange, dark red, black, and cream colors. This piece has a stirrup handle rising up from the center of the vessel, and the main body of the vessel depicts a very realistic opened lucuma fruit showing the dark reddish/brown seed within. The depiction of the lucuma fruit is very realistic in form, as well as with the color of the reddish/brown seed which in reality, is a glossy brown color. This piece is a votive ceramic, and likely was made to provide sustenance for the deceased in the afterlife. The Moche culture is also well known for it's realistic ceramic portraiture of actual individuals. The piece offered here is one of the best recorded examples of the lucuma fruit and is mint quality, with no repair/restoration. Ex: Dr. Gunther Marschall, Hamburg, Germany, circa 1960's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition: