Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388722
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This beautiful piece is a Greek terracotta of a nude Aphrodite, and dates to the Hellenistic Period, circa 2nd-1st century B.C. This piece is approximately 5.75 inches high, and is mounted on a custom steel and Plexiglas stand. On the stand it is approximately 8 inches high. This esoteric piece was mold made, and was finished with detailed sculpting. This piece is a nude Aphrodite that is portrayed emerging from her bath, and this beautiful piece was modeled after the renowned 4th century B.C. masterpiece known as the Cnidian Aphrodite by Praxiteles, who in portraying the goddess as she emerges from her bath, epitomized the ancient ideal of feminine sensuality. Kozloff and Mitten commented in "The Gods delight, The Human Figure in Classical Bronze, p. 106", that the universal attraction of this pose can be summarized in the psychology of the experience from that of the viewer, in that: "the viewer became, in essence, a voyeur, allowed to behold something that was at once enticing and forbidden." Kozloff further elaborates: "from each point of view, a special aspect of her beauty is stressed; the face from the left, the buttocks from the back, the breasts from the right, and the pelvis from the front. Her gestures are decorous, and her pose is convincingly self-protective." The Aphrodite offered here is also seen crouched down while looking away to see if she was seen emerging from her bath. Her hair is also pulled back into a bun, which is also very detailed. Her nude body is also perfectly molded, and there are few Hellenistic Greek terracottas that are completely nude, as most are draped to some degree. This piece is also intact and is complete, save for sections of her missing arms and her lower extremities. Overall, this esoteric piece is of a type that is seldom seen on the market, and displays exceptional artistic style. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Byzantine : Pre AD 1000 item #1246608
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This superb bronze ring is late Roman/Byzantine type, circa 4th-5th century A.D., and is approximately ring size 8.5, and is .3 inches wide at the flat face. This piece is solid bronze, and is in superb condition, with only some minute smooth wear on the inner surface. The outer surfaces have great detail, with decorative floral line design on each side of the ring leading up to the flat, square central face. The central face has a Byzantine type cross seen within a "four dotted circular pattern" design. The Byzantine cross appears to be hidden within this "four dotted circular pattern" design, and perhaps this was the intention of the ring maker, as during the period that this ring was made, the so-called Christian cult was becoming more widespread within the Roman Empire. This ring was likely made for a young man or woman, and has a perfectly round diameter. This piece has a beautiful dark green patina, with some light brown mineral deposits seen mostly on the inner surface and the low relief sections of the outer surface. The low relief sections of the outer surface also define the designs seen on this ring. Several rings of this type can be seen in "Die Welt Von Byzanz", by H. Wamser, Theiss Pub., 2004, nos. 667-674. (See attached photo.) A small ring stand also comes with this piece, and this ring can easily be worn today. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1366079
Apolonia Ancient Art
$1,875.00
This superb piece is a Greek Mycenaean bronze dagger that dates to the LH III Period, circa 1400-1190 B.C. This complete example is approximately 4.9 inches long, by 1.3 inches wide at the lower tang shoulder, and has no repair/restoration. In addition, this piece has a beautiful dark green patina with some minute and spotty dark brown mineral deposits. This piece is also classified as being the "Cruciform Type, Variant A", and has a flat blade without a midrib, slightly beveled edges, and an elliptical cross section. There is also a rounded lower tang shoulder, and the blade gradually moves down to a point. The design of the flat blade without a midrib, also allowed for an area on the blade that provided for the design of inlayed scenes that were made of precious materials such as gold and silver. Daggers such as the example offered here are scarce to rare, as most weapons with this design are much larger short swords. This piece also has two pin support holes, and one pin is still seen inserted into the piece. Many of these examples were also excavated at Mycenae, and the piece offered here was made during the height of Mycenaean expansion. A nice complete piece not often seen on the market. (For the type see "The Greek Age of Bronze", at www.salimbeti.com/micenei/weapons1.htm. A photo of a line drawing for the type from page 50 is attached.) Ex: Private German collection, circa 1990's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1329528
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This attractive piece is a Roman armor "belt fitting" plaque that dates circa 3rd-4th century A.D. This piece is approximately 2.5 inches wide, by 2.4 inches high, and is a complete example of a Roman bronze "belt fitting" plaque type segment, which was a component of a Roman belt. This Roman bronze "belt fitting" plaque was prominently displayed on a Roman legionnaire with a frontal view, and Roman bronze "belt fitting" plaques of this type usually portrayed heroic scenes that illustrate several Roman gods and goddesses. The back side of this piece has four round studs that attached this piece to a thick leather backing, which also served as the inner layer of the belt. The right side of this piece has two round elongated hooks that likely fit into a pin, and/or into another segment of the entire belt. The belt that held this plaque was a large and wide example, and may also have wrapped around the torso of a legionnaire in order to secure a "scale-armor" mail type shirt. In addition, this belt may also have supported a "gladius" or "spatha" sword and scabbard, and this type of Roman belt was known as a "cingulum", which was generally worn around the waist and best represented the Roman military soldier in the 3rd century A.D. (For the type, see Peter Connolly, "Greece and Rome at War", Macdonald Phoebus Ltd, UK, 1981, pp. 260-261.) This scarce piece shows a standing nude Dionysus, otherwise known to the Romans as Bacchus, who is seen leaning right, and is holding a "thyrsus" in his left hand, and pouring a wine offering into the ground from an oinochoe in his right hand. There is also what appears to be a panther seen below, and ivy tendrils are seen to the right as well. The military symbolism of this piece is apparent, as the "thyrsus" was not only a beneficent wand of Bacchus, but was also a weapon that was used to destroy those who opposed his cult and the freedoms he represents. It is quite possible that an individual, or a Roman soldier, who wore this piece was also a member of this cult. This piece has a nice dark green patina with some spotty dark brown highlights, along with some minute dark black mineral deposits. This piece is an exceptional "belt fitting" plaque, and is scarce on the market. This piece also hangs on a custom Plexiglas stand and can easily be removed. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1357255
Apolonia Ancient Art
$465.00
This Roman gold earring is a complete example, and dates circa 2nd-3rd century A.D. This attractive piece is approximately .45 inches in diameter for the hoop, and the facing shield emblem is approximately .38 inches in diameter. This piece weighs 1.1 grams, and is solid gold and is not plated. The facing hemispherical shield emblem seen on this piece is not completely smooth as most examples, as it has hand beaten sculpted lines that run through the shield. The clasp has been tied off as it was worn everyday by the owner in antiquity, but with some adjustments, this piece can easily be worn today. This piece is solid and is very durable as well. A nice intact example that is complete, with no repair and/or restoration. For the type see: Ruseva-Prokoska L., "Roman Jewelry, A Collection of National Archaeological Museum", Sofia, Bulgaria, 1991, nos. 30-35. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1242856
Apolonia Ancient Art
$2,365.00
This attractive piece is a Greek Attic black-glazed lekythos that dates circa mid 5th century B.C. This piece is in mint condition, with no repair/restoration, and is approximately 3.25 inches high by 3.25 inches in diameter. This piece is near gem quality, as the lustrous deep black glaze is nearly flawless, and the surface of this piece has an even deep black color with a thin multi-colored iridescent patina. This piece also has a beautiful esoteric design, with a gadrooned body with a pattern of incised grooves in the handle zone, and a small rouletted molding at the junction of the shoulder and the flared neck. This piece also has a small flat foot, and a black dotted circle underneath on the bottom. The overall design of this piece also has a geometric esthetic, as the height is equal to the diameter. The flared neck was also designed for greater control pouring the liquid that was held within, and this was likely a precious oil, and the short neck design also made pouring liquid from this vessel very precise as well. Another analogous vessel of this type was offered in Sotheby's Antiquities, New York, June 2002, no. 243. ($3,000.00-$5,000.00 estimates, approximately 3.5 inches high. See attached photo.) An additional analogous vessel was sold at Sotheby's Antiquities, New York, Dec. 2006, no. 134. ($2,500.00-$3,500.00 estimates, $3,750.00 realized.) This type of Greek Attic black-glaze ceramic is scarce in this exceptional condition, and is rarely seen on the market. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1388919
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This piece is a Moche seated prisoner that dates circa 200-500 A.D., and is approximately 12 inches high. This piece is intact with no repair and/or restoration, and has some minute spotty black mineral deposits. This piece also has a tan and brownish orange glaze. This piece is a seated prisoner that has a coiled rope around his neck, and has his hands bound at the back with rope ties. This prisoner is completely nude, save for his wearing a turban with a raised crescent ornament, and behind the raised crescent ornament, there is an open spout. The crescent ornament may also be a symbol of rank, and this prisoner may represent an important captive. The Moche also engaged in ritual combat in order to capture prisoners for sacrifice to their gods, and the seated prisoner seen here is portrayed while awaiting his fate. This may also explain the apparent forlorn expression that is seen on his face. This piece has nice eye appeal, and is an interesting example with the raised crescent turban. For the type see: Christopher Donnan, "Moche Art of Peru", University of California, Los Angeles, 1978. Ex: Sotheby's Pre-Columbian Art, New York, May 1993, no. 191. Ex: Private Kansas collection, circa 1990's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #997403
Apolonia Ancient Art
$1,865.00
This piece is a Greek lidded vessel that dates to the Late Bronze Age period, circa 12th-11th century B.C. This piece is approximately 8.5 inches high by 7.5 inches in diameter, and is intact in mint condition. This piece has attractive spotty white calcite deposits with some root marking, and a light brown earthen over glaze. This piece is a light red terracotta, and the lid fits perfectly into place. This piece also has Mycenaean artistic style, as seen with the two looped handles, peaked lid with knob grip, and the rounded shape of the main body. (For many Mycenaean vessels see "Mycenae and the Mycenaean Age" by George Mylonas, Princeton University Press, 1966.) This type of vessel also served as a burial urn, and held the cremated remains of the deceased. This type of vessel was then placed in a cist grave with lined stones, or within an enclosure of piled rocks, and the entire tomb was then covered with a mound of dirt. This type of burial was common throughout the ancient Greek world during the Bronze Age. The vessel offered here is intact, and is scarce in this condition. Ex: J. Malter collection, Los Angeles. CA. Ex: Private CA. collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1047632
Apolonia Ancient Art
$875.00
This cute piece is a Colima standing warrior that dates circa 150 B.C.-250 A.D. This piece is approximately 5.5 inches high and is intact, with no apparent repair and/or restoration. This piece is a light red/orange terracotta, and has some minute dark black spotty dendrite deposits. This piece is also a whistle, with an opening at the top and at the back of the hollowed head. The whistle is well made, and makes quite a sharp high-pitched tone. This piece was likely ceremonial, and may have been part of a group ceremony. This type of piece is also known as a "protector" type piece, and is thought to protect the deceased in the afterlife. The standing warrior seen here is nude, and is seen holding the full body length shield with both hands. The shield is leaning against the upper body of the warrior, and only the upper half of his face/head is seen peeking above the upper end of the shield. The design of the curved shield protects a great deal of his body, and it is probable that this stance illustrates the type of warfare that was conducted by the ancient Colima. It is unknown if he is part of a shield wall with many warriors, as was the case of the phalanx formation that was deployed by the ancient Greeks, or if he is simply depicted as an individual warrior in combat. The warrior is also seen wearing a turkey tail feather crest/helmet, and this makes him seem larger than life and more imposing. (A turkey whistle with analogous designed tail feathers, as the crest design seen here, is seen in "Sculpture of Ancient West Mexico" by Michael Kan, Los Angeles County Art Museum, 1989, no.169.) An interesting piece that has a high degree of eye appeal. Ex: Yvette Arnold collection, Dallas, Texas, circa 1970's. Ex: Private Fl. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1243639
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This massive and extremely rare piece is a Greek iron sarissa spear head that dates to the Hellenistic period, circa 4th century B.C., and is approximately 22.5 inches long by 2 inches wide at the blades mid point. This piece is intact, and is in superb condition with a hardened earthen over glaze which has helped to preserve this extremely rare iron weapon. The metal seen on this piece is for the most part very compact with very little flaking, and is in very stable and solid condition. The condition of this piece is remarkable, given the fact that it is made from iron, and not bronze. This piece is all the more remarkable, in that it has survived intact after sustaining substantial battle damage. This battle damage can be seen with the two bends in the blade, and a small part of the end of the shank which was moved out from the blow to the piece. The blow to the piece traveled from the tip end to the shank, and did not shatter the weapon, as the blow appears to have been on the side of the blade, thus causing the two bends in the blade and the small section at the end of the shank to move out and expand. This piece was likely carried by an infrantryman, and was fitted to a wooded shaft about 12-15 feet long. This heavy lance was carried with two hands, and is known as a "sarissa". This type of weapon was also developed by Philip II, who was the father of Alexander the Great, and was king of Macedonia circa 359-336 B.C. His military genius transformed his army with many innovative weapons and battle tactics, and the weapon offered here was one such weapon. The finest weapons during the Hellenistic period were iron, rather than bronze, and were forged and hand beaten into shape. These iron weapons were extremely sharp and durable, and iron swords from this period could easily take off a mans arm at the shoulder, and penetrate bronze shields. The fact that the piece offered here did not shatter during battle proves that this piece was hammered again, and again, to give it strength and durability. (For the Hellenistic Greek weapon types see "Greece and Rome at War", by Peter Connolly, United Kingdom, 1998.) This piece is extremely rare and is seldom seen in this condition on today's market. This piece comes with a custom metal stand and stands upright. Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1088689
Apolonia Ancient Art
$7,800.00
This extremely rare piece is an attractive canteen type vessel that has been classified as Nazca culture, circa 500-600 A.D. This piece is approximately 7 inches high by 8.75 inches wide, has a small raised opening, and is heart shaped. This piece also stands by itself, as it has a flat bottom, and is very easy to handle with both hands due to it's "V-shaped" design. This esoteric "V-shaped" piece has a beautiful and even dark red glaze, and may have been designed to represent a human heart. In addition, this piece has a small extended central top spout, which somewhat resembles a blood vessel for a heart. This piece also has two lug handles, seen on each side of the vessel, and these handles were made in order to suspend the vessel. The suspension of this vessel acted as an aid for one in the careful pouring of a liquid, and as such, this vessel was probably created for ceremonial use. It is also possible that, given the heart shape, the handle design, and the dark red color of this esoteric piece, the liquid contained within this vessel may have been human blood which was used for ceremony. This piece was also lavishly published with a full page color photo in "Art of the Andes, Pre-Columbian Sculptured and Painted Ceramics from the Arthur M. Sackler Collections" by Paul Clifford and Elizabeth Benson, The Arthur M. Sackler Foundation and The AMS Foundation for the Arts, Sciences, and Humanities, Washington D.C. publishers, 1983, no. 143. (See attached photo.) The following description of this piece is seen in the above publication on page 268: "The widest area of this kidney-shaped canteen is at the top. Its short spout has a thickened rim, and loop handles are attached to the sides just below the shoulder. The entire vessel is painted with a red slip. Such a vessel shape does not appear in any of the literature, but there is a similar piece in a New York collection known to the author. (The following is a footnote relative to the New York example: "Seen while on loan to the Duke University Museum.") The surface color and finish are comparable to the Nazca panpipes in Number 142 (See attached photo.), and the bottle is therefore included with the Nazca material, although actual provenance is not known. The minimum age indicated in the thermoluminescence analysis indicates that the piece was fired in antiquity, but does not provide any basis of dating beyond that minimum age. Further technical measurements, such as trace element analysis of the clay and analysis of the slip with which the vessel was painted may, in the future, provide a method for establishing provenance, if comparisons can be made with similar analysis of other objects". (The following is a footnote regarding the two thermoluminescence (TL) tests that were performed on this piece by the Sackler Foundation: "OX-TL reference no. 381f1, 02/08/83 and 05/26/83 estimates that the sample tested has a minimum age of 470 years according to results of two TL tests, one to analyze fading.") The bottom of the piece has an inventory no. N-110, and there are two minute holes which indicate where the two above TL tests were taken. This intact piece is also in mint condition, and has an even glaze that is a brilliant deep red color. This extremely rare piece is also one of the top esoteric vessels, if not the most esoteric vessel offered by the Sackler Foundation. This piece is extremely rare, and so much so, it has also been labeled as "Teotino culture" by some pre-Columbian experts. In addition, this piece has been published as "Nazca (?) culture" by the Sakler Foundation, and has had extensive academic research and testing by their pre-Columbian academics, including Elizabeth Benson and Paul Clifford. The description of this published piece offered here, therefore follows the Sakler academic description as: Nasca (?), Peru, South Coast. Ex: Arthur M. Sackler collection, circa 1970's, accession no. N-110. Published: "Art of the Andes", (As noted above), 1983, no. 143. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1103081
Apolonia Ancient Art
$2,375.00
This appealing piece is an Egyptian polychrome wooden face mask that dates Third Intermediate Period, circa 1075-715 B.C. This piece is approximately 7.75 inches high, and is a near complete facial section of a wooden sarcophagus mask/lid. This piece has red outlined lips, and red and blue details which are painted over a golden yellow ground that covers the carved wooden surface. There are two dowel holes which were used to attach this esoteric facial section to the main body of the sarcophagus mask/lid. This piece also has some minute spotty black mineral deposits, and the condition of the carved wooden fabric is exceptional. This piece was carved in a very esoteric manner, as seen with the detailed lips and raised eyes. This piece has a great deal of eye appeal, and fits on a custom black plexiglas and marble stand. Ex: Sotheby's Antiquities, London, Feb. 1979, no. 273. Ex: Private New York collection. Ex: Sotheby's Antiquities, "The Charles Pankow Collection of Egyptian Art", Dec. 2004, no. 148. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1278991
Apolonia Ancient Art
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This attractive Greek ceramic is a Boeotian black-gloss kantharos, and dates circa 450-425 B.C. This piece is approximately 8 inches high, by 10 inches wide from handle to handle, and is extra large in size for the type and gracefully proportioned. This piece has a great deal of eye appeal, as it also has a rich deep loustrous black glaze seen over the entire piece, save the bottom of the vessel that has a reddish-tan reserve. The interior of the vessel also has an even deep black glaze, and this is an indication that this vessel was specifically made to hold a liquid, such as wine. This piece is catagorized as being a "Type D", and is the largest type for the period, and is amoung the largest Boeotian black-glazed kantharos cups. (For the type see: "Black Glaze Pottery from Rhitsona in Boeotia", by P.N. Ure, Oxford University Press, 1913, Pl. XIII.) This type of kantharos is also known as a "Sessile" type kantharos, which is characterized by it's lack of a raised stemmed base and a small torus disk foot. The form of this vessel is wheel made from a very fine reddish-tan colored clay, and the bowl and base was made as one single piece, with the large arching strap handles applied separately before firing. Small "spurs" project from the lower part of the handles, and they are likely "finger-grips". Flat bars connect the upper part of the handles to the main body of the vessel, and this creates a volute-like profile. The body of the cup has a thin flared upper rim, and a large torus ring foot with a flat base. The shape of this piece was made and used throughout ancient Greece, and the main areas of production for these black-glazed vessels was Attica and the region of Boeotia just northeast of the Gulf of Corinth. The reddish color of the fabric of this vessel also suggests that it may be of Attic manufacture, and/or is a product of an Athenian potter working in Boeotia using Attic source material. (This theory was also put forth by P.N. Ure in the work noted above, p.12, and he comments on the Boeotian black glazed vessels from the Fifth Century: "Such vessels as these and those of the Teisias Group suggest Boeotia occupied one of the very foremost positions in connection with the black glaze industry of this period. Wheather it was as producer or mearly as a purchaser is another question".) This type of vessel offered here is also seen on "Attic red-figure" ceramics that portray Dionysaic drinking scenes that often show satyrs dancing with a cup of this type. It may be that this type of cup was produced more for drinking ceremonies, rather than for funeral purposes which seems to be the case for smaller black-glazed vessels of this type. This attractive piece is intact, has no repair/restoration, and is in it's natural mint to superb "as found" condition. This piece has some nice minute root marking, and some heavy and spotty white calcite deposits seen in various sections of the vessel. An attractive large vessel for the type, and as such, is scarce on the market. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388636
Apolonia Ancient Art
$825.00
This detailed and esoteric piece is a Greek terracotta of a Kore, and dates to the 6th-5th century B.C. This piece is approximately 3 inches high, and is mounted on a custom steel and Plexiglas display stand. On the stand it is approximately 5 inches high. This piece was mold made, as it has a flat backside, and is a light orange terracotta. This piece depicts a Greek Kore, whose name means "maiden", and this goddess was responsible for good fortune and the change of the seasons with the "rebirth" of spring, and she was also known as "Persephone". Kore was also a fertility goddess, and is seen here holding her breasts. The face also has a slight smile, almond eyes, and a square chin which are also artistic style hallmarks for the period. This piece also has incised detailing that defines the hands, eyes, and hair locks. The face has a very esoteric look, and this piece has superb artistic style for the period. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1039437
Apolonia Ancient Art
$425.00
This flawless piece is an intact Greek olpe vessel that dates circa 4th century B.C. This piece is approximately 6.5 inches high by 3.25 inches in diameter. This esoteric piece has an attractive tan earthern glaze and is made from a light red clay. This piece has nice "as found" deposits, a flat bottom, and a single strap handle. The large open and round mouth was also designed to pour liquid very rapidly, which lends this vessel very well as a table vessel. Vessels of this type were widely produced in the ancient Greek world, and this vessel shape was also produced in bronze. In fact, our research reveals that bronze vessels of this type seem to be more common than the terracotta vessels of this type, and in addition, this type of terracotta vessel seen in this mint condition is scarce, as most examples have some degree of repair/restoration. This piece probably was used for everyday use and may also been a votive example, and the latter case is probably the case here, as this piece has no apparent wear from use. This piece probaly was used for water and/or wine. A nice example seldom seen in this condition. Ex: Bonhams Antiquities, London, April 2004, no. 343. Ex: Private Ill. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1385577
Apolonia Ancient Art
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This superb to mint quality coin is a Greek gold stater of Alexander the Great, circa 323-320 B.C., and grades EF+/FDC (Extremely Fine+/Mint State). This beautiful coin also weighs 8.6 gms, and is perfectly centered. This coin was minted in Miletos, and was struck under Philoxenos, who was a general of Alexander the Great. The obverse (Obv.) of this coin features the helmeted head of Athena facing right, and is wearing a Corinthian helmet with a coiled serpent. There are also flowing locks of hair seen on the cheek and neck, which is also a unique feature of this obverse die and coin type. The reverse (Rev.) has a finely detailed and exceptional standing Nike holding a victory wreath in her extended right hand, and a stylis in the left hand. The Nike seen here is also one of the best examples seen on a coin of this type, as one can see the minute facial details that are not normally seen. There is also a (Delta H) monogram in the left field. (Another example of this type and grade was offered by Larry Goldberg Coins & Collectibles, Auction 72, no. 4047. $2,500.00-$3,000.00 estimates, $5,000.00 realized.) References: Price 2078; SNG Ashmolean 2774. Ex: Harlan J. Berk, Chicago, Ill., circa 1980's. Ex: Private CA. collection, circa 2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1392094
Apolonia Ancient Art
$2,675.00
This lively piece is a Parthian/Near Eastern bronze leaping lion handle, and dates circa 150 B.C.-225 A.D. This piece is approximately 3.8 inches long, by 3.8 inches high, as seen on it's custom display stand. This piece is also complete, with no repair and/or restoration, and was cast as one solid piece. The lively lion seen here has his head turned to the right, and appears to look back at the individual who can easily hold this piece firmly with one hand. The lion is also seen with his mouth open, and appears to be roaring at the viewer. The lion is also seen leaping, and his two front paws were designed to fit over the rim of a vessel, as there is also a groove under the paws. This piece is a rare example, and is likely Parthian, as the artistic style of this piece is very analogous to other works of art attributed to this culture. (For another analogous example attributed to the Parthian period that is of the exact size and type, see: "Ancient Bronzes, Ceramics, and Seals. The Nasli M. Heeramaneck Collection of Ancient Near Eastern, Central Asiatic, and European Art.", Los Angeles County Museum of Art Pub., 1981, no. 659. See attached photos.) This piece also has a beautiful dark brown and green patina, and is mounted on a custom marble display stand. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1381605
Apolonia Ancient Art
$865.00
This piece is a Chancay canteen type vessel that dates circa 1100-1400 A.D. This piece is approximately 11.8 inches high, by 9 inches wide, by 4.5 inches thick through the main body of the vessel. This piece is a scarce "black-on-red" Chancay canteen vessel, as the majority of Chancay vessels are "black-on-cream" type vessels, and tend to be rather thin walled. The piece offered here is very durable, as it has thick walls, although it was a mold-made type vessel. This piece has attractive black geometric patterns seen on a red background on both sides of the vessel, and a raised rounded spout at the top, that also has the face and head of a god built into the spout. The face of the god appears to have tattoos, and has a very prominent nose. The handles of the vessel also double as arms, and there appears to be black painted hands seen at the top of each handle where it meets the spout. The god seen here may depict a Chancay "water-god", as this culture existed in a very arid region in ancient Peru. This intact piece is also in superb condition, with no repair and/or restoration, and has vibrant colors. This piece also sits on a custom Plexiglas display stand. Ex: Private Austrian collection, circa 1980's-2000's. (Note this piece has additional documentation for the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition: