Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #958827
Apolonia Ancient Art
$2,675.00
This impressive piece is a Greek bronze bead necklace, and this necklace is comprised of solid cast bronze beads that date to the Geometric Period, circa 800-700 B.C. This necklace is made from 13 beads which together measure approximately 17.75 inches end-to-end. All of the bronze beads are "biconical" in design, and seven of the larger beads have a raised terminal end, and a raised central ridge. The largest central bead has double-raised ridge terminal ends, and this bead is approximately 2.75 inches long. The other six largest beads measure approximately 1.5, 2, 2.4, 2.3, 1.75, and 1.25 inches long. The smaller six "spacer" beads are approximately .5 to .75 inches long. All of these beads have an attractive dark brown/green patina, and are all in superb and intact condition. In addition, these pieces have had little cleaning, and have a natural patina which adds to their appeal as stand alone individual collectables. These beads can also be easily strung on a leather cord, and can be worn as is, or can easily be separately mounted into several different works of jewelry. The weights of the beads vary widely, and the central bead weighs approximately 29.4 gms. The other six larger beads weigh approximately 15.5, 33.5, 59.8, 30.7, 29.5, and 12.1 gms. These beads were separately hand cast, and they are all slightly different in size and weight. Two of the larger beads also have a hole from the central shaft, which probably allowed for the addition of pendants and/or other beads which hung down from these two beads. These beads were likely worn in life, and may also have been votive. Examples of the bead types offered here can be seen in "Greek Jewellery: 6,000 Years of Tradition", Athens 1997, p. 89, nos. 71-72. These beads are also are now scarce in the market, and as a group, these pieces have a high degree of eye appeal and display very well. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1239393
Apolonia Ancient Art
$2,365.00
This attractive piece is a Vicus culture seated figurine that dates circa 200 B.C.-300 A.D. This piece is approximately 6.9 inches high, and is in mint to superb condition with no repair/restoration. This piece has a pleasing nice deep reddish-brown glaze, and has some minute root marking and some light blue/black spotty mineral deposits. This piece is a stirrup-type vessel, and it has a flat bottom. The legs and arms are seen tucked in close to the seated body, and this figurine seems to exhibit an inner core that is changing from an animal form to a human form, or vice-versa. This piece is classified as a "transformation type" ceramic, and this can especially be seen with the human facial features relative to the almond shaped eyes and well defined nose. The wide mouth appears to exhibit this change as well, as does the dual lobed head which is an anthropomorphic animal feature which is attributed to an animal such as a monkey. This piece is also an excellent example of a ceramic from the Vicus culture of ancient Peru, due to the reasons noted above, and most pieces from this culture seem to exhibit some form of "transformation" from one degree to another. This piece is also "thick walled", and has some weight to the piece. The early Peruvian ceramics from this culture were also fired at about 400 degrees C, thus producing a "thick walled" ceramic, as opposed to the subsequent Peruvian cultures such as the Moche, which produced "thin walled" ceramics which were fired at about 1000 degrees C. This piece is also analogous to an example seen in "Arts Ancient du Perou" by Bernard Villaret, Times Editions Pub., 1978, p. 51. (See attached photo.) This attractive piece has some weight, as one handles this piece, and is in scarce mint condition with a vibrant deep reddish-brown glaze. One of the best recorded examples. Ex: Dr. Ernst J. Fischer collection, Germany, circa 1980's. Ex: Auktion Ketterer 119, Zurich, 1987. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including a TL test from Gutachten Lab., 11/23/1984, no. 584912, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1385336
Apolonia Ancient Art
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This scarce piece is a Colima water carrier figurine that dates to the Proto-classic Period, circa 100 B.C.-250 A.D., and is approximately 13.25 inches high. This piece is intact with no repair and/or restoration, and has a nice even deep red glaze over the entire outer surface, save the bottoms of the flat feet. This piece also stands solidly by itself, and the water carrier seen here has a large jar on his back that has detailed ropes and fittings which are not normally seen on scarce pieces of this type. This water carrier also has his hands behind his head in order to steady his heavy load, and he also has a serene expression which runs counter to one that has a heavy load on his back. This piece also has some spotty black mineral deposits, and the surfaces show little wear. An exceptional example seldom seen on the market. Ex: Sotheby's pre-Columbian Art, New York, Nov. 2006, no. 387. ($5,000.00-$7,000.00 estimates, $9,000.00 realized.) Ex: Private Kansas collection, circa 2000's. Published: Featured in the ATADA Online Show, Aug. 9-19 2018 (www.atada.org/online-show). I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1170187
Apolonia Ancient Art
$875.00
This mint quality piece is a Greek Hellenistic "spindle" type amphora, and dates to the Hellenistic Period, circa 3rd-2nd century B.C. This piece is approximately 10.8 inches high by 3 inches in diameter at the center, and is larger than most examples. This intact piece has an elongated neck and stemmed base, with an overlapping lip which allowed this piece to easily be sealed at the top. This piece likely held a precious liquid such as a fine olive oil or perfume. The shape of this nice piece allowed this piece to be easily transported and stored. This type of vessel may also have been used in antiquity multiple times as well. Greek amphora bottles of this type were also used as a votive object, and have been found in burials throughout the ancient Greek world. This piece is also larger than what is usually seen, and is in mint condition, which make this a scarce example. This piece is made from a tan terracotta, and can stand by itself, as it has a flat bottom. This elegant piece has a great deal of eye appeal, as it has attractive light tan/brown earthen deposits and has a very esoteric shape. For the type see "Balkani: Antiche Civilta tra il Danubio e l'Adriatico" by Tatjana Cvjeticanin, Giovanni Gentili, and Vera Krstic, Silvana Editoriale Pub., 2007, no. 140. This piece also sits on a custom stand, and can easily be removed. Ex: Fortuna Fine Arts, New York. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1385957
Apolonia Ancient Art
$385.00
This pleasing piece is an Egyptian faience Ptah head that dates to the Late Period, circa 713-332 B.C., and is approximately .75 inches high. This piece was originally made as an amulet in the form of the Egyptian god Ptah, who was a popular god in ancient Egypt, and was the Egyptian creator god of Memphis and patron of craftsman. This piece had a suspension hoop at the backside, and was worn as a "protector" type amulet. The piece offered here has a thick dark green glaze, and has a detailed face with a serene smile. Ptah is also seen wearing a skull cap, although he appears to be bald. This superb conditioned bust is complete, save for the missing left ear, and has a realistic and better facial expression that most examples. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1224537
Apolonia Ancient Art
$1,365.00
This cute little piece is a pendant from the Zapotec culture that dates circa 200 B.C.-200 A.D. (Monte Alban II period). This piece has earlier Mezcala artistic influence, and a myriad of small monkey/squirrel pendants of this type were produced as early as 300 B.C. in western Mexico by the Mezcala culture. This complete piece is approximately 1.9 inches high by 2 inches long, and stands upright on its own, which also points to the skill of the artist, as most of these examples do not stand on their own. This piece is carved from an attractive green serpentine (green diorite) which has several light brown and white inclusions, and some minute stress cracks within the stone. This piece has Zapotec artistic style as seen with the extended thin lips, Roman style nose, and incised line work on the upper head. This piece is also a "transformation" type piece, as the seated monkey has humanoid anthropomorphic facial features. This piece also has a small bow-drilled suspension hole seen between the back and raised tail, and this piece likely served as a "protector" type pendant. This piece has bow-drilled eyes, and were likely inlaid with a colored stone. There are heavy white calcite and black mineral deposits seen within the two eyes, and the small suspension hole. In addition, there is some dark brown mineralization seen deep within some of the minute stress cracks of the stone. There is also a light brown patina seen on the outer surface, and some traces of red cinnabar seen on the low relief areas of the piece. A lively piece with a great deal of eye appeal with an exceptional patina, and is a scarce type. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) This piece also sits on a custom black/Plexiglas stand. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1320976
Apolonia Ancient Art
$875.00
This Egyptian/Phoenician steatite jewelry mold dates circa 1800-1200 B.C., and is approximately 1.25 inches long, by .65 inches wide, by .4 inches high. This rare piece was carved from a solid and very dense light to dark gray steatite stone, and this complete piece is a very solid and durable example. This type of piece also had to be very solid, as it was used as a jewelry mold which was used with gold, silver, and bronze sheet that was hammered and/or pressed down over the face of the mold. The face of this interesting steatite mold features a raised and recumbent nude goddess, who is seen laying flat and has her arms and hands holding her breasts. It is a very likely that this nude image is a fertility goddess, and may have been used to produce "votive" type pieces. She also appears to be wearing an Egyptian type wig, or her hair appears to have been styled in this fashion. This mold formed a very clear image of the nude goddess, and a bead or a pendant could have been created, and this mold could have been used to either press this image into the sheet metal being worked, or a ceramic. The raised figure of the goddess also appears to have some slight wear from use, and there are some light brown mineral deposits seen as well. Overall, the condition of this piece is exceptional, and is an intact example. This solid piece can also be easily mounted in a modern pendant, and can also be used to create a modern type jewelry piece as it was done in antiquity. This piece also sits on a custom Plexiglas stand, and simply slides down onto the two support pins. Ex: Private Swiss collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv.#12607. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1301382
Apolonia Ancient Art
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This scarce piece is a Roman bronze ring that dates circa 2nd-3rd century A.D., and features a reclined woman (Leda) with a swan on top. This Roman erotic type piece is approximately ring size 6 (16mm inner diameter), and was likely made for a young woman or girl. This piece is intact, has no repair/restoration, and is a solid bronze cast piece that can be worn today. This piece also has an attractive dark green patina that is an even color over the entire piece. This piece is in superb to mint condition, and has no wear on the outer surface, with only some slight wear on the inner surface of the hoop. This piece features a nude and reclined woman (Leda) who is seen reclined to the left, raised on her elbows, and has a swan positioned between her bent knees. The swan has his wings outstretched above, and has his neck looped up and down with his head kissing a breast. The piece offered here depicts the Greek myth of "Leda and the Swan", in which Zeus in the form of a Swan makes love to Leda, who gave birth to two sets of twins, one of each pair being mortal and immortal. One set of the twins was male, Castor and Pollux, and the other female, Helen and Clytemnestra. This ancient Greek myth was extremely popular in the Hellenistic Period, circa 3rd-2nd century B.C., and continued down into the Roman Imperial Period. A Roman carved gem, dated circa 3rd century A.D., showing the exact scene seen on the piece offered here, is seen in Christie's Ancient Jewelry, New York, Dec. 2004, no. 160. ($4,000.00-$6,000.00 estimates. See attached photo.) The relief of the figures seen on the piece offered is very high, and are very clear. The entire scene was also stamped into the flat top bezel of the ring, and the main body of the ring was cast as one solid piece. The design seen on this ring would have have been made like an ancient Greek or Roman bronze coin, and in both cases, the designs were stamped and struck with a carved punch die. The stamp punch die, for the erotic design seen here, may also have been used for additional rings and other objects as well. In addition, this ring may have been worn by an individual who was connected with the ancient Roman sex trade, and this ring may have served as an identifying symbol for the individual who wore this scarce ring. A ring such as this erotic type, would also have likely been worn by many individuals who lived in a city with a prevalent sex trade such as Pompeii. This piece also comes with a ring stand display base, and can easily be removed. Ex: Joel Malter collection, circa 1980's, Los Angeles, CA. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #997403
Apolonia Ancient Art
$1,865.00
This piece is a Greek lidded vessel that dates to the Late Bronze Age period, circa 12th-11th century B.C. This piece is approximately 8.5 inches high by 7.5 inches in diameter, and is intact in mint condition. This piece has attractive spotty white calcite deposits with some root marking, and a light brown earthen over glaze. This piece is a light red terracotta, and the lid fits perfectly into place. This piece also has Mycenaean artistic style, as seen with the two looped handles, peaked lid with knob grip, and the rounded shape of the main body. (For many Mycenaean vessels see "Mycenae and the Mycenaean Age" by George Mylonas, Princeton University Press, 1966.) This type of vessel also served as a burial urn, and held the cremated remains of the deceased. This type of vessel was then placed in a cist grave with lined stones, or within an enclosure of piled rocks, and the entire tomb was then covered with a mound of dirt. This type of burial was common throughout the ancient Greek world during the Bronze Age. The vessel offered here is intact, and is scarce in this condition. Ex: J. Malter collection, Los Angeles. CA. Ex: Private CA. collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1360469
Apolonia Ancient Art
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This exceptional piece is an Egyptian scarab that dates to the New Kingdom Period, XIX Dynasty, circa 1320-1200 B.C. This piece also falls within the period that Ramesses II ruled Egypt, circa 1304-1237 B.C. This piece is approximately 1.4 inches long, by .85 inches wide, by .7 inches high, and is in superb to mint condition with no repair and/or restoration. This piece is designed with the body of a beetle, and has a lovely light brown patina, with some minute white calcite and spotty black mineral deposits seen on various sections of the piece. This piece is a glazed steatite material and is a very solid example, as it also served as a seal that has a standing Bes god seen on the underside. The carving of this Bes image is also very deep, and the seal makes a very clear impression with high relief, as seen with the included clay impression that is attached to the custom display stand. This scarab amulet provided the wearer protection against evil, visible or invisible, and offered strength and power every day. In death, he or she who wore this amulet had the possibility of resurrection and being granted eternal afterlife, as this scarab ensured that the deceased heart would not give evidence against the deceased when he or she was being judged by the gods of the underworld. This scarab amulet also served as a seal with the image of Bes, who was a dwarf-like deity who was venerated as the protector of the home, family, and childbirth. The Bes seen on this beautiful piece is seen wearing a tall feather-crown, has a protruding tongue, and the ears of a lion. This piece is also very analogous to another scarce to rare example that is seen in the Israel Museum, Jerusalem, Inv. no. 76.031.3695. (See attached photo.) The scarce to rare piece offered here is also of exceptional quality, and is a type not often seen on the market. This piece also sits on a custom display stand and can easily be removed. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1367763
Apolonia Ancient Art
$2,675.00
This superb piece is a Veracruz/Mayan tripod plate vessel that dates to the Early Postclassic Period, circa 900-1200 A.D., and is approximately 12.4 inches in diameter, by 5 inches high. This piece is made from a dark red clay, and has a dark orange glaze that covers the entire piece. There are also three incised decorative boxes that are evenly spaced on the outer bowl, and these boxes have a dark gray/black glaze with cream colored incised lines. These boxes contain geometric patterns that may represent solar symbols, and these decorative elements are identical, save for the addition of a single circle added in Box B, seen with four circles, with yet another additional circle added in Box C, seen with five circles. Together, the three boxes likely represent a single complex concept, such as the movement of the planets, or perhaps representing a symbolic reference to the "Palenque Triad". There is also a symbol seen on the bottom central section of the bowl, and this may be a solar symbol and/or a sky symbol as well. This piece also has three rounded legs that are designed as a rattle, and all three legs are functional. There is also a slightly flared flat rim, with evenly spaced decorative black bands that are seen on the top flat rim surface. This piece is intact with no apparent repair/restoration, and is in superb condition with a very vibrant glaze. In addition, there are some spotty black mineral deposits. (Another analogous piece of this type and size was offered in Sotheby's Pre-Columbian Art, New York, May 1990, no. 236. $1,500.00-$2,000.00 estimates. See attached photo.) This piece is also relatively scarce on the market not only for the type, but also for the intact condition. Ex: Gunther Marschall collection, Hamburg, Germany, circa 1970's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1356856
Apolonia Ancient Art
$2,875.00
This mint quality piece is a Greek Boeotian black glazed kantharos that dates circa 450-425 B.C. This large piece is approximately 10 inches high, by 7.75 inches wide from handle to handle. This piece has a lustrous vibrant black glaze seen both on the inner and outer surfaces of this vessel, and features added white decorative elements that are seen running around the vessel. These prominent decorative elements are ivy leaf tendrils, along with a chevron pattern that is seen below. The chevron pattern is also a rare decorative element, and this piece is one of the few known examples that features this element. This piece also has distinctive looped "strap handles" that raise gracefully above the main body of the vessel, and a raised "stem base". This large vessel was likely used for holding wine, and was used for drinking and/or for pouring libations in a religious ceremony. The ivy leaf decorative elements seen on this piece are also tied to Dionysus, who was the Greek god of wine and revelry. In addition, this type of vessel is often portrayed on painted pottery being held by Satyrs, who were bestial goat-men that were associated with drinking and Dionysian festivals. This piece is in superb to mint quality condition, and has no noticeable repair/restoration. There are some minute stress cracks seen on the strap handles, but these are very minor and are difficult to see, and this vessel is a solid example which can be held today. There is also some spotty white calcite deposits seen mostly on the inner surfaces, and the entire piece has a beautiful even lustrous black glaze. Most vessels of this type usually have a great deal of repair/restoration, and significant losses to the white painted decorative elements, but this is not the case with this exceptional and intact example, and this piece is also one of the best recorded examples. This piece is also analogous to the example found in the Metropolitan Museum in New York, no. 1993.197. Another piece of this type, size, and condition was sold in Christie's Antiquities, London, oct. 2011, no. 71. (3,000.00-5,000.00 Pound estimates, 6,000.00 realized. See attached photo.) Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388453
Apolonia Ancient Art
$385.00
This appealing piece is a Greek terracotta bust that dates circa 4th-3rd century B.C., and is approximately 3 inches high. This large bust is intact, save a small edge chip around the vent hole hole rim seen at the back of the head, and is a terracotta that likely represents a goddess such as Demeter. This goddess is also seen wearing an elaborate and thick diadem, and has a very serene face. Demeter was the mother of Persephone who was responsible for the change of seasons, and the "rebirth" of crops during the year. This piece is in it's natural "as found" condition, and has some spotty earthen and mineral deposits. This piece is a pleasing example for the type, and is mounted on a custom steel and Plexiglas display stand with a total height of approximately 4.7 inches. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1373145
Apolonia Ancient Art
$725.00
This intricate and beautiful piece is a Romano-Celtic silver brooch fibula that dates circa 1st century B.C.-1st century A.D. This attractive piece is approximately 1.25 inches in diameter, is .2 inches thick, and was cast as one single piece. This solid silver piece also has an added "swivel clasp mount" pin attachment on the backside of the piece. This piece is also intact, save for the thin missing attachment pin that was attached to the "swivel clasp mount". This piece has a Celtic "trumpet swirl" pattern design, and is an intricately designed piece. This piece has a dark gray patina with some minute light green cuprite deposits. Overall, this piece appears to be un-cleaned, and is in it's natural "as found" condition. This piece also hangs on a custom display stand, and can easily be worn as a pendant today. Ex: Private United Kingdom collection, circa 1980's. Ex: Private New York collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1378394
Apolonia Ancient Art
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This scarce piece is an Egyptian faience two-faced amulet bust that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.25 inches high, and is an intact example. This piece was originally made as a figurine of the Egyptian god Pataikos, and has an attractive light green glaze. This interesting piece has nearly two identical "mold-made" faces seen on each side of the bust in a "Janus" type design. This appealing Egyptian bust also shows the two faces sharing the same bald head, and these faces have deeply molded features that convey a slight smile and serene expression. This piece was likely made as a "protector" type work of art, and may also have doubled as the god Bes and Pataikos, thus having additional protective powers. The Egyptian god Pataikos was derived from a Phoenician "dwarf-form", and was a "protector" type god which is also sometimes referred to as a "Ptah-Seker" god. Pataikos was also a popular god in ancient Egypt, and was always present among the workers in precious-metal workshops in Old Kingdom scenes of daily life. The piece seen here was also likely to have been intentionally and ceremoniously broken in antiquity, which subsequently killed the magic of the piece. This scarce piece is in superb condition, has a nice colored glaze, and is a large example for the type. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1386086
Apolonia Ancient Art
$1,875.00
This intact Chavin piece is a canteen designed vessel with a seated deity that dates to the Middle Chavin Period, circa 1000-700 B.C. This interesting piece is approximately 8.75 inches high, by 4.5 inches in diameter at the center of the vessel. This piece is a seated deity with a rounded body, extended nose, and appears to be wearing a skull cap and a loose mantle. There are also two suspension holes seen on each side of the raised spout, and this piece may have been carried as a canteen that likely held a sacred liquid. The arms and hands are also tucked in at the front, and has an analogous design as the sculptural deities that were excavated by Julio Tello at Moxeke, Peru. (See attached photo that is seen in "Chavin and the Origins of Andean Civilization" by Richard Burger, Thames and Hudson Pub., 1992, p. 83, fig. 66.) There is also a strong probability that this piece is a "ceremonial type" vessel and was used for offerings and ceremony. This piece has a thick dark gray glaze over the entire vessel, some attractive dark brown burnishing, and is intact with no repair and/or restoration. This piece is not only a scarce to rare Chavin vessel that is seldom seen on the market, but more importantly, it is also an important ceremonial type that depicts a sacred deity. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export, and US Customs Import documentation. In addition, there is a TL authentication lab test from Gutachten Lab, Germany, dated 06/11/1979, no. 3679116. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre 1492 item #1399042
Apolonia Ancient Art
$1,876.00
This scarce and mint quality piece is a heavy bronze Inka battle ax that dates circa 1440-1532 A.D., and is approximately 5.5 inches long, by 6 inches high from blade tip to blade tip, by 1 inch thick at the blunt terminal end. This massive piece was cast as one piece, then hand beaten into shape with a slightly sharp blade. This piece has a hole in the blunt terminal end, and a rod ran through this hole to hold this heavy piece in place in the wooden shaft. This heavy piece obviously generated tremendous force with an overhead and downward blow, and very little could have stopped this type of weapon from doing heavy damage. It's also quite likely that this weapon was produced to support the Inka in their imperial expansion, especially with their absorbing of the Chimu Empire circa 1470 A.D. This complete piece is also in mint "as found" condition, as it also has a beautiful thick dark to light green patina with spotty red highlights. This appealing piece is an exceptional Inka work of arms, and is seldom seen on the market in this extra large size and condition. A custom metal display stand is also included. (For a nearly identical type see: "Cobre: The Copper of Ancient Peru", AFP Integra Pub., no. 161. See attached photo.) Ex: Dr. Gunther Marschall collection, Hamburg, Germany, circa 1960's. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1315947
Apolonia Ancient Art
$1,875.00
This extremely rare piece is an iron "grape picker" scythe that dates circa late 4th-early 3rd century B.C. This piece is approximately 8 inches high, by 7 inches wide, and is a complete example. This piece is intact with no breaks and/or cracks, and is a solid intact example which is rare for an iron piece such as this. This complete piece has a heavy and solid dark to light brown earthen coating, of combined earthen and mineral deposits, which has sealed this iron piece from oxygen and deterioration. This piece has a square tang that was embedded into a wooden shaft, and a flat outer edge with an inner edge that was sharpened into an implement that was very efficient. The piece offered here is analogous to an iron "grape picker" that was found in an estate that was known to have produced grapes and wine. (This analogous piece of similar shape and size is published in "Ancient Country Houses on Modern Roads", Pub. Archaeological Receipts Fund, Athens, 2003, no. 318.) The piece offered here likely had many uses, but another use is known, and this piece was adapted into a deadly weapon that was used in battle. This type of piece was used on a long pole in order to attack cavalry by slashing and pulling down the rider from his horse, and is known as a "grape picker" sickle weapon. This type of weapon was especially effective against heavy armored riders, who removed from their mounts, could then easily be dispatched by an infantryman. An image of this type of piece is also seen as a mint mark symbol, and is seen on the reverse of a silver tetradrachm attributed to Alexander the Great, Babylon mint, circa 311-305 B.C. (See attached photo for the reverse of this coin. This coin type is also published in Martin Price, "The Coinage in the Name of Alexander the Great and Philip Arrhidaeus", The British Museum, 1991, no. 3768. It is also thought that this coin was minted in Babylon as military pay for the armies of Alexander who were at Babylon at his death in 323 B.C.) It is also very likely that this type of weapon was used by Alexander's armies in his fight against heavy Persian armored cavalry. The piece offered here was also found in a collection of iron spearheads with the same type of patina and earthen deposits. This piece is an example of an extremely rare weapon that also had other utilitarian uses. This piece is also mounted on a custom Plexiglas display stand. Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Pre AD 1000 item #1389309
Apolonia Ancient Art
$785.00
This scarce piece is an Etruscan Black Ware bucchero vessel stand that dates to the mid 6th century B.C. This piece is approximately 4.8 inches in diameter at the top rim, and is 2.8 inches high. This interesting ceramic also has a deep lustrous black glaze seen over the entire piece, and is known as a "bucchero" type ceramic. This piece has an indented round depression seen at the top, and this likely held a glass vessel, or a vessel such as an aryballos with a rounded bottom. This piece also has a raised stem on a round flat base, and the entire piece is very durable, as it is thick-walled. This vessel also has an old inventory tag attached to the bottom showing the "No. 38", and "Orvieto", which was one of the major Etruscan cities from antiquity. This piece is intact, and has exceptional surfaces with some minute root marking and spotty white mineral deposits. A scarce type vessel not often seen on the market. Ex: Hans Piehler collection, Germany, circa 1940's-1960's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1400499
Apolonia Ancient Art
$2,365.00
This scarce example is a Bactrian alabaster chalice that dates to the late 3rd-early 2nd Millennium B.C., circa 2100-1700 B.C. This superb piece is approximately 11.8 inches high, by 5.8 inches in diameter at the upper rim, and has a beautiful dark honey brown patina, with some heavy to light dark brown mineral deposits seen in various sections of the vessel. This piece has a flat upper rim, elongated stemmed base, a flared upper body, and a low capacity bowl that has an inner rounded bottom. The carving is exceptional for a vessel such as this, as there are graceful curves and flared edges that are seen within the overall design of this vessel. This piece was also likely a "ceremonial" type vessel, as the inner bowl has a low capacity for precious liquids, and in addition, this piece is rather heavy and takes two hands to comfortably handle. This esoteric piece was produced by a culture known as the "Bactria-Margiana" culture, and/or the "Oxus Civilization" culture, and was spread across an area encompassing Turkmenistan, Tajikistan, Uzbekistan, and Northern Afghanistan. This piece was carved from a fine white-veined alabaster, and vessels of this type were made for the ruling class and aristocratic elites. This complete piece has some limited repair seen mostly with the elongated stemmed base, and is an exceptional example for the type, as it is a complete example with a natural patina that has not been over cleaned as most examples have. (Another analogous vessel of this type was offered in Christie's Antiquities, New York, December 2000, no. 681. $4,000.00-$6,000.00 estimates, $3,290.00 realized. See attached photo.) Ex: Private German collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Stone : Pre AD 1000 item #943121
Apolonia Ancient Art
$785.00
This piece is an exceptionally large carved marble seal that is approximately 2 inches in diameter by .75 inches high. This piece dates circa 4th Millennium B.C., and is flat on one side with an oval shape on the other. The flat side displays a running ibex that is seen facing right, and there is a crescent moon and a single dot solar symbol that is is seen above. There is also a bow drilled hole that is seen running through the center, and this piece was probably attached to a cord that was worn over the neck of the individual that owned this piece. This piece likely served as an individual seal for the owner, and may have been used as a mark of value. The design was also bow drilled, as there are individual bow-drilled circles that constitute the overall design that is seen on the flat face of this scarce piece. This piece is analogous to an example seen in Bonhams Antiquities, London, May 2008, no. 348. This type of design is also analogous to several cultures that were found in the ancient Near East during this early period, and this type of design is often seen in Anatolia/North Syria, and is often found on hardstone seals made from black steatite. The marble that this piece is made from, was likely imported into the region, and it is a scarce material for a seal this large. This piece has a nice light grey patina and there are spotty white and light brown calcite deposits. There are also some concentrated straight marks on the oval side, and this piece may also have served as a wet stone for a blade during a later period in antiquity. A nice rare seal not often seen on the market. Ex: Erlenmeyer Collection, Basel, Switzerland. Ex: Sotheby's Antiquities, London, June 1997, no. 1. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1320798
Apolonia Ancient Art
$3,265.00
This superb Mayan "orange glazed" bowl with a glyph band dates circa 600-900 A.D., and is approximately 5.25 inches high by 7.75 inches in diameter. This piece is intact, and has some heavy root marking, along with some white calcite and spotty minute dark black mineral deposits. This attractive piece has a flat bottom, and has a graceful rounded body which gradually narrows towards the rim. This piece has a bright "orange glaze" with a red and black band seen just below the rim. Below this decorative red and black banded design, a black painted glyph band is seen running around the vessel that consists of fourteen identical glyphs. The detailed glyph band was also painted from right to left, and the beginning and end of the glyph band is seen, as the last glyph painted does not have the added "speech scrolls". The "speech scrolls" were not added to the last painted glyph, because the artist ran out of room within the overall composition, and could not over paint into the first painted glyph. This repeating glyph is also analogous to the glyph seen in "How to Read Maya Hieroglyphs" by John Montgomery, Hippocrene Books Inc., New York, 2002, p. 146, Fig. 8-11. (See attached photo.) The glyph seen on the vessel offered here, along with the published glyph noted above, both have "speech scrolls" attached at the left side of the rounded main body of the glyph, and these "speech scrolls" represent a "quotative particle" in Mayan iconography, meaning as the term "quotative" indicates, certain particles (glyphs) attribute phrases to individuals as though these were the figure's utterances or actual speech. In the case of the glyph seen here, it is interpreted as "it is his saying", which may also be interpreted as "this vessel belongs to him". It is interesting to note that this glyph repeats again, and again, around the vessel within the glyph band, and in this case, the presence of this glyph tells us that this object belongs to someone. This type of possessive reference is a well-known reference seen in dedicatory Mayan ceramic texts. The piece offered here is as attractive, as it is interesting, and this type of Mayan ceramic is scarce on the market today. Ex: Arte Primitivo, New York, circa 1990's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1362411
Apolonia Ancient Art
$2,365.00
This superb Roman bronze is a portrait bust of the Roman emperor, Marcus Aurelius, and dates circa 170-180 A.D. This mesmerizing piece is approximately 1.35 inches high, by .8 inches wide, and is a complete bust with most of the lower neck. This piece was part of a figurine, and was broken at the lower neckline, and the bust is a complete example, with no cracks and no other noticeable areas of damage. This realistic portrait bust is in superb condition, and has a beautiful light to dark green patina with some minute red spotty highlights. In addition, there are some light green and blue deposits seen mostly on the inner surface of the piece. This piece is classified as a "Type IV" portrait of Marcus Aurelius, as it shows the emperor in an advanced age with a very full beard. The beard is also divided in the center of the chin that also shows parallel locks of hair. This "Type IV" convention of art can easily be seen on this portrait bust, along with the distinctive arc of hair that frames the forehead. The emperor is also seen wearing a diadem crown in the hair which also signifies the wearer as being regal in status. The overall look of the face also conveys the Stoic nature of this emperor-philosopher, and conveys a peaceful ideal. (For the portrait type see: Klaus Fittschen and P. Zanker, "Katalog Der Romischen Portrats in den Capitolinischen Museen und den Anderen Kommunalen Sammlungen der Stadt Rom", 3V., Berlin: P. von Zabern, 1983-2010.) Marcus Aurelius Antoninus Augustus ruled from circa 161-180 A.D., along with Lucius Verus as co-emperor from circa 161 until Verus' death in 169. During his reign, the empire defeated a revitalized Parthian empire, and fought the Marcomanni, Quadi, and Sarmations with success during the Marcomannic Wars, but it was the Germanic tribes that Marcus fought incessantly with during the remaining years of his rule. The realistic portrait bust offered here was likely created during this time, and is likely a provincial portrait, which may also have been in a private shrine where the Roman legions were stationed near Germania along the Danube. Whatever the case, this portrait served a Roman well in the period in which it was created, and is an excellent image of this important emperor. This attractive piece also sits on a custom display stand, and can easily be removed. Ex: Private Swiss collection, circa 1970's. Ex: Phoenix Ancient Art, New York and Geneva, Switzerland. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1398950
Apolonia Ancient Art
$875.00
This esoteric green hard stone piece is a Valdivia-Chorrera hacha that dates circa 1500-600 B.C., and is approximately 5.85 inches long, by 4 inches wide, by 1.7 inches thick. This piece was produced by the Valdivia-Chorrera culture that lived in modern day Ecuador, and was one of the earliest pre-Columbian cultures of South America. This piece is a votive type object and is shaped as a battle ax, and is a type that is also referred to as a "hacha". This piece was smoothed and polished into the refined form that we see today, and this process was very labor intensive. The surfaces of this piece are very refined, and one can easily see the veins and multi-colored inclusions which enhances it's sacred "raison d'etre". This piece is also a hard serpentine type stone, and it's dark green color was highly prized among many pre-Columbian cultures. A near identical example was offered at Christie's, Paris, Art Pre-Columbian: Collection Felix Et Heidi Stoll ET A Divers Amateurs, April, 2019, no. 8. (1,000.00-1,500.00 Euro estimates. 1,000.00 Euro realized. See attached photo.) Ex: Dr. Gunther Marschall collection, Hamburg, Germany, circa 1960's. Ex: Private German collection, circa 1970's.-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1398684
Apolonia Ancient Art
$1,675.00
This attractive and complete piece is a Roman bronze hanging lamp that dates circa 1st-2nd century A.D. This two-part piece is approximately 4.7 inches long, by 1 inch high for the main body of the lamp; and 4 inches long, by 2 inches high for the hanging nail hook. This piece has an attractive dark green patina with dark red highlights, and is in superb "as found" condition; as the hanging chain is complete, the hanging nail hook is intact, and the attachment lanyards on the lamp are intact. This piece was also cast as one piece, and the main body of the lamp has raised round circles at the bottom base which diffused heat. This lamp also has a double spout, and the hanging nail hook allowed this lamp to be extremely portable, and there is a distinct possibility that this lamp was made for a Roman legion that was on the move. A superb complete hanging lamp not often seen on the market in this superb condition. A custom display stand is also included. Ex: Private German collection circa 1980's-2000's. (Note: Additional documentation is included for the purchaser, including US Customs Entry documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1399716
Apolonia Ancient Art
$2,675.00
This lively and rare Roman-Egyptian bronze dancer dates to the Late Hellenistic Period-Early Imperial Period, circa 1st century B.C.-1st century A.D. This piece is approximately 2.8 inches high, and is an extremely rare to rare example that was likely produced in Alexandria, Egypt. This piece is a lively dancer, also known as a "grotesque dancer", that displays a great deal of movement with a twisted torso, and appears to be seen in a spinning dance. This figure also has his over sized genitals exposed behind, and has "dwarf-like" features with a raised hump on his upper back. This vibrant piece may also be an actual representation of a bald and naked deformed dancing dwarf that was popular during the late Hellenistic period. This piece has a beautiful dark green patina with spotty red highlights, and is a complete example save for the missing lower left leg and the foot of the right leg. (Another analogous example approximately 3 inches high, and attributed to the same period, was offered by Royal Athena Galleries, New York, Vol. XVIII, 2007, no. 41, for $8,500.00. See attached photo.) Ex: Private German collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1239527
Apolonia Ancient Art
$3,265.00
This rare piece is a Salinar/Viru culture monkey "transformation" type vessel that dates circa 400-200 B.C. This piece is approximately 9 inches long by 7 inches high, and is in superb condition with no repair/restoration. This piece is a standing quadruped with a stylized lobed monkey's head, and a short tail is seen curled at the back. This piece is seen standing on sturdy legs, with each flank painted with mythical creatures that have bared fangs and claws. The whole piece is covered with a light yellow-brown slip, and the mythical creatures and facial elements are painted in a light reddish-orange color. This piece is also a "stirrup-handle" type piece that is also designed as a "whistle" type vessel, as it makes a shrill sound when one blows into the raised end of the handle, and as such, this vessel was also likely a "ceremonial" type vessel. In addition, this piece also represents a "transformation" type vessel, as the stylized lobed head on the monkey has human and animal features. This rare early Andean culture ceramic may also be a prototype for the subsequent Moche I ceramics, and as such, this type of piece set the standard for Andean ceramics that have a great deal of realism regarding both human and animal representations. This intact piece has no restoration/repair, some spotty light brown mineral deposits, and is a superb to mint quality example for the type that is seldom seen on the market. Another analogous example of this culture is seen in Lempertz Pre-Columbian Art, Brussels, Jan. 2010, no. 49. (See attached photo. The Lempertz example also has an analogous painted mythical creature on the flanks as the piece offered here, and both of these pieces may have been produced in the same workshop.) This type of piece is x-rare to rare, and has a high degree of eye appeal. Ex: Dr. Ernst J. Fischer collection, Germany, circa 1980's. Ex: Auktion Ketterer 163, 1986. Ex: Private German collection. (Note: Additional documentation is available for the purchaser, including a TL test from Gutachten Lab., 01/14/1991, no. 369012, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Byzantine : Pre AD 1000 item #1397608
Apolonia Ancient Art
$785.00
This beautiful ring is a Late Roman/Byzantine bronze ring with gold gilt that dates circa 6th-7th century B.C. This attractive piece is approximately ring size 4.75, and has an approximate .7 inches inner diameter. This intact ring was likely worn by a young girl, and has very attractive features; including remnants of gold gilt seen over the bronze in various sections of the piece, a brilliant pyramid cut deep red garnet, and a round gray/white glass paste inlay. The brilliant pyramid cut red garnet also seems to glow when seen with bright outdoor light, and this type of cut for this stone is scarce for the period, as most ring stones seen during this period have a polished oval type face, rather than a polished pyramid type face. The bezel also has a fine herringbone design that was engraved on each side, and there also is a minute tang at the bottom of the solid bronze ring hoop. The top inside of the bezel is also very smooth, and this is an indication that this ring was worn a number of years. A very pleasing ring with a great deal of eye appeal, and is solid enough that it can be worn today. A custom ring box is included, as well as a small hard case display box. Ex: Private German collection, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1396425
Apolonia Ancient Art
Sold
These eight complete Greek "sling bullets" date to the 5th-4th century B.C., and are approximately 1 to 1.6 inches in length, by .4 to .7 inches in diameter. These pieces all have some light mineral deposits, and have a light dark gray-brown to tan patina. These relatively heavy lead pieces were mold made, and one can easily discern each half of the piece that was fitted into a "two-part mold". These pieces were fitted into a hand sling that generated tremendous force and speed as they were released from the sling. These weapons also have an almond shape, as most lead "sling bullets" have, and this shape provided a stable aerodynamic flight. These pieces also have some light marking and minute impact dents that indicate that many of these pieces were likely in battle. In addition, four of these pieces have lettering, and often refers to a city, a military general, or a battle message. These interesting pieces are all different sizes, and a custom display case is included. Ex: Joel Malter collection, Los Angeles, CA., circa 1990's. Ex: Private CA. collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1384480
Apolonia Ancient Art
$965.00
This extremely rare piece is a Greek bronze jewelry mold that dates to the Hellenistic Period, circa 4th-3rd century B.C., and is approximately 1.75 inches long, by 1.25 inches wide, by .3 inches thick. This complete piece was cast as one solid piece and has a flat back, a single hole for suspension seen below the rounded top, and two extended handles with mounting holes seen on each side of the main body of the piece. This piece was also likely secured with cords through the extended handles to a flat surface, and the artist was then able to apply pressure to the mold. A thin sheet of gold or silver was placed into the mold, and pressure into the mold with a tool formed half of the body of the acorn. Two halves were subsequently joined together to form the complete decorative acorn that were often strung side-by-side into a necklace. This piece also has a beautiful dark green patina, and appears to have some minute wear from use in antiquity. The bronze mold offered here is extremely rare, and offers some insights as to how ancient jewelry was produced. This piece may also have been suspended by a cord with other molds of various sizes in a workshop. This piece also comes with a custom display stand, can easily be removed, as it simply hangs on the stand, and is an extremely rare piece that is seldom seen on the market. Ex: Private Swiss collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv. #12608. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1290942
Apolonia Ancient Art
$985.00
This attractive piece is a Roman bronze ring that dates circa 1st-2nd century A.D. This complete piece is approximately 1 inch wide, is ring size 6.5, and was made for a young man or woman. This ring has an oval shaped hoop, and this shape provided for a wide face that looks very large when worn on the finger. This piece is very solid and can easily be worn today as well. This piece has sections of original gold gilt seen over the bronze, and this piece has a brilliant translucent orange carnelian stone that is firmly attached to the bronze bezel. The beautiful carnelian stone was never reattached to the ring, and it is firmly in place in it's original setting. The brilliant orange carnelian stone also has a carved image of a seated animal, possibly a dog or a fox. This animal is seen on a ground line, and has raised ears and a long curled tail. The brilliant orange carnelian stone is also highly polished, has an oval shape, a flat bottom, and is clear save for a small black inclusion that is deep within the stone. This piece was also used as a personal seal/signet ring, and makes a sharp impression. The condition of this piece is superb, and is intact with no repair/restoration, and has original gold gilt seen on the inner and outer surfaces of the bronze bezel. Overall, this attractive piece is in better condition than most examples of its type, and is in its natural "as found" condition. Ex: Private New York collection, circa 1980's. Ex: Phoenix Ancient Art, New York and Geneva, Inv. #P33-091-031915. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1381567
Apolonia Ancient Art
$965.00
This attractive piece is a Greek black glazed glaux skyphos, and dates circa 4th century B.C. This piece is approximately 2.8 inches high, by 5.5 inches wide from handle to handle, and is in intact condition, with no repair and/or restoration. Overall, this piece is in superb to mint quality condition, save for some minor spotty roughness in the glaze of the outer surface, and has some spotty white calcite deposits. This piece has a deep lustrous black glaze seen on the inner and outer surfaces, and has a very distinctive design feature with one vertical and one horizontal handle. Both of these handles also have a different design, with the horizontal handle having a round design, and the vertical handle having a thick, flat design. The vertical handle was designed to hold this scarce vessel with the index finger, and the other handle was used to control the pouring of a liquid, such as concentrated wine that was mixed with water. The handle design also refers to the common name that this scarce type of vessel is known as, and this vessel type is often referred to as a "glaux skyphos". The bottom of the vessel has a small black dot, seen within a dark orange reserve, that is also seen within the bottom ring base. The piece offered here is seldom seen in this condition, and is one of the better recorded examples. Ex: Hans Piehler collection, Germany, circa 1940's-1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1258851
Apolonia Ancient Art
$1,265.00
These two beautiful pieces are two matching solid Greek gold earrings that date to the Hellenistic Period, circa 4th century B.C. These two large examples are approximately 1.2 inches in diameter, and are 1/8 wide at the square terminal ends. These pieces weigh approximately 5.1 grams and 7.7 grams, as one piece has a slightly larger rounded inner hoop diameter, and a slightly larger square terminal end. These large and somewhat heavy pieces were worn through pierced ears, and the square terminal ends held them in place, as the main body of these pieces are rounded to easily run through the pieced ears. These pieces are a scarce type, although they are a simple design, and were easy to adjust to the individual. In this case, the slightly larger inner rounded diameter size of one earring may have been custom made for a wealthy lady in antiquity, who may have had a larger pieced ear hole on one ear than the other. The outer width diameter of both pieces is a perfect match with an approximate diameter of 1.2 inches, although the inner rounded diameter sizes are slightly different from one another, with one hoop slightly thicker than the other. This type of construction is a good indication that these pieces were perhaps custom made for one individual. These pieces are also solid, and have fine etched line design seen on all four sides of the square terminal ends. These pieces also have some minute deposits, extremely minute scratches, and a slight oxidized yellowish patina which is consistent with ancient gold pieces. These solid pieces are also in mint to superb condition with no cracks and/or repair, and are in fact solid enough so that they can even be worn today. These beautiful pieces also hang from a custom display stand, can easily be removed, and have a bright yellow color that can be seen at a great distance. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1259952
Apolonia Ancient Art
$1,265.00
This scarce coin is a silver tetradrachm that was minted in the name of Alexander the Great, circa 311-305 B.C. This coin is approximately 26 mm in diameter, weighs 17.1 grams, is perfectly centered, and is in about extremely fine/extremely fine condition: EF-/EF. This piece also has attractive old cabinet toning, and has an even light gray patina. The obverse has the head of Herakles facing right, wearing a lion's skin headdress, and the obverse is seen in extremely high relief. The obverse has superb artistic style, and the eye of Herakles is seen wide open and is slightly upturned. This is a Greek Hellenistic convention of art that also is meant to portray a deified god, and the portrait seen here may also represent Alexander the Great in the guise of Herakles. The reverse has a seated Zeus facing left, holding an eagle in his extended right arm, with the name of "Alexander" seen behind, and "King" below in Greek lettering. In addition, there is a monogram seen below the throne that is seen within a victory wreath, and the letters "MI" are seen before the throne with a symbol seen below. This symbol represents a type of scythe known as a "grape picker", and this weapon was used on a long pole in order to attack cavalry by slashing and pulling down the rider from his horse. This type of weapon was especially effective against heavy armored riders, who removed from their mounts, could then easily be dispatched by an infantryman. This symbol is extremely rare, with only one recorded example by Martin Price in "The Coinage in the Name of Alexander the Great and Philip Arrhidaeus", The British Museum, 1991. Price also classified this coin as being from the "MI" series, Babylon Mint, circa 311-305 B.C., nos. 3745-3775. The coin offered here is analogous to no. 3768, which is listed as having a "sickle" symbol. This symbol is extremely rare relative to ancient Greek numismatics, and the coin offered here, and the Price example may be the only two recorded examples. In addition, Nancy Waggoner in "The Alexander Mint at Babylon", Columbia University, 1968, thought that the "MI" series, denoted by the "MI" letters seen on the reverse, was a result in a change in the mint personnel at Babylon with the resumption of power there by Seleucus I, circa 311 B.C. Seleucus I gained power in Babylon by wrestling control of Babylon from Antigonos I Monophthalmos, and finally defeating him at the battle of Ipsos circa 301 B.C. The coin offered here may in fact be the first coin issue minted by Seleucus I, and it is interesting to note that the symbols seen on the "MI" series are military in nature, and some of these symbols include a "double-ax", a "ship's prow", and a "spearhead". The "MI" letters are also seen on several subsequent regal coin issues of Seleucus I after circa 305 B.C. The coin offered here is an Alexander the Great type that is seldom seen on the market with the symbols attributed to Seleucus I, and was an issue that helped to secure Seleucus I as "King of Asia". Ex: Harlan Berk collection, circa 1980's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1395146
Apolonia Ancient Art
$875.00
These Bactrian Near Eastern and rare (50) fifty triangular fittings are carved from a hard limestone, and are approximately 2500-1800 B.C. These pieces are approximately .80-1.1 inches high, by .20 inches thick, and are all triangular shaped with a "notched rounded edge" that runs around the edge of each piece. These appealing and decorative pieces also have an attractive light to dark gray patina, and are all intact, save for five pieces that have repaired breaks. These pieces are in remarkable condition, as they could easily be damaged and/or shattered simply by dropping them on a hard surface, as they are relatively thin limestone plaques. The principle reason they are in their superb to mint quality "as found" condition, is that they were likely inlaid into an object such as a wooden box, a furniture piece, or possibly even the face of a wooden shield. A number of these pieces also have have a more pronounced patina on one side than the other, and this may also be an indication that these pieces were embedded into a perishable object as noted above. These pieces are a nice group of individually carved objects with a high degree of eye appeal. These pieces are also offered with a custom display case/frame, and can easily be removed. Ex: Private Austrian collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1004703
Apolonia Ancient Art
$1,675.00
This scarce extremely large piece is a Greek blackware guttos that dates to the Hellenistic Period, circa 4th century B.C. This attractive vessel is approximately 6.75 inches high, by 6 inches wide from the top of the spout to the opposite side. This piece is intact, and is in mint condition with no repair/restoration. The surface of this exceptional piece also has a nice multi-colored iridescent patina, along with a rich glossy black glaze, and in addition, there is some spotty and minute white calcite deposits. This piece is an extremely large example for the type, and there is no glaze loss and cracking which is usually seen as well. This vessel has an extended trumpeted spout, a looped handle, detailed attractive ribbed sides, and a roundel of a grimacing facing Silenus head with wild billowing hair. Silenus was a woodland deity in ancient Greek mythology, and this piece shows his image very well as the unruly companion of Dionysus. This roundel that features a vibrant facing Silenus head that was mold made, and has very high relief, as it is approximately .75 inches high. This type of vessel likely held precious oil, and was used in ceremony as well as for everyday use. There is only one opening into the vessel through the spout, and the looped handle gave one exact control over the liquid. The extended round footed base of this piece gave this vessel an added capacity for liquids, and Greek guttos vessels of this type usually do not have this added design feature. This large piece may have also been produced in Athens for export, and this type of vessel was also made in the Greek colonies of southern Italy. An intact and scarce x-large vessel that is seldom seen the market, and is one of the best recorded examples for he type. Ex: Fortuna Fine Art, New York, circa 1990's-2000's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition: