Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #824649
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This interesting piece is from the Jama-Coaque culture that lived in the tropical forest coast region of northern Ecuador near the Esmeraldas River. This area is also the region where the Spaniards first encountered the native South Americans. The piece offered here is approximately 10 inches high, dates circa 500 B.C.-500 A.D., and is intact, save for some missing coffee bean ends seen on the headdress and a very small section of the headdress behind the right ear, and this may have been done as this piece was a burial offering. These breaks appear to be very old, as there is wear in the break areas with burial deposits, and this may have been done to break the "mana" and/or magic of the piece for burial. The seated figurine may be a shaman that is seen wearing a headdress, shirt, earrings, and nose ring that are decorated with coffee bean symbols. He also has coffee bean designed eyes and is seen holding a lime pot in his right hand and in his left, a coca pod. (For the type see: "Pre-Columbian Art" by Jose Alcina Franch, Abrams Pub., New York, 1983, no. 595.) There are traces of painted designs seen on the lower legs, headdress, and skirt. This piece has spotty black mineral deposits and some minute root marking. An example and type that is now scarce on the market. Ex: Private Arizona collection, circa 1990's. Ex: Howard Rose collection, New York, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1355169
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This beautiful piece is a light blue Roman glass ribbed bowl that dates to the Hellenistic Period, circa 1st century B.C.-1st century A.D. This piece is approximately 6.75 inches in diameter, by 2.2 inches high, and is in flawless condition with no hairline cracks, chips, or any other imperfections. This piece also has 26 vertical ribs that increase in thickness, and run upwards from the flat bottom to just below the upper rim. This type of bowl is also known as a "pillar-molded" bowl, as it was mold made, and was then ground and polished into shape. There are also two decorative well-defined "wheel-cut concentric grooves", and a small well-defined "wheel-cut circle" seen on the inner bottom center of the bowl. In addition, there are two shallow "wheel-cut grooves" that are seen running around the middle of the inner wall. These shallow "wheel-cut grooves" are also so shallow in sections that they do not appear to have been intended as a decorative type element, but rather are marks that resulted from centering a polishing tool within the inner surface of the bowl. There are also some faint polishing lines still visible on the inner surface, as this piece is in mint condition, and may have been offered solely as a votive type object. This piece also has a spotty multi-colored iridescence, and some light earthen deposits seen mostly on the outer surface of the vessel. The exceptional piece offered here is also one of the better recorded examples, and is nearly identical and larger than the example sold in Christies Antiquities, New York, June 2012, lot 151 ($4,000.00-$6,000.00 estimates, $9,375.00 realized. 5.4 inches in diameter, with 22 vertical ribs. See attached photo.) Another example that was recently sold was offered in Christie's Antiquities, London, July 2016, lot 204 ($15,000.00-$22,000.00 estimates, $16,138.00 realized. 5.75 inches in diameter, with 26 vertical ribs.) The piece offered here is not only one of the best recorded examples, but it is also a beautiful example with a light blue color that has a high degree of eye appeal, and as such, it compares in color and quality to the two other examples noted above. For the type see John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", 1975, nos. 50-52. Ex: Private German collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1364438
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This extremely rare ceremonial stone ball is attributed to the Taino culture, and dates circa 1100-1250 A.D. This piece is approximately 5.3 inches in diameter, and is a perfect sphere. This piece is a hard sandstone that is native to the Caribbean region where the Taino culture dwelled, and there also have been many ceremonial ball-courts found in Puerto Rico, where the Mesoamerican ballgame was played with a rubber ball. The piece offered here may have been from this region of the Caribbean as well. This interesting piece features many geometric designs that were minutely hand pecked into the stone, and the designs appear to be a mirror image of one another when one rotates the stone. This piece was definitely a "votive-type" piece, and may also have been a trophy for the ball-game itself. The exact ceremonial nature of this piece is unknown, but what is known, is that this piece was definitely connected to the ceremonial ball-game. This game was also believed to have been played by only bumping the ball with the elbows and torso. This piece also has some minute dark black and gray mineral deposits, and some slight wear in various sections of the piece. This piece also comes with a Plexiglas display ring. Ex: Throckmorton Fine Art, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1356984
Apolonia Ancient Art
$875.00
This Roman gold earring with a shield emblem is a complete example, and dates circa 2nd-3rd century A.D. This attractive and large example is approximately 1.1 inches in diameter, and weighs 3.5 grams. This piece is a solid example, and is not plated. The shield emblem seen on this superb piece has a dotted decorative element in the center, and a beaded border. The clasp has been wired shut, as the wearer likely wore this piece everyday. The clasp can be adjusted so that it can be easily worn today, and the hoop is very durable as it has a large diameter. The shield emblem also has a single rivet that attaches it to the solid gold hoop, and this adds additional strength and durability to this beautiful example. This piece also has some spotty dark red/brown deposits, and can easily be cleaned. This piece is a very collectable example of ancient jewelry, and is an exceptional large piece. For the type see: Ruseva-Prokoska L., "Roman Jewelry, A Collection of National Archaeological Museum", Sofia, Bulgaria, 1991, nos. 30-35. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Byzantine : Pre AD 1000 item #1363649
Apolonia Ancient Art
$375.00
This rare Byzantine bronze coin is a "double-follis" attributed to Basil II, circa 976-1025 A.D., and is likely Constantinople mint. This rare coin is approximately 35mm wide, weighs approximately 22.1 gms, and is in extremely fine/extremely fine (EF/EF) condition. This coin was minted at the height of the Byzantine Empire under Basil II, and is approximately twice the weight of a "single follis", as the average weight of a "single follis" is approximately 9.54-10.25 grams. This rare coin is a denomination seldom seen on the market, as it was produced with dies that were used for a "single follis", along with a flan that is simply twice the weight of a "single follis". This coin type is also classified as a "medallion", and Byzantine "medallions" were only minted on special occasions. The obverse (Obv.) features the bust of Christ Pantokrator with long hair, along with the image of a halo and cross behind, and within each limb of the cross, there are five dots. There are also two dots seen to the right of the bust, all within a dotted border. The reverse (Rev.) features three lines of lettering that also name Basil II. This superb Byzantine bronze also has a great deal of eye appeal, as it has a beautiful dark green patina with spotty red highlights. This piece is not only a nice example of a Byzantine bronze coin, but it is also a Christian artifact in this large size. References: Sear 1813 (follis); Berk 948 (follis). Ex: Harlan Berk collection, Chicago, Ill., circa 1980's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : European Medieval : Pre AD 1000 item #1339561
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These two fine designed pieces are two matching Viking bronze bracelets that date, circa 9th-10th century A.D. These two Viking culture pieces are approximately 3 inches long, by 2.6 inches in diameter for one bracelet; and the other bracelet is slightly larger and is approximately 3.1 inches long, by 2.8 inches in diameter. Both of these beautiful examples have matching hand stamped intricate pattern design work, and they were made from a single sheet of bronze, hand stamped, then folded into the form seen today. These pieces still retain some flexibility, and in antiquity, they were able to easily flex for the wearer of these bracelets who was likely a young woman. These pieces have a lovely dark green patina, with some attractive spotty dark blue azurite mineral deposits seen in various outer and inner sections of both bracelets. These pieces both display a hand stamped "triangular symbol", with three dots within, that are designed interlocking and are seen running around the perimeter within a double dotted border. There are also two raised bars that run through the middle, and there is a minute and detailed "interwoven cable pattern" seen between, and this "interwoven cable pattern" is seen again on each side of the bracelets. There are also four raised dots with a dotted border that may solar symbols, and extensive minute dotted line work is seen in various sections of the bracelets. The overall hand stamped design seen on both bracelets is very finely done, and the composition of the design work seen on both bracelets match. Only a skilled artist for the period could have produced the matching hand stamped composition seen on both pieces. Both of these nice examples are 100% original, and are intact, save for the slightly larger example that has two strengthened and repaired stress cracks which is normal for very thin bronze metal pieces such as these. These pieces are scarce with the high degree of workmanship seen on these two beautiful pieces, and fine high quality minute Viking hand stamped work is not often seen on the market. These pieces sit on a custom display stand, and can easily removed. Ex: Private Denmark collection, circa 1990's. (Note: additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1040039
Apolonia Ancient Art
$2,365.00
This mint quality piece is a large Greek pitcher that dates to the Greek Geometric Period, circa 8th-7th century B.C. This piece is approximately 10.75 inches high by 8.5 inches in diameter. This attractive piece is a light gray terracotta, and is intact with no noticeable chips and/or abrasions which are usually associated with ceramics of this type. This attractive piece also has nice light to dark brown earthen deposits and minute root marking. There is a single strap handle and trefoil mouth which allowed water and/or wine to be poured in a controlled manner. This piece also sits on a ring base that stabilizes this vessel a great deal, and together with the trefoil spout, are design innovations that represent a huge leap in ancient Greek ceramic design/production. This piece is scarce in this size and flawless condition, and is a very attractive early Greek light gray ceramic. Another analogous example nearly the same size is seen in Sotheby's Antiquities, London, July 1991, no.245. Ex: Private CA. collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1170187
Apolonia Ancient Art
$875.00
This mint quality piece is a Greek Hellenistic "spindle" type amphora, and dates to the Hellenistic Period, circa 3rd-2nd century B.C. This piece is approximately 10.8 inches high by 3 inches in diameter at the center, and is larger than most examples. This intact piece has an elongated neck and stemmed base, with an overlapping lip which allowed this piece to easily be sealed at the top. This piece likely held a precious liquid such as a fine olive oil or perfume. The shape of this nice piece allowed this piece to be easily transported and stored. This type of vessel may also have been used in antiquity multiple times as well. Greek amphora bottles of this type were also used as a votive object, and have been found in burials throughout the ancient Greek world. This piece is also larger than what is usually seen, and is in mint condition, which make this a scarce example. This piece is made from a tan terracotta, and can stand by itself, as it has a flat bottom. This elegant piece has a great deal of eye appeal, as it has attractive light tan/brown earthen deposits and has a very esoteric shape. For the type see "Balkani: Antiche Civilta tra il Danubio e l'Adriatico" by Tatjana Cvjeticanin, Giovanni Gentili, and Vera Krstic, Silvana Editoriale Pub., 2007, no. 140. This piece also sits on a custom stand, and can easily be removed. Ex: Fortuna Fine Arts, New York. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1281148
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This pleasing Roman marble is a portrait of a young woman that dates circa 2nd century A.D. This piece is approximately 3.4 inches high by 2.25 inches wide. This piece has a break at the back, at the bottom of the neck, and at the back right side of the head. The flat break at the back is an indication that this piece was once part of a large carved relief, possibly a sarcophagus panel, and was broken away from the main part of the sculpture. This attractive bust is also designed with a three-quarter facing profile, and this is a Greek convention of art that was extensively copied by the Romans circa 1st-2nd century A.D. In addition, the head is leaning to the left, with the neck seen at an angle moving down to the right, and this is an indication that the body of this young girl was portrayed with movement, as seen within the entire scene that this this bust was originally attached to. The face of the young girl appears to be serene, and conveys an eternally young look which may also be an indication that this is also meant to be a portrait of a goddess, possibly Diana (Artemis) or Juno (Hera). The hair seen on this young portrait is also arranged in three layers, which was a Roman hair style that was popular in the 2nd century A.D. The face of this piece is also intact, with no breaks to the nose, chin, and cheeks. The mouth is also rendered in a very sensual way, and has a great deal of eye appeal. This piece is also somewhat analogous to the numerous Roman marble portraits that were produced circa 161-176 A.D. of Faustina II, who was the daughter of Antoninus Pius and Faustina I, and was later married to Marcus Aurelius in 145 A.D. (See attached photo of a young marble portrait bust of Faustina II, circa 161-176 A.D., and seen in "Art of the Ancient World", Vol. XXI, 2010, no. 26 by Royal Athena Galleries, New York.) The attractive piece offered here has a nice light tan patina, with some spotty dark brown and black mineral deposits, which are also readily seen over the entire piece. Overall, this piece is an attractive Roman marble, and is a choice example. This piece is also mounted on an attractive custom display stand. Ex: Private New York collection, circa 1990's. Ex: Fortuna Fine Art, New York. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1353007
Apolonia Ancient Art
$765.00
This attractive piece is a Roman bronze figurine of the god Mercury, and dates circa 1st-2nd century A.D. This piece is approximately 2.25 inches high, and is a complete example with no repair/restoration. This piece has an attractive light to dark green patina, along with some minute spotty red mineralized highlights. There is also some spotty light brown mineral deposits, and overall, this piece is in it's superb natural "as found" condition. This piece was cast as one piece from a mold, and was likely produced as a votive object for a temple, or for a private Roman shrine in a home known as a "lararium". Mercury is also the Roman name for the Greek god Hermes, and both gods had the same attributes, and are seen wearing a winged helmet or cap known as a "petasus". In addition, the figurine offered here is seen holding a money bag in his right hand, and a "caduceus" over his right shoulder along with a draped cloak. The "caduceus" also served as a herald's staff which possessed magical powers, and has two entwined snakes at the top. Hermes and Mercury both were the Greek and Roman gods of commerce, travel, and were the messengers of the gods. This nude figurine is also seen wearing a necklace, and stands by itself on it's own double tiered base. This piece was meant to be seen in it's upright position, as the base is very wide at the bottom. This piece for a small object has a great deal of eye appeal, and can be seen at a distance because of it's simplistic design. The face has a "mask-like" design, and imbues this piece with a magical haunting appearance. It's very likely that a religious pilgrim would have purchased this object as a votive donation to either a religious temple, or as an addition to a private shrine. This piece also sits on a custom raised display stand, and simply lifts off the stand. Ex: Fortuna Fine Arts, New York, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1304362
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This attractive piece is a Greek Boeotian blackware kantharos, and dates circa 450-425 B.C. This piece is approximately 7.6 inches high, by 7.5 inches wide from handle to handle, and is a large example. This esoteric piece has a nice even lustrous black glaze, with a multi-colored iridescent patina over the glaze, and a high degree of eye appeal. This Greek kantharos is a Classic Period type vessel, as can be seen with the two looped handles and the long stemmed base, and this piece is also classified as being a "Type A" type due to this design. This type of piece is also seen on many Greek Classical Period coins and painted ceramics. This type of vessel was used for drinking wine at drinking parties which is known as a "symposium", and was also used for ceremonial offerings. This superb and beautiful piece is intact, and has some spotty white calcite deposits seen in various sections of the piece, and is heavy at the inner bottom of the vessel. There is also some minor roughness seen in sections of the inner bowl, otherwise this piece is in near flawless condition. This piece also have a deep even black glaze seen on the inner and outer surfaces, and there are no pressure cracks and/or repair seen anywhere on this vessel. (Another analogous example was offered at Christie's Antiquities, London, Oct. 2011, no. 71. This piece was approximately 11 inches high, with a faint painted white ivy tendril that runs around the main body of the vessel. $4,600.00-$7,500.00 estimates, $9,246.00 realized.) (Another analogous example can be seen in the Louvre Museum, Paris, Inv. no. MNC 670, and bears an incised inscription that is a sacred dedication. The lengthy inscription is in the Boeotian alphabet, and this vessel is thought to have come from Thespiae.) The attractive piece offered here is scarce to rare in this intact condition, and is seldom offered on the market. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #1119822
Apolonia Ancient Art
$1,265.00
This cute piece is a Greco-Roman bronze that is in the form of a bull's head, and dates to the Late Hellenistic Period, circa 2nd century B.C.- 1st century A.D. This piece is approximately 1.5 inches high by 2 inches wide, and weighs approximately 122.5 gms. This piece is a weight that was designed for a steelyard weight scale, which was a bar that was suspended by a chain that acted as a swivel, and this bar had a chain suspended tray at each end. The scarce weight offered here was simply placed on one of the trays, as this weight was designed with a flat bottom and this piece stands upright. This piece also has a hole that runs through the middle of the neck, and a bar/chain could have also suspended this weight on the steelyard scale bar as well. This attractive piece has floppy ears, almond shaped eyes, and cropped horns. The horns could have also been cropped in antiquity in order to conform this weight to a specific weight of 122.5 gms. This weight also conforms to seven (7) Greek Macedonian tetradrachms (Alexander the Great) with a weight norm of 17.36 gms. This piece also has a beautiful dark blue-green patina, with some dark blue and light brown surface deposits, which lends this attractive piece a high degree of eye appeal. This piece sits on a custom plexiglas display stand that is also included. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1315566
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This powerful looking piece is a Greek applique of Zeus, and dates to the Classical Period, circa late 5th century B.C. This piece is approximately 2.5 inches high, by 2.25 inches wide, by 1.1 inches in relief. This piece is also complete, and has no repair/restoration. This piece has an even dark gray patina, along with some spotty light brown iron oxide and dark green cuprite deposits. This piece was an applique likely for a large vessel such as a hydria, or possibly a volute krater, and likely fit on the main body of the vessel below a handle attachment. This piece was cast in a mold, and has great facial detail with individual beard and hair curls. There is also a laurel-leaf diadem seen in the hair, and this is an attribute of the Greek god Zeus. This piece is a scarce example, and is made from a lead-alloy metal which is occasionally seen in vessel additions of this type. This piece was made with a great deal of skill, as this piece has a great deal of detail. The fine facial detail as seen on this piece is also accented by the extremely high relief of the piece. This high degree of detail is also not normally seen on the more common analogous bronze examples of this type of piece. This piece is an exceptional "Classical Period" applique, and was part of a larger work that was of exceptional artistic style and workmanship. This piece is also set on a custom Plexiglas display stand, and can easily be removed by sliding it up from the two support pins. Ex: Private New York collection, circa 1980's. Ex: Fortuna Fine Arts, New York. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1356856
Apolonia Ancient Art
$2,875.00
This mint quality piece is a Greek Boeotian black glazed kantharos that dates circa 450-425 B.C. This large piece is approximately 10 inches high, by 7.75 inches wide from handle to handle. This piece has a lustrous vibrant black glaze seen both on the inner and outer surfaces of this vessel, and features added white decorative elements that are seen running around the vessel. These prominent decorative elements are ivy leaf tendrils, along with a chevron pattern that is seen below. The chevron pattern is also a rare decorative element, and this piece is one of the few known examples that features this element. This piece also has distinctive looped "strap handles" that raise gracefully above the main body of the vessel, and a raised "stem base". This large vessel was likely used for holding wine, and was used for drinking and/or for pouring libations in a religious ceremony. The ivy leaf decorative elements seen on this piece are also tied to Dionysus, who was the Greek god of wine and revelry. In addition, this type of vessel is often portrayed on painted pottery being held by Satyrs, who were bestial goat-men that were associated with drinking and Dionysian festivals. This piece is in superb to mint quality condition, and has no noticeable repair/restoration. There are some minute stress cracks seen on the strap handles, but these are very minor and are difficult to see, and this vessel is a solid example which can be held today. There is also some spotty white calcite deposits seen mostly on the inner surfaces, and the entire piece has a beautiful even lustrous black glaze. Most vessels of this type usually have a great deal of repair/restoration, and significant losses to the white painted decorative elements, but this is not the case with this exceptional and intact example, and this piece is also one of the best recorded examples. This piece is also analogous to the example found in the Metropolitan Museum in New York, no. 1993.197. Another piece of this type, size, and condition was sold in Christie's Antiquities, London, oct. 2011, no. 71. (3,000.00-5,000.00 Pound estimates, 6,000.00 realized. See attached photo.) Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1384803
Apolonia Ancient Art
$1,675.00
This mint quality and beautiful Roman glass flask dates circa 4th century A.D., and is approximately 5.4 inches high. This piece is made from a pale blue-green glass, with a spherical body, concave base, and an extended neck that widens up to the rim. There is also an attractive trailing decoration that spirals around a third of the neck, and has developed a striking iridescence. This trailing neck thread decoration was created to provide a "grip" on the neck, and perhaps doubled as a "stopper" for a wax seal around the top opening of the vessel. This piece also has sections of a multi-iridescent patina with hues of peach, lavender, blue, and green. A piece with a great deal of eye appeal. (For the type see: John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", 1975, no. 403. Classified as: "Galilee Fabric".) Ex: Rafi Brown collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection, 1990's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1239393
Apolonia Ancient Art
$2,365.00
This attractive piece is a Vicus culture seated figurine that dates circa 200 B.C.-300 A.D. This piece is approximately 6.9 inches high, and is in mint to superb condition with no repair/restoration. This piece has a pleasing nice deep reddish-brown glaze, and has some minute root marking and some light blue/black spotty mineral deposits. This piece is a stirrup-type vessel, and it has a flat bottom. The legs and arms are seen tucked in close to the seated body, and this figurine seems to exhibit an inner core that is changing from an animal form to a human form, or vice-versa. This piece is classified as a "transformation type" ceramic, and this can especially be seen with the human facial features relative to the almond shaped eyes and well defined nose. The wide mouth appears to exhibit this change as well, as does the dual lobed head which is an anthropomorphic animal feature which is attributed to an animal such as a monkey. This piece is also an excellent example of a ceramic from the Vicus culture of ancient Peru, due to the reasons noted above, and most pieces from this culture seem to exhibit some form of "transformation" from one degree to another. This piece is also "thick walled", and has some weight to the piece. The early Peruvian ceramics from this culture were also fired at about 400 degrees C, thus producing a "thick walled" ceramic, as opposed to the subsequent Peruvian cultures such as the Moche, which produced "thin walled" ceramics which were fired at about 1000 degrees C. This piece is also analogous to an example seen in "Arts Ancient du Perou" by Bernard Villaret, Times Editions Pub., 1978, p. 51. (See attached photo.) This attractive piece has some weight, as one handles this piece, and is in scarce mint condition with a vibrant deep reddish-brown glaze. One of the best recorded examples. Ex: Dr. Ernst J. Fischer collection, Germany, circa 1980's. Ex: Auktion Ketterer 119, Zurich, 1987. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including a TL test from Gutachten Lab., 11/23/1984, no. 584912, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1379967
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This powerful looking piece is an Egyptian faience amulet torso of Pataikos that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.9 inches high, by 1.75 inches wide from shoulder to shoulder. This piece was originally made as an amulet in the form of the Egyptian god "Pataikos", and was ceremoniously broken with the removal of the head and legs. This piece was worn as a "protector" type amulet, as the missing head had a suspension hoop attached at the back. "Pataikos" was a popular naked dwarf god who strangled snakes, and protected craftsman, children, and everyday working people. The muscular torso seen here has a fine dark green glaze, and very detailed features. The powerful and muscular torso seen here appears to be ready to act as a strong "protector" god, hence the muscular design. This piece is also in superb condition, and is a large example for the type. This piece is also mounted on a custom display stand. (An example of the same size, but not having a large muscular torso, was offered by Royal Athena Galleries, New York, Vol. XXIX, 2018, no. 175 for $7500.00. See attached photo.) Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1365159
Apolonia Ancient Art
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These eight complete Greek "sling bullets" date to the 5th-4th century B.C., and are approximately 1 to 1.6 inches in length, by .4 to .7 inches in diameter. These pieces all have some light mineral deposits, and have a light dark gray-brown to tan patina. These relatively heavy lead pieces were mold made, and one can easily discern each half of the piece that fitted into the "two-part mold". These pieces were fitted into a hand sling that generated tremendous force and speed as they were released from the sling. These weapons also have an almond shape, as most lead "sling bullets" have, and this shape provided a stable aerodynamic flight. These pieces also have some light marking and minute impact dents that indicate that many of these pieces were likely in battle. These interesting pieces are all different sizes, and are also fitted into a custom display case. Ex: Joel Malter collection, Los Angeles, CA., circa 1990's. Ex: Private CA. collection. I certify that these pieces are authentic as to date, culture, and condition: