Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1130376
Apolonia Ancient Art
$1,265.00
This appealing piece is a Greek terracotta mask that is in the form of a young God and/or King. This piece dates circa 2nd-1st century B.C., and is approximately 4.9 inches high by 4.7 inches wide. This intact piece is complete, and has spotty dark black and brown earthern deposits both on the front and back side surfaces. This beautiful piece was mold made from a light tan terracotta, and has sharp detail. This piece is in the form of a young God and/or King who is seen with an upward gaze, and is wearing a diadem band on the forehead. The diadem band is also a Greek Hellenistic symbol of royalty, along with being an emblem of sovereignty, and this mask may also portray a king and/or a character in an ancient Greek play. This terracotta mask is a votive type piece, and is likely a tragic type theater mask. Votive masks of this type were often dedicated to shrines by individuals who were linked to the theater, and were often dedicated after a trilogy of plays were performed that recounted one of the serious mythological dramas. The single hole seen at the top of the forehead also allowed this piece to hang as a votive offering, and is a scarce type. This piece also hangs on a custom black plexiglas stand, and has a great deal of eye appeal. Ex: David Leibert collection, New York, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1254565
Apolonia Ancient Art
$765.00
This interesting piece is a Recuay culture standing warrior that dates to the Early Intermediate Period, circa 400 B.C.-300 A.D., and the Recuay culture was centered in the Northern Peruvian Highlands, Callejon de Huaylas Valley. This piece is approximately 5.8 inches high by 4.2 inches in diameter, and is in intact condition, save for some minor stress cracks that appear to be filled at the base. This piece was made with a "resist-decoration" technique, and is a thin-walled white/cream colored kaolin clay with red-orange, yellow, and black colored line-drawn highlights. This piece also has some attractive light brown burnishing, and some spotty black mineral deposits. This piece shows a very animated figure that appears to be a standing warrior, as he is seen wearing a helmet and probable body armor, which is built into the round and portly design of the main body of the vessel. This figure also appears to be holding some objects in each hand, and the object in his right hand may be a round fruit which he is seen lifting to his wide mouth. The artistic style of this piece is also very geometric in it's design, and the lower legs and feet of this warrior are also designed in high relief at the base of the vessel. This piece also has the typical single spout which is wide and funnel shaped, and is integrated in width and height relative to the head of the warrior, which makes it to be somewhat imperceptible at first glance. It is also likely that the Recuay were a satellite people of the Mochica, and perhaps were guardians of sacrificial llamas and were an elite group of warriors. The ceramic offered here may also have been designed with additional ceramics, which made up a group scene that was created as a ceremonial grave offering. (For the culture and the warrior-type ceramics, see A. Lapiner, "Pre-Columbian Art of South America", New York, 1976, pp. 167-169.) A scarce piece with nice eye appeal. Ex: Dr. Ernst J. Fischer collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : European Medieval : Pre AD 1000 item #1339132
Apolonia Ancient Art
$875.00
This nice piece is a Viking bronze pendant that dates circa 9th-10th century A.D. This piece is approximately 1.7 inches high, and the round plaque section is approximately 1.2 inches in diameter. This piece was made from two sections, one being the flat round plaque, and the other, is the strap loop that has a single rivet securing it to the main body of the piece. The round plaque has a hammered dotted border, and a hammered Christian Byzantine type cross design that has a round center. This round center may also double as a solar symbol, and the cross design also has an additional smaller cross patterns seen at the end of all four points. The design of this Christian cross, seen on this pendant, may also be one of the earliest Christian cross examples seen on a Viking culture type piece. The cross design also has remains of a light green to cream colored enamel, and this shows well against the dark green patina that this piece has. This piece is an complete exceptional example for the type, and is not often seen on the market in this superb condition. This piece is solid, and can easily be worn today. This piece also hangs on a custom display stand, and can easily be removed. Ex: Private Denmark collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre 1492 item #1377965
Apolonia Ancient Art
$925.00
This superb vessel is a Chimu/Lambayeque blackware stirrup-vessel that dates circa 1100-1400 A.D. This intact vessel is approximately 9.8 inches high, by 5.8 inches in diameter, and has a lustrous solid black glaze with some attractive and minor dark brown burnishing. There is also some minute root marking and spotty black mineral deposits, and this intact piece is in superb condition with no repair/restoration. This interesting piece shows four boxes on the upper shoulder, and within each impressed box is a standing "Staff God" deity who is seen wearing a "tumi-type" headdress with raised arms. These "Staff God" figures are also seen with a stippled background, which also makes them a prominent feature to the viewer, and they all appear to be holding a staff in the left hand. This staff was also a symbol of sacred rank and authority. There is also a single beaked bird seen on the raised stirrup-handle, and the vessel has a flat bottom with an "X" pattern. Ex: Private German collection, circa 1980's.-2000's. (Note: Additional documentation is available to the purchaser, including a TL authentication test document from Kotalla Lab, Germany, no. 08R131017, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1356647
Apolonia Ancient Art
$875.00
This nice Roman bronze is an eagle applique that dates circa 2nd-3rd century A.D. This piece is approximately 2.2 inches high, by 2 inches high. This piece is a very detailed Roman eagle that has a raised head and spread wings. The wings are very detailed, and have very fine feather "line design". The head is designed with the head facing right, and is seen looking at the viewer. There is also detail on the head not facing the viewer, and there is a very defined "dotted eye". This piece has a flat back, and there is an extended mounting pin seen in the back center. This piece likely served as an applique for a vessel, and may have served as a decorative element in a legionary phalera, or an element in Roman armor. The military application relative to this piece is readily apparent, as the Roman eagle was the Roman symbol of the power, and was presented in many art forms within the Roman army. This attractive piece is intact, and has no repair/restoration. This piece also has a nice dark green patina with some minute red highlights, and is a fine example for the type. Another analogous example was offered by Bonham's Antiquities, London, July 1995, no. 442. (500-600 pounds estimates. See attached photo.) The nice piece offered here is also mounted on a custom display base. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Concordia Art, Las Vegas, NV., circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1337548
Apolonia Ancient Art
$2,865.00
This impressive piece is a Graeco-Roman Hellenistic silver necklace that dates circa 2nd century B.C.-1st century A.D. This piece is approximately 21 inches in length, and is made from several interwoven strands of silver in an intricate design, resulting in a massive thick chain that is approximately .4 inches in diameter. This intricate silver piece also has two cylindrical terminals that cap each end of the chain, each decorated with looped band enclosures with raised "wire-rope" pattern designs. The "wire-rope" pattern design is also a Greek Hellenistic convention of art that is seen on ancient Greek gold and silver jewelry for the period. The two cylindrical terminals in turn connect to a bronze clasp that securely closes the necklace on the wearer. There is also a central movable pendant that has applied dots and an additional raised "wire-rope" pattern. The central movable pendant may also have framed a carved gem or perhaps an ancient coin. This piece could have only been owned by a wealthy individual in antiquity, as it has an extremely high degree of workmanship and was made from a very valuable material. This piece was also very impressive in antiquity, as it has a very high degree of eye appeal, and as such, was likely worn by a woman who wanted to impress her peers. There is an ancient repair on the right side of the chain, and this may have been broken and repaired due to civil unrest. Another near identical example of this piece is the example offered in Christie's Antiquities, London, Oct. 2006, no. 62. (3,500.00-5,500.00 Pounds estimates.) The Christie's example cited above is also from the same collection as the piece offered here, and in addition, both of these pieces may have been produced in the same workshop. Both of these silver pieces are also analogous to the example seen in "Ancient Gold: The Wealth of the Thracians" by I. Marazov, New York, 1998, p. 117, no. 36. The beautiful piece offered here may also be easily worn today with some minor restoration, and a carved gem or coin can easily be added into the central hoop. This piece is also an exceptional collectable as an ancient piece of jewelry, and is an important collectable as is. This piece also has an attractive dark gray patina, and the bronze hoop also has an attractive dark green patina. This solid piece can also be modified with a modern clasp, and can easily be worn today. A custom display necklace case is also included. Ex: Private German collection, Krefeld, Germany, circa 1970's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Pre AD 1000 item #1356955
Apolonia Ancient Art
$1,285.00
This interesting piece is an Etruscan red-figure stemmed plate that dates circa 4th century B.C. This piece is approximately 5.45 inches in diameter, by 2.4 inches high. This piece has been classified as being from the "Genucilia Group", and the group name derives from an example that had the Etruscan name "P. Genucilia" inscribed under its stemmed foot. This piece also has been described as a "star plate", as noted by Prof. Mario Del Chiaro in "Etruscan Red-Figure Vase Painting at Caere", University of California, 1974. The "five pointed wave pattern" seen on the top side of this piece also resembles a "star burst". The "wave pattern" seen on these vessels are also known to have only five of these "points" as well, and why there is generally a "five pointed wave pattern" seen on these vessels is unknown. The "five pointed wave pattern" seen on this piece frames a young goddess facing left that is seen wearing long earrings and a sakkos over her hair. The sakkos has "X patterns" within, and the entire composition is done with a dark black polychrome over a light tan terracotta. This intact piece has a raised stemmed base, and has some spotty white calcite and mineral deposits seen in the low relief sections of the vessel. The bottom of the vessel has several old collection numbers seen including: "P401", "1026", and "Lot 60, Gray Coll., Sotheby's, June 88". This piece also has two "X" graffiti marks seen on the top side inscribed over the face of the young goddess. This piece was also used as an offering plate in sanctuaries, and the "X" pattern graffiti, along with the "X" patterns seen within the sakkos design, may also indicate the workshop where this piece was made and/or the artist who produced this piece. The overall design of this piece makes this a very interesting ancient ceramic, and is rare in this intact condition with vibrant painted images. (Another analogous example was offered in Christie's Antiquities, London, April 2011, no. 233. 800.00-1,200.00 Pounds estimates, 2125 Pounds realized. See attached photo.) Ex: Private English collection, circa 1980's. Ex: Sotheby's Antiquities, London, June 1988. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre 1492 item #1224239
Apolonia Ancient Art
$4,675.00
This superb Roman bronze of Attis dates circa 2nd-3rd century A.D., and is approximately 5 inches high by 3.5 inches high. This intact piece is in superb to mint condition, and is complete with no repair/restoration. This piece also has silver inlaid eyes which add to the lively and animated facial expression of this exceptional Roman bronze. This piece also has a beautiful dark green patina with some minute black mineral deposits, fine hair detail, and a finely designed Phrygian cap. There is a round hook at the back of the neck which may have been attached to a suspension chain, as this piece may have been part of a suspended bronze vessel or a furniture object. There is additional detail with incised dotted decorative crosses and line work seen on each side of the Phyrgian cap, which is also an attribute associated with the deity Attis. The head of this piece is also modeled in the round, and extends slightly forward from the lower bust, and this is another indication that this piece was likely attached to a rounded vessel. In addition, the majority of Roman applique pieces are not modeled in the round in the upper section like the example offered here, and simply have an open end at the back of the head. This piece therefore has a dual design, not only as an applique, but it is also designed like a Roman portrait bust. According to Phyrgian and Roman myth, the youth Attis was madly loved by the Phyrgian goddess Cybele, and she loved him so jealously that she could not bear him marrying the nymph Sagaritis. When Attis later proposed to Sagaritis, in a rage, she made him go out of his mind, and he castrated himself and died from his wound. Cybele, struck with grief, revived her dead lover and the pair were worshipped together throughout Phrygia and the Roman world. In a Lydian version of the myth, Attis is not killed by his castration, but by a wild boar, like Adonis. For the myth of Attis and Cybele see: "Gods and Mortals in Classical Mythology" by Michael Grant, New York, 1979. The lively and animated face seen on this appealing piece, reveals the mad love that Attis had for Cybele and Sagaritis, and as such, this piece displays a high degree of art. This piece hangs on a custom black plexiglas and steel stand, and can easily be removed. Ex: Private German collection, circa 1980's. Note: Additional documentation is available to the buyer. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1307402
Apolonia Ancient Art
$2,875.00
This large Mayan poison bottle dates to the Late Classic Period, circa 550-800 A.D., and is approximately 3.75 inches high, by 3.45 inches wide, by 1.5 inches thick. This flawless piece is also larger than most examples, and is mold made piece with a stamped mirror image on each side that was pressed into the clay. The image seen here is an audience scene between the Mayan God K, seen seated on the left, who is conferring with the seated Mayan God L that is seen to the right. Seen between them is a glyph band that is comprised of seven individual glyphs. Both of the Mayan gods seen here are also clad in intricate regalia and jade jewelry. God K also has an elongated snout and a smoke scroll that is emerging from his forehead, and God L, one of the lords of "Xibalba", who has an old man's wrinkled face, is seen wearing a distinctive "Moan Bird" headdress with upturned feathers. The Mayan "Moan Bird" was named "Oxlahun-Chaan" or "13-Sky", and he is the Mayan personification of the "Katun" and of the "sky". This piece also has mirror image double glyph bands seen on each side of the vessel. This piece is also intact, has no repair/restoration, and is in superb to mint condition. This piece also has some minute spotty black mineral deposits, and some attractive light brown burnishing. There are also traces of red cinnabar seen on the low relief areas on the outer surface, and this piece probably held powdered incense, or colored pigments, or red cinnabar that was sacred to the Maya. Red cinnabar was also widely traded within the Mayan world, and it was this type of vessel that was used to facilitate this trade. Red cinnabar has preservation properties, as it was mercury based, and this is why this type of Mayan bottle is often referred to as a "Poison Bottle". The Mayan elite also lined their tombs with this material, and in addition, traces of this material are often found on Mayan ceramics, as the Mayan tombs and ceramics were given "eternal life" with this type of material. This piece is a superb example, not only for it's condition, but also because the mold made and stamped images are very clear. This piece is also safe to handle, as the red cinnabar is deeply embedded into the clay and there are only trace amounts. An analogous example with the same stamped design and condition was offered in Sotheby's Pre-Columbian Art, New York, May 1996, no. 344. (The Sotheby's example has the normal size that is approximately 3 inches high. $1,500.00-$2,500.00 estimates, $2,070.00 realized.) Ex: New York collection, circa 1990. Ex: Ron Messick Gallery, Santa Fe, NM, circa 1990's. Ex: Spendors of the World Gallery, Haiku, HI. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #996901
Apolonia Ancient Art
$1,865.00
This piece is a rare Greek iron spearpoint that also has its accompanying butt-spike. This pieces dates to the Hellenistic period, circa 4th century B.C., and is intact in superb condition. The condition is remarkable, given the fact that this weapon is made from iron and not bronze. The metal is compact with very little flaking, and is in very stable in solid condition, as this piece has an earthen over glaze and this piece is in its natural "as found" condition. There are very few ancient Greek iron weapons that have survived from antiquity that is in the superb condition seen here. The spearpoint and the butt-spike are both approximately 10 inches long, and both have a shank-end diameter of approximately .6 inches. The spearpoint has a blade width of approximately 1.2 inches, and the butt-spike has a central width of approximately .45 inches. This weapon was finely made, and the butt-spike has a double decorative ring seen mid-point, and the shanks of the spearpoint and butt-spike both have fine workmanship. The butt-spike also has a square design at the tip, and the double ring is the design point where this butt-spike becomes a round shank at the other end. The diameter of this piece is small compared to most iron spearpoints of this type, and this piece was probably used primarily as a throwing javelin, as well as a weapon for close-in fighting by the Greek hoplite. Its known that the Greek hoplite, during the 4th century B.C., carried more than one spear, and this weapon is light enough for this to be the case. The spearpoint and the buut-spike are nearly identical in weight and length, and therefore the javelin was well balanced, and an estimate of this weapon's original length could have been up to about 260cm. This piece dates to the period of Philip II, who was king of Macedonia circa 359-336 B.C., and this military genius transformed his army with many innovative weapons and battle tactics. The weapon seen here was one such weapon, as the finest Greek weapons during the Hellenistic period were forged from iron. A.M. Snodgrass thought this type of weapon had a dual role for the Greek hoplite as a throwing and stabbing weapon, and also served as the primary weapon of the light armed javelin-throwers (akontistai). (See A.M. Snodgrass, "Arms and Armour of the Greeks", Cornell University Press, 1967, pp. 77-79.) This piece is rare and is seldom seen in this condition on todays market. Ex: Private German collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Traditional Collectibles : Books : References : Fine Art : Contemporary item #1010631
Apolonia Ancient Art
$325.00
This "Pre-Columbian Art of Mexico and Central America" book by Hasso von Winning is in mint condition, and is a "must have" reference book for collectors, museum curators, and art history students of Pre-Columbian art from Mexico and central America. This crisp, mint first edition is lavishly illustrated with superb examples from all the primary cultures of the entire Central American and Mexican region. This book is organized first by geographic area, and within that area, the primary cultural groups are classified in chronological order. There is a brief overview of the archaeology of each primary geographical area, and then a discussion of the highlights of the artifacts in that area all by chronological order. Each object is photographed in the book, many in beautiful color, and by professional art photographers. In addition, each object is accurately described with its date and dimension. Many of the objects were published for the first time in this book, and many of the objects are from private collections from around the world. It is important to note that this book was published prior to the US and UNESCO patrimony regulations. This book is also utilized by the major auction houses such as Sotheby's, Christies, and Bonhams as a primary reference for objects represented at auction. This book is also the companion book for "Pre-Columbian Art of South America" by Alan Lapiner. The book offered here was published in January 1968 by Harry N. Abrams, Inc., 388 pages with text, 595 illustrations, 175 photos in full color and many are mounted. Hardbound with dust jacket, including the clear protective cover for the dust jacket. ISBN: 0810904233.
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1239297
Apolonia Ancient Art
$3,675.00
This extremely rare piece is a Chavin "stirrup handle" ceramic that dates to the Early Horizon period, circa 700-400 B.C. This piece is approximately 8.5 inches high by 7 inches long. This interesting piece is a standing animal, which represents a coatimundi, or possibly a fox, as the lively head of this standing animal has an elongated nose and peaked ears. This piece is intact, has no repair/restoration, and is an orange and light red color. This esoteric piece is in overall superb condition, has some spotty black dotted mineral deposits, and some normal stirrup handle surface roughness. This piece has four large circle designs, and some geometric line design seen on each side, at the front, and on the face of this animated creature. The rectangular shaped head has dotted eyes, and is seen slightly tilted to the right, which give this piece a high degree of eye appeal and a very animated look. The mouth also appears to be slightly turned as well, and this movement noted with the head and mouth may represent this piece as a "transformation type" vessel. This type of artistic style, as noted above, is also attributed to the Chavin type ceramics known as "Tembladera style". This remarkable piece was produced at a very early period, regarding Pre-Columbian Andean cultures, and has a rare design with the esoteric curved hind quarter of the piece. This type of esoteric design is also rare regarding Chavin type ceramics, and is seldom seen on the market. A piece with analogous artistic style was offered in Bonham's Pre-Columbian Art, San Francisco, CA., Dec. 2006, no. 5352. (This stirrup vessel type piece has analogous line design, color, and nose design, and depicts a humanoid figure.) Another analogous stirrup type ceramic vessel was offered in Christie's Pre-Columbian Art, New York, Nov. 2006, no. 41. (This vessel depicts a jaguar with a slightly tilted head, peaked ears, and dotted eyes. The head is also a triangular designed head with an elongated snout, and this head is also turned to the right. This piece is classified as "Tembladera", circa 700-400 B.C. $4,000.00-$6,000.00 estimates, $4,800.00 realized. See attached photo.) The piece offered here is an esoteric design that is seldom seen on the market, and it is extremely rare in it's intact condition. Ex: Private German collection, circa 1970's. Ex: Dr. Ernst J. Fischer collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1385660
Apolonia Ancient Art
$465.00
This powerful piece is a bronze Luristan panther head finial piece that dates circa 1000-650 B.C., and is approximately 2 inches high. This complete piece is the terminal end for a finial that may have been part of a staff, or a section of a horse or wagon fitting. The panther head image seen here is very powerful, and has an open roaring mouth, a flat front nose, and rounded ears seen at the back of the head. This type of piece was also a "protector" type piece, and was integrated with the "Master of the Animals Cult" that was prevalent with this culture. This piece is a solid cast example, and is rather heavy, as there is no hollow core. This piece also has a lovely dark green patina with some spotty dark red highlights, along with some minute white calcite deposits. Overall, a nice example with an exceptional patina which is also an excellent mark of authenticity. This piece is also solidly mounted on a custom display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. Collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1382235
Apolonia Ancient Art
$3,265.00
This exceptional piece is a mint quality Late Corinthian Greek exaleiptron, and dates circa 550-500 B.C. This piece is approximately 5.5 inches in diameter, by 6.25 wide including the single handle, by 2.1 inches high, and is a mint quality vessel with no repair and/or restoration. This piece is also known as a kothon and/or plemochoe, and was a ceremonial vessel that held a liquid used for libations and/or offerings. The unique design, with the outer sides curved into the inner center of the vessel, prevented the liquid from spilling. This piece has a detailed black "dotted" band seen on the upper shoulder, and a "zig-zag pattern" seen on the outer edge of the single strap handle. In addition, there is a finely detailed "rosette pattern" seen on the inside bottom within a black field. The main body rests on a raised ring base, and within the bottom ring base is a marvelous red and black vibrant "pin-wheel pattern". There are also red concentric circles seen on the outer surface, along with a "ray-pattern" seen above the ring base. The entire vessel is intricately designed, as it was a votive type vessel. This yellow-tan vessel also has some spotty light brown deposits, and has exceptional "as found" surfaces. An exceptional vessel, and one of the best recorded examples. Ex: Private German collection, circa 1960's. Ex: Arete Gallery, Zurich, Switzerland, circa 1980's. Ex: Private Austrian collection, circa 1990's-2000's. (Note: Additional documentation is included for the purchaser, including EU Export, US Customs Import documentation, and an authentication letter from Arete Gallery, circa 1985.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Coins : Pre AD 1000 item #1304062
Apolonia Ancient Art
Sold
This wonderful coin is a Roman silver serrate denarius, circa 79 B.C., Rome mint, and minted by C. Naevius Balbus, who was the mint master in Rome for the period. This coin is in FDC grade (mint state), is 3.78g., and is approximately 19mm. This coin has a serrated edge, and is known as a "Serrate Denarius", and the added edge work was done to insure that the mint was coining near pure silver. One could inspect this coin and see into the inner flan from the serrated edge, and know that the core of this coin was made from silver and was not plated. This type of coin briefly was the norm during the late Roman Republic period. This attractive coin features: Obv; The diademed bust of Venus facing right, with S.C behind, and Rev; A winged Victory driving a three-horse triga right, control number above, and the lettering C.NAE.BALB in the exergue below. This coin also has a beautiful light gray old cabinet patina, and fine detail can be seen with the horse reigns, minute dotted Victory wings, and the hair of Venus. C. Naevius Balbus, Rome's mint master for 79 B.C., was a supporter of Sulla and his use of Venus on the obverse of this coin, was due to the fact that Venus was the patron deity of Sulla; and the reverse type with the winged victory seen on this coin, also commemorates Sulla's victories against Mithridates VI of Pontus. The use of the three-horse triga on Roman Republican coinage is also rare - previously it occurred in 110 B.C. on the coinage of Appius Cladius, who was also consul in 79 B.C. when this coin was minted. The coin offered here is also one of the finest known examples for the type. Crawford 382/1a. Sydenham 769. Ex: Private UK collection, circa 1980's. Ex: Roma Numismatics, Auction IX, no. 531. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #958827
Apolonia Ancient Art
$2,675.00
This impressive piece is a Greek bronze bead necklace, and this necklace is comprised of solid cast bronze beads that date to the Geometric Period, circa 800-700 B.C. This necklace is made from 13 beads which together measure approximately 17.75 inches end-to-end. All of the bronze beads are "biconical" in design, and seven of the larger beads have a raised terminal end, and a raised central ridge. The largest central bead has double-raised ridge terminal ends, and this bead is approximately 2.75 inches long. The other six largest beads measure approximately 1.5, 2, 2.4, 2.3, 1.75, and 1.25 inches long. The smaller six "spacer" beads are approximately .5 to .75 inches long. All of these beads have an attractive dark brown/green patina, and are all in superb and intact condition. In addition, these pieces have had little cleaning, and have a natural patina which adds to their appeal as stand alone individual collectables. These beads can also be easily strung on a leather cord, and can be worn as is, or can easily be separately mounted into several different works of jewelry. The weights of the beads vary widely, and the central bead weighs approximately 29.4 gms. The other six larger beads weigh approximately 15.5, 33.5, 59.8, 30.7, 29.5, and 12.1 gms. These beads were separately hand cast, and they are all slightly different in size and weight. Two of the larger beads also have a hole from the central shaft, which probably allowed for the addition of pendants and/or other beads which hung down from these two beads. These beads were likely worn in life, and may also have been votive. Examples of the bead types offered here can be seen in "Greek Jewellery: 6,000 Years of Tradition", Athens 1997, p. 89, nos. 71-72. These beads are also are now scarce in the market, and as a group, these pieces have a high degree of eye appeal and display very well. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1224537
Apolonia Ancient Art
$1,365.00
This cute little piece is a pendant from the Zapotec culture that dates circa 200 B.C.-200 A.D. (Monte Alban II period). This piece has earlier Mezcala artistic influence, and a myriad of small monkey/squirrel pendants of this type were produced as early as 300 B.C. in western Mexico by the Mezcala culture. This complete piece is approximately 1.9 inches high by 2 inches long, and stands upright on its own, which also points to the skill of the artist, as most of these examples do not stand on their own. This piece is carved from an attractive green serpentine (green diorite) which has several light brown and white inclusions, and some minute stress cracks within the stone. This piece has Zapotec artistic style as seen with the extended thin lips, Roman style nose, and incised line work on the upper head. This piece is also a "transformation" type piece, as the seated monkey has humanoid anthropomorphic facial features. This piece also has a small bow-drilled suspension hole seen between the back and raised tail, and this piece likely served as a "protector" type pendant. This piece has bow-drilled eyes, and were likely inlaid with a colored stone. There are heavy white calcite and black mineral deposits seen within the two eyes, and the small suspension hole. In addition, there is some dark brown mineralization seen deep within some of the minute stress cracks of the stone. There is also a light brown patina seen on the outer surface, and some traces of red cinnabar seen on the low relief areas of the piece. A lively piece with a great deal of eye appeal with an exceptional patina, and is a scarce type. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) This piece also sits on a custom black/Plexiglas stand. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Stone : Pre AD 1000 item #778770
Apolonia Ancient Art
$785.00
This banded white and light yellow marble Sumerian stamp seal is in the form of a recumbent fox and dates circa 3500-2900 B.C. This superb piece is approximately 1.25 inches long and is an exceptional example for the type. This esoteric piece has a bow drilled hole that runs through the top to the bottom center, and there are two animals seen on the flat back side that were carved into the piece. The overall carving of this piece is very detailed and represents a high degree of workmanship, as this piece was produced at the very dawn of civilization when city-states were first formed. The two animals, seen on the back flat side, appear to be identical and served as a stamp and/or seal, and may have represented value in a transaction. This mint quality stamp seal/amulet appears to be a fox, as the head is very angular, along with the raised ears. ( For another analogous example see Sotheby's Antiquities, "The Ada Small Moore Collection of Ancient Near Eastern Seals", New York, Dec. 1991, no. 3, $3,000.00-$5,000.00 estimates. ) This piece was probably part of a necklace, and the vertical bow drilled hole allowed this piece to hang with other seals/amulets of this type. This translucent piece has some spotty mineral deposits, and these deposits can be seen within the eyes, and become darker when one looks through this piece into a lighted background. ( See attached photo. ) This eerie effect makes this piece look alive, and the deposits seen within the eyes may in part be original inlay. Only a skilled artist could achieve this visual effect. This exceptional piece is mounted on a custom plexiglas stand, can easily lift off the stand, and can be worn today. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Pre AD 1000 item #1389309
Apolonia Ancient Art
$685.00
This scarce piece is an Etruscan Black Ware bucchero vessel stand that dates to the mid 6th century B.C. This piece is approximately 4.8 inches in diameter at the top rim, and is 2.8 inches high. This interesting ceramic also has a deep lustrous black glaze seen over the entire piece, and is known as a "bucchero" type ceramic. This piece has an indented round depression seen at the top, and this likely held a glass vessel, or a vessel such as an aryballos with a rounded bottom. This piece also has a raised stem on a round flat base, and the entire piece is very durable, as it is thick-walled. This vessel also has an old inventory tag attached to the bottom showing the "No. 38", and "Orvieto", which was one of the major Etruscan cities from antiquity. This piece is intact, and has exceptional surfaces with some minute root marking and spotty white mineral deposits. A scarce type vessel not often seen on the market. Ex: Hans Piehler collection, Germany, circa 1940's-1960's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1384532
Apolonia Ancient Art
$2,675.00
This powerful piece is an early Moche seated dignitary that dates circa 300-100 B.C., and is approximately 7.2 inches high. This piece is intact with no repair/restoration, and has a light brown and dark red glaze. This powerful looking piece is a seated dignitary seen with hands placed on the knees with feet crossed below, wearing an incised cap, and has a furrowed face with large eyes and a grinning mouth. The eyes and mouth have a deep recessed design that was likely once inlaid with mother of pearl or shell, and the face conveys a sacred, but powerful image. The back side of this vessel has a raised stirrup handle that has a dark red glaze, along with the back side of the head. This piece also has a flat bottom, and some spotty dark black mineral deposits and attractive dark brown burnishing. (Another analogous example of this piece was offered in Lempertz Pre-Columbian Art, Jan. 2010, Brussels, no. 104. 4500-6500 Euro estimates.) Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1239527
Apolonia Ancient Art
$3,265.00
This rare piece is a Salinar/Viru culture monkey "transformation" type vessel that dates circa 400-200 B.C. This piece is approximately 9 inches long by 7 inches high, and is in superb condition with no repair/restoration. This piece is a standing quadruped with a stylized lobed monkey's head, and a short tail is seen curled at the back. This piece is seen standing on sturdy legs, with each flank painted with mythical creatures that have bared fangs and claws. The whole piece is covered with a light yellow-brown slip, and the mythical creatures and facial elements are painted in a light reddish-orange color. This piece is also a "stirrup-handle" type piece that is also designed as a "whistle" type vessel, as it makes a shrill sound when one blows into the raised end of the handle, and as such, this vessel was also likely a "ceremonial" type vessel. In addition, this piece also represents a "transformation" type vessel, as the stylized lobed head on the monkey has human and animal features. This rare early Andean culture ceramic may also be a prototype for the subsequent Moche I ceramics, and as such, this type of piece set the standard for Andean ceramics that have a great deal of realism regarding both human and animal representations. This intact piece has no restoration/repair, some spotty light brown mineral deposits, and is a superb to mint quality example for the type that is seldom seen on the market. Another analogous example of this culture is seen in Lempertz Pre-Columbian Art, Brussels, Jan. 2010, no. 49. (See attached photo. The Lempertz example also has an analogous painted mythical creature on the flanks as the piece offered here, and both of these pieces may have been produced in the same workshop.) This type of piece is x-rare to rare, and has a high degree of eye appeal. Ex: Dr. Ernst J. Fischer collection, Germany, circa 1980's. Ex: Auktion Ketterer 163, 1986. Ex: Private German collection. (Note: Additional documentation is available for the purchaser, including a TL test from Gutachten Lab., 01/14/1991, no. 369012, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1392094
Apolonia Ancient Art
$2,675.00
This lively piece is a Parthian/Near Eastern bronze leaping lion handle, and dates circa 150 B.C.-225 A.D. This piece is approximately 3.8 inches long, by 3.8 inches high, as seen on it's custom display stand. This piece is also complete, with no repair and/or restoration, and was cast as one solid piece. The lively lion seen here has his head turned to the right, and appears to look back at the individual who can easily hold this piece firmly with one hand. The lion is also seen with his mouth open, and appears to be roaring at the viewer. The lion is also seen leaping, and his two front paws were designed to fit over the rim of a vessel, as there is also a groove under the paws. This piece is a rare example, and is likely Parthian, as the artistic style of this piece is very analogous to other works of art attributed to this culture. (For another analogous example attributed to the Parthian period that is of the exact size and type, see: "Ancient Bronzes, Ceramics, and Seals. The Nasli M. Heeramaneck Collection of Ancient Near Eastern, Central Asiatic, and European Art.", Los Angeles County Museum of Art Pub., 1981, no. 659. See attached photos.) This piece also has a beautiful dark brown and green patina, and is mounted on a custom marble display stand. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1276371
Apolonia Ancient Art
$9,675.00
This extra large Mayan tripod plate dates circa 600-900 A.D., and is approximately 15.75 inches in diameter by 4 inches high. This piece has been attributed to the Peten region of the Yucatan Peninsula, and is an exceptional example for the type. This appealing piece has very vibrant dark orange/red, white, black, and light blue/gray colors. This piece has three legs, along with an esoteric upward sloping bowl which has the multi-colored polychrome glaze on the top inner side of the vessel, and a light brown terracotta on the underside of the vessel. This piece has a "serpent band" that is seen running around the inner edge of the plate, and this has two symbols that alternate and appear to interlock within the design. These symbols may be celestial in nature, and frame the Mayan cartouche glyph that is seen in the field in the center of the plate. This Mayan cartouche glyph also has an inner central glyph, which resembles a face with an open mouth. This glyph is the Mayan glyph "Ajaw", meaning "lord". According to Dr. Mark Van Stone, Professor of Art History, Southwestern College, and noted Maya expert specializing in Mayan hieroglyphs and calligraphy, who also co-authored the book "Reading the Maya Glyphs", commented the following regarding this piece: "Now, that date in the center is pretty unusal. It recalls the Ajaw Alters we find at Caracol and some other sites: a round alter with a text encircling a huge Ajaw date, which marks the "name" (the last day) of a "Period Ending" (usually a K'atun-end). It is a normal "Ajaw" day sign in its normal cartouche, surmounted by a numeral 13, to read "13 Ajaw", a date of important augury, as 13 was the number with the most power, and a period-ending on "13 Ajaw" was really significant. (It was the date chosen by Carl Johan Calleman for his calculation of the "End of the World"-11th Oct. 2011, in contrast to the more popular "4 Ajaw PE"-21st Dec. 2012.) In any event, it's perfectly legible, and the kind of thing that would be learned first by a student scribe." This scarce to rare piece has a cartouche date glyph that is a marker to an important event, and/or refers to an event in the Mayan calendar, and the cartouche date glyph seen on this piece is a significant example, as noted above by Dr. Mark Van Stone. The number "13", associated with the cartouche date glyph, is easily seen and represented by two bars and three dots that are attached to the top of the cartouche date glyph. This piece has some minor repair/crack fill from three large fragments, and is 99-100% original. There is also some attractive root marking seen in various sections of the piece, along with some minute black spotty mineral deposits. This piece is a large and rare Mayan plate with extremely rare symbols and is seldom seen on the market. Ex: Private German collection, circa 1970's. A TL authenticity test is available from Gutachten Lab, Germany, no. 18611, dated Jan. 7th, 1986. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1398614
Apolonia Ancient Art
$675.00
This scarce piece is a Roman bronze military horse saddle cinch handle that dates circa 2nd-3rd century A.D., and is approximately 3.3 inches long, by 2.7 inches wide at the terminal end, by 1.7 inches high at the ring attachment. This piece is a scarce to rare example with no repair and/or restoration, and was mounted on a leather strap that was fitted to a Roman saddle. There are two holes seen at one end that held rivets for the leather strap, and the terminal end has two flaring dotted ends that allowed one to firmly grip this handle. There is also a raised ring that locked this handle in place with another strap. This entire piece was also made to firmly wrap around the attached leather strap which tucked deeply into the handle. The overall design of this piece is very practical, and is a scarce Roman military cavalry piece not often seen on the market. This piece also has a beautiful dark green patina with some spotty light brown mineral deposits. For the type of a Roman military cavalry saddle see: "The Roman Cavalry" by Karen Dixon and Pat Southern, Barnes and Noble Books Pub., 2000. This piece also hangs on a custom display stand. Ex: Private CA. collection circa 1980's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1372929
Apolonia Ancient Art
$1,375.00
This attractive Greek Apulian squat lekythos dates circa mid 4th century B.C., and is approximately 5.8 inches high. This piece has vibrant black, white, and dark orange colors, and features a draped woman moving to the right and looking back over her right shoulder. She is also seen holding a decorative plate in her extended right hand, and a wreath in her left hand. There is also a circle seen in the field below her right hand holding the decorative plate, and this may be a workshop control mark. This piece has a single handle attached to the main body of the vessel and the extended neck. There is also a decorative dark orange palmate pattern seen below the handle. The top of the vessel has a flat rim, and this was an aid in the flow of a valuable oily unguent, and enabled the owner of the vessel to apply small amounts of liquid from the rim. Another analogous piece of this type was offered by Sotheby's Antiquities, New York, June 2008, no. 87 ($600.00-$900.00 estimates, $3,438.00 realized.) The piece offered here is intact, save for some minor stress cracks seen in the extended neck, and overall, is a superb example with vibrant colors. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1246443
Apolonia Ancient Art
$1,675.00
This esoteric piece is a Roman bronze herm that dates circa 1st-2nd century A.D. This piece is approximately 3 inches high, and has a beautiful dark green patina with some spotty dark red highlights. This piece is also complete, and has no restoration/repair. This piece has the typical Roman herm design, which is a square designed lower body, small square side handles that are seen just below the shoulders, and an attached bust seen at the top. The design of this attractive bronze is an imitation of a large marble or bronze sculpture, which was normally erected in front of private homes as a "protector type" object. The piece offered here was likely part of a private shrine that was inside of a private home or temple. What makes the design of this piece not so typical, is the realistic and young satyr head which has a young, sweet appearance. The head is very detailed and is seen slightly tilted to the right, and the thin neck, detailed hair, and upturned horns seen on the upper forehead is very esoteric. An analogous type/example is seen in Bonham's Antiquities, London, June 1997, no. 298. (800-1000 Pound estimates. See attached photo.) The piece offered here is a scarce example, as it has great artistic style and eye appeal. This piece stands on a custom display stand, and can be easily removed. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional information is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Stone : Pre AD 1000 item #1278878
Apolonia Ancient Art
$1,675.00
This interesting piece is a Near Eastern red steatite kohl vessel, that dates circa 2nd-3rd Millenium B.C. This attractive piece is approximately 2 inches high, and is a complete intact example with no repair and/or restoration. This interesting piece is rectangular shaped, and is in the shape of a tower. There is a circular opening seen at the top, along with four raised corners, and there is a hollow core that runs down into the center of the vessel. This vessel is also decorated with notches and bow-drilled "recessed concentric circle" designs on all four sides. There are also nine (9) "recessed concentric circle" designs seen on each side, and some of these "recessed concentric circle" designs are more deeply drilled than others. This vessel, besides being a very attractive architectural type piece, is a "kohl vessel" which contained compacted material (grayish-black or white powder). The grayish-black material was known as "kohl", which was used to protect and heal the eyes in a desert and/or an arid enviroment. The white powder, which is sometimes found in this type of vessel, was used to coat the face and served as a sun block. There are also remains of a grayish-black "kohl" material found in the vessel offered here as well. This vessel was also usually fitted with a bronze stick that served to remove and apply the product. This piece also has some white calcite deposits seen in the low relief sections of this piece, and has some attractive deep black colored veins that run throughout this hard red steatite stone. This type of vessel was widespread in the ancient Near East and Mesopotamia, as well as the Iranian plateau, Margiana, and Greek Bactria. However, the red steatite material seen with this vessel is scarce to rare, and was highly prized in antiquity, and there are very few recorded examples of this type made from this beautiful dark red stone. This piece is an attractive scarce type, and is seldom seen on the market. This piece also sits on a custom display stand. Ex: Private Swiss collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv.#12955. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #872310
Apolonia Ancient Art
$265.00
This interesting Roman bronze coin is a bronze Sestertius, and was minted circa 60-68 A.D., and depicts a bust of Nero, who was in power circa 54-68 A.D. This coin is approximately 37mm in diameter, is Very Good quality, and has a nice dark green patina with heavy dark green/brown deposits. There are also four holes seen on this piece, and this likely facilitated leather ties which allowed this piece to be fitted into a composite corslet as scale armour. (See attached drawing.) This type of of Roman armour is known, but is extremely rare, and was not often manufactured by the Romans, although the blending of metal leaves interwoven with fabric, was known by the Greeks as early as the 12th century B.C. in Cyprus. (See "Warfare in Ancient Greece" by Tim Everson, Sutton Pub., United Kingdom, 2004, p. 154-155.) This piece could have served as armour during this period, as Rome had a brief, but quick civil war with four Emperors circa 68-69 A.D. This piece also has a deep mark in the center of the coin that was probably a test cut, rather than a battle mark. The test cut was done in order to test that the metal was 100% bronze, rather than a bronze plated "fourree". This test cut was also probably done when this coin was no longer in circulation, and could have been struck circa 68 A.D., when Nero was replaced by Galba. This coin is an interesting piece that had a dual utility. A custom black plexiglas stand is included, and the piece is easily removable as it is attached with clay. Ex: Private English collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1269323
Apolonia Ancient Art
Sold
These beautiful Greek gold pieces were once part of a necklace, and date circa late 4th century B.C. There are eleven (11) pieces, and they were all made to suspend from a cord and/or were attached to the main body of a necklace. Each piece is approximately .75 inches long, by .25 inches in diameter. These gold pieces have a suspension loop at one end, and they were all mold made and put together with two halves. These pieces are also relatively light, as they are hollow and are made from sheet gold that was hammered into shape with a mold. These pieces are in the form of pinecone, or possibly fennel seeds, and this shape was extremely popular in ancient Greek jewelry during the Hellenistic Period, circa 4th century B.C. This type of necklace, that usually had rosettes and stylized seed, made their appearance after the middle of the 4th century B.C., and was known throughout the former empire of Alexander the Great. It's quite possible that the gold found in these necklace pieces originated from the Persian Empire. These pieces were also designed to "free float" in the necklace, and had a great deal of movement as one moved with the piece. These pieces were designed to catch the eye of the viewer, and are a clever design with a great deal of eye appeal. These necklace pieces have a brilliant gold color, and some minute mineral deposits can be seen under high magnification. These attractive pieces were well made, are not coming apart, and are in superb to mint condition. These pieces could in fact be worn today, and could easily be fitted into an attractive necklace. For the type and several examples see, "Greek Gold: Jewelry of the Classical World, by Dyfri Williams and Jack Ogden, Abrams Pub., New York, 1994. Ex: Fortuna Fine Art, New York, circa 1980's. Ex: Private New York collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1381567
Apolonia Ancient Art
Sold
This attractive piece is a Greek black glazed glaux skyphos, and dates circa 4th century B.C. This piece is approximately 2.8 inches high, by 5.5 inches wide from handle to handle, and is in intact condition, with no repair and/or restoration. Overall, this piece is in superb to mint quality condition, save for some minor spotty roughness in the glaze of the outer surface, and has some spotty white calcite deposits. This piece has a deep lustrous black glaze seen on the inner and outer surfaces, and has a very distinctive design feature with one vertical and one horizontal handle. Both of these handles also have a different design, with the horizontal handle having a round design, and the vertical handle having a thick, flat design. The vertical handle was designed to hold this scarce vessel with the index finger, and the other handle was used to control the pouring of a liquid, such as concentrated wine that was mixed with water. The handle design also refers to the common name that this scarce type of vessel is known as, and this vessel type is often referred to as a "glaux skyphos". The bottom of the vessel has a small black dot, seen within a dark orange reserve, that is also seen within the bottom ring base. The piece offered here is seldom seen in this condition, and is one of the better recorded examples. Ex: Hans Piehler collection, Germany, circa 1940's-1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1369191
Apolonia Ancient Art
$725.00
This intact and interesting piece is a Chancay child and crib textile doll that dates circa 1300-1532 A.D. This appealing piece is approximately 10.25 inches long, by 4.25 inches high, and is made from several types of Chancay textiles made from alpaca wool and cotton. The Chancay culture was centered on the central coast of Peru, and produced some of the finest textiles relative to all of the Andean pre-Columbian cultures. This piece is a young child seen lying within an elongated crib that is tightly wrapped with a white colored textile. The child is also tightly attached to the crib, and is seen wearing a multi-colored garment. The young child has long dark brown hair tied at the back of the head into a loose bun, and cascades over the side of the crib. The nose, eyes, and mouth are made from woven textiles, and appears to be very serene little girl. The short red woven hands are tightly woven, and resemble a "stick figure" with extended fingers and toes. The piece is also made with numerous textiles that are wrapped and formed around a reed superstructure, and these Chancay textile dolls and/or puppets were votive, as they promoted family and fertility in the afterlife. This piece also has outer garments that were custom made for this child figure, and are not simple wraps of textile scraps, as is usually seen on textile figures of this type. One of the best recorded examples of this type, as it is mint quality, and complete figurines of this type with custom garments are scarce in the market. (For the type see: "Pre-Columbian Art of South America" by Alan Lapiner, Abrams Pub., New York, 1976, nos. 678 and 679. See attached photo.) A custom Plexiglas case is included that protects this piece from environmental elements and insects such as moths. Ex: Dr. Gunther Marschall collection, Hamburg, Germany, circa 1960's. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1374529
Apolonia Ancient Art
$925.00
This mint quality Roman glass flask dates circa 2nd century A.D., and is approximately 7.6 inches high. This flawless light green glass piece has no breaks or chips, and is a larger example than what is normally seen. This well designed piece also has a large folded rim at the top that provided greater control while pouring a liquid, and in addition, there is also an indented bottom design that allowed this piece to solidly stand upright. This piece also has an indented section at the bottom of the elongated neck, and this also controlled the flow of liquid within the vessel. This piece has a brilliant multi-iridescent patina with light blue highlights, seen in sections of the vessel, along with some light brown earthen deposits and minute root marking. Overall, an attractive piece with nice eye appeal that has interesting design features. (For the type see, John Hayes, "Roman and Pre-Roman Glass in the Royal Onterio Museum", 1975, no. 231.) Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1353952
Apolonia Ancient Art
$1,285.00
This extremely rare coin is a Greek silver drachm from the Epirote Republic, and dates circa 234-168 B.C. This coin is in extremely fine condition (EF/EF) condition, weighs 5.0 grams, and is approximately 21mm in diameter. This coin has on the obverse: a detailed and laureate bust of Zeus facing left, a monogram at the lower front of the bust, and a Greek legend below and behind. The reverse has: a standing eagle on a thunderbolt facing left, with the legend "ADEI" before, and "PUTAN" behind, all within a laurel wreath that is seen framing the border. The legend seen on the obverse is extremely rare, and may refer to the magistrate that minted the coin and/or the name of the current ruler of the Epirote Republic. This coin may also be the only known recorded example with this obverse legend, in addition to, the bust of Zeus that is seen facing left which is seldom seen as well. The reverse legend refers to the Epirote Republic itself. The artistic style of the Zeus bust also has an extremely high degree of art, and is a better style that what is usually seen on the scarce coinage of this type. Another example of this coin type, without the obverse legend and the Zeus bust facing right, was sold by Numismatica Ars Classica in Zurich, Switzerland for 1,300 SF. The coin offered here is not only an extremely rare type, but is also in extremely fine condition. References: Franke, Epirus, 32ff (var.); SNG Cop 114. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1313572
Apolonia Ancient Art
Sold
This exceptional piece is a massive Roman glass bottle that dates circa 2nd century A.D. This piece is approximately 12.1 inches high, and is in flawless condition with no cracks and/or chips. This beautiful piece is a pale blue-green color, is free blown, and has a slightly indented "dimple base". This piece also has a long cylindrical neck that is constricted at the lower end, and has a flanged "roll-band" below the rounded rim. This "roll-band" was designed to act as an aid for a portable seal over the opening, such as an animal skin or textile seal. This large-scale piece was also likely a storage vessel for a precious oil or unguent. This piece has a beautiful multi-colored iridescent patina, exceptional smooth surfaces, and some minute root marking. Large-scale Roman blown glass vessels like this example took a great deal of skill to produce, and large-scale pieces with balanced symmetry like this example are rare on the market. In addition, flawless examples like this piece are also not often seen as well. A rare and exceptional large-scale piece that has an interesting design with a brilliant multi-colored patina. Ex: Private Geneva, Switzerland, collection, circa 1980's. Ex: Christie's Antiquities, New York, June 2012, no. 138. ($6,000.00-$8,000.00 estimates.) Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1261165
Apolonia Ancient Art
$1,675.00
This attractive piece is an Olmec stone celt/ax that dates circa 1200-550 B.C. This piece is approximately 6.4 inches high by 3.5 inches wide. This intact piece has beautiful dark-green, blue, and white colors, some dark brown mineral deposits seen in the low relief sections of the piece, and some minute spotty black mineral deposits that are seen on all of the outer surfaces. In addition, this exceptional piece has no chips on the sharp edge, and this points to this piece as being a "votive" and "ceremonial" type object. This trapezoidal shaped piece has a nice semi-sharp blade, seen at the top of the piece, and the bottom tip of the bottom base is unfinished, as this is the original outer edge of the stone from which this piece was formed. This piece also has an esoteric slight bend that runs through the length of the main body, and perhaps this was done to make this piece resemble an ear of corn that is seen peeling away from the central cob. The Olmec were also known to have this type of piece worn on a belt, and the wearer doubled as the Olmec "Maize God", who was meant to represent the central cob of a maize ear. According to Karl Taube in "Olmec Art at Dumbarton Oaks, Library of Congress Pub., 2004, p. 129: "But, for the Middle Formative Olmec, the key plant was maize, the ear of which, in its very form, resembles a green stone celt. With their broad, curving bits and narrow polls, the outlines of Olmec celts are so similar to Olmec representations of maize that it is frequently difficult to distinguish them. Moreover, much as maize seed is prepared on the stone metate, celts and other jade artifacts were surely ground and polished on flat stone surfaces. Through the process of grinding, both maize food and finished jade are created." This type of piece was valued by the Olmec for its beautiful color, as this piece was very labor extensive to produce, and this intensive grinding and polishing resulted in a highly glossy surface which still can be seen with this piece today. This type of piece was also traded widely by the Olmec, and may also have represented a set value of wealth. This attractive piece also comes with a custom black metal stand, and simply slides down into the stand. Ex: William Freeman estate, New Mexico, circa 1960's-1980's. Ex: Private AZ. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1103081
Apolonia Ancient Art
$2,375.00
This appealing piece is an Egyptian polychrome wooden face mask that dates Third Intermediate Period, circa 1075-715 B.C. This piece is approximately 7.75 inches high, and is a near complete facial section of a wooden sarcophagus mask/lid. This piece has red outlined lips, and red and blue details which are painted over a golden yellow ground that covers the carved wooden surface. There are two dowel holes which were used to attach this esoteric facial section to the main body of the sarcophagus mask/lid. This piece also has some minute spotty black mineral deposits, and the condition of the carved wooden fabric is exceptional. This piece was carved in a very esoteric manner, as seen with the detailed lips and raised eyes. This piece has a great deal of eye appeal, and fits on a custom black plexiglas and marble stand. Ex: Sotheby's Antiquities, London, Feb. 1979, no. 273. Ex: Private New York collection. Ex: Sotheby's Antiquities, "The Charles Pankow Collection of Egyptian Art", Dec. 2004, no. 148. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition: