Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1392177
Apolonia Ancient Art
$465.00
This appealing piece is a Moche bronze tumi that dates circa 300-600 A.D., and is approximately 4 inches high, by 3.6 inches wide, by .15 inches thick. This piece is intact and is in mint quality "as found" condition, and has a beautiful dark green patina. This piece also has some light brown earthen deposits, along with some spotty minute dark green mineral deposits that are adhered to sections of the piece. This piece was cast and then hammered into shape, and has a raised edge border that runs down from the curved blade to the base of the piece. This was added to give this piece some added strength, and shows that this piece was made with a great deal of skill. This tumi was also votive, and was likely added into the wrappings of a mummy, or was simply added into a Moche tomb. This piece is a symbolic offering, and represents the continued survival of the Moche culture, as this type of implement was used for ceremonial sacrifice. A nice complete example with a high degree of eye appeal. This piece also sits on a custom display stand, and can easily be removed. Ex: Dr. Gunther Marschall collection, Hamberg, Germany, circa 1960's. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1392094
Apolonia Ancient Art
$2,675.00
This lively piece is a Parthian/Near Eastern bronze leaping lion handle, and dates circa 150 B.C.-225 A.D. This piece is approximately 3.8 inches long, by 3.8 inches high, as seen on it's custom display stand. This piece is also complete, with no repair and/or restoration, and was cast as one solid piece. The lively lion seen here has his head turned to the right, and appears to look back at the individual who can easily hold this piece firmly with one hand. The lion is also seen with his mouth open, and appears to be roaring at the viewer. The lion is also seen leaping, and his two front paws were designed to fit over the rim of a vessel, as there is also a groove under the paws. This piece is a rare example, and is likely Parthian, as the artistic style of this piece is very analogous to other works of art attributed to this culture. (For another analogous example attributed to the Parthian period that is of the exact size and type, see: "Ancient Bronzes, Ceramics, and Seals. The Nasli M. Heeramaneck Collection of Ancient Near Eastern, Central Asiatic, and European Art.", Los Angeles County Museum of Art Pub., 1981, no. 659. See attached photos.) This piece also has a beautiful dark brown and green patina, and is mounted on a custom marble display stand. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1392002
Apolonia Ancient Art
$875.00
This scarce piece is a Huari bowl that dates to the Middle Horizon period, circa 550-1050 A.D. This piece is approximately 6.5 inches high, by 6.8 inches in diameter, and has white, black, dark orange, and dark red colors. This interesting piece has a flat bottom and an oval opening at the rim. This piece has a mirror image design that appears to be a "jugate-designed" type image, which are two heads back-to-back with a shared central white eye. This image also likely represents a sacred mythical creature that could be part feline, as there are also black dots seen within the design that could represent jaguar spots. There are also two raised bands that rise above the main design, and in addition, there are white and black dots that frame the entire image which may be celestial in nature. There is a "key pattern" that forms a ground line, and they also divide the vessel into two halves, along with a "chevron" pattern that is a hallmark design seen on Huari ceramics. This vessel could have been used in a sacred ceremony, and may also have served as a seed storage jar. This piece also has an ancient repair, as indicated by two bow-drilled holes that held a cord wrapping which held a crack together. This piece is complete, and has some minor crack fill seen mostly at the base that was done 30 plus years ago. This piece also has some attractive spotty white calcite deposits seen on the inside and outer surfaces. An interesting piece that has a very complex design. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1390809
Apolonia Ancient Art
$2,365.00
This rare piece is a Roman glass and turquoise pendant that dates to the 4th-5th century A.D., and is approximately 1.7 inches in diameter, by .35 inches thick. This piece is an exquisitely carved turquoise roundel with a laureate and cuirassed young male deity that is seen facing right. This roundel is also framed in a green glass bezel, and has a small hole for suspension seen at the top. The backside of this piece is also flat, and the glass bezel is very translucent which also adds to it's beautiful eye appeal. The glass also has sections of a thick multi-iridescent patina, and some root marking. The young male deity seen on this piece may also represent a Roman emperor seen as a god. This piece was also an object with a great deal of eye appeal in antiquity, and was meant to be seen. Ex: Private Swiss collection, circa 1970's. Ex: Bank Leu Numismatik, Zurich, Switzerland, circa 2000's. (Note additional documentation is available to the purchaser, including US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1389637
Apolonia Ancient Art
$3,265.00
This piece is a black glazed Colima seated shaman that dates to the Protoclassic Period, circa 100 B.C.-250 A.D., and is approximately 10.8 inches high. This pleasing piece has a deep black lustrous glaze over the entire piece, and is scarce as such, as most Colima examples of this type have a red to reddish brown glaze. This seated shaman is seen gesturing with a left upraised arm, and this arm also forms an open spout. This lively shaman is also seen with his right hand placed on his thigh, "coffee-bean" type eyes, an extended nose, and a serene expression. He is also seen wearing a linear patterned lion cloth that is designed with detailed white incised lines, and these incised designs are seen on both sides of the body. In addition, he is also seen wearing a shell pectoral, and a tall "turban-helmet" with a raised horn that also has side straps that are seen falling to the shoulders. This piece was also likely created as a "protector" type piece, and was an individual that had magical powers. This piece is intact, save for a re-attached left leg, and is 100% original. Overall, this piece is an exceptional example, as it has great detail with the incised decorative elements, and the black glaze that is seldom seen. Ex: Sotheby's Pre-Columbian Art, New York, May 1989, no. 100. Ex: Private Kansas collection, circa 1990's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Pre AD 1000 item #1389309
Apolonia Ancient Art
$875.00
This scarce piece is an Etruscan Black Ware bucchero vessel stand that dates to the mid 6th century B.C. This piece is approximately 4.8 inches in diameter at the top rim, and is 2.8 inches high. This interesting ceramic also has a deep lustrous black glaze seen over the entire piece, and is known as a "bucchero" type ceramic. This piece has an indented round depression seen at the top, and this likely held a glass vessel, or a vessel such as an aryballos with a rounded bottom. This piece also has a raised stem on a round flat base, and the entire piece is very durable, as it is thick-walled. This vessel also has an old inventory tag attached to the bottom showing the "No. 38", and "Orvieto", which was one of the major Etruscan cities from antiquity. This piece is intact, and has exceptional surfaces with some minute root marking and spotty white mineral deposits. A scarce type vessel not often seen on the market. Ex: Hans Piehler collection, Germany, circa 1940's-1960's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1389023
Apolonia Ancient Art
$6,875.00
This powerful piece is a seated Colima warrior that dates to the Protoclassic Period, circa 100 B.C.-250 A.D., and is approximately 14 inches high. This reddish-brown seated warrior has long youthful limbs, and is seen with the raised right arm balanced on his knee. His cupped right hand perhaps once held an implement, or a lance made from perishable material. This warrior also appears to be in a trance, and has a rounded face with closed "coffee-bean" style eyes. He is also seen wearing a pendant tied around the neck, a headdress/helmet with a small "feline headed" medallion, and raised inlay stone tattoos on the shoulders. The left side of his nude torso is also decorated with a band of black geometric "line-design" tattoos. This piece has very realistic body molding seen on the back side of the vessel, and has a very angular nose. His ears are also pierced for earrings, and overall, this warrior exudes a regal like appearance. This piece was offered for the deceased, and was likely a "protector-type" figurine. The form of this Colima piece is also rare, and the figurine offered here is a rare example that is also known as the "Coahuayana Valley" type. This piece is also intact with no apparent repair and/or restoration, and has some spotty and minute black mineral deposits. A superb large example with a high degree of eye appeal. For the type see: R. Townsend, "Ancient West Mexico, Art and Archaeology of the Unknown Past", The Art Institute of Chicago, 1998. Ex: Sotheby's Parke Bernet, Pre-Columbian Art, New York, Dec. 1981, no. 165. ($2,200.00 realized.) Ex: Sotheby's Pre-Columbian Art, Nov. 2004, no. 268. ($4000.00-$6,000.00 estimates). Ex: Private Kansas collection, circa 2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1388919
Apolonia Ancient Art
$1,865.00
This piece is a Moche seated prisoner that dates circa 200-500 A.D., and is approximately 12 inches high. This piece is intact with no repair and/or restoration, and has some minute spotty black mineral deposits. This piece also has a tan and brownish orange glaze. This piece is a seated prisoner that has a coiled rope around his neck, and has his hands bound at the back with rope ties. This prisoner is completely nude, save for his wearing a turban with a raised crescent ornament, and behind the raised crescent ornament, there is an open spout. The crescent ornament may also be a symbol of rank, and this prisoner may represent an important captive. The Moche also engaged in ritual combat in order to capture prisoners for sacrifice to their gods, and the seated prisoner seen here is portrayed while awaiting his fate. This may also explain the apparent forlorn expression that is seen on his face. This piece has nice eye appeal, and is an interesting example with the raised crescent turban. For the type see: Christopher Donnan, "Moche Art of Peru", University of California, Los Angeles, 1978. Ex: Sotheby's Pre-Columbian Art, New York, May 1993, no. 191. Ex: Private Kansas collection, circa 1990's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388722
Apolonia Ancient Art
Sold
This beautiful piece is a Greek terracotta of a nude Aphrodite, and dates to the Hellenistic Period, circa 2nd-1st century B.C. This piece is approximately 5.75 inches high, and is mounted on a custom steel and Plexiglas stand. On the stand it is approximately 8 inches high. This esoteric piece was mold made, and was finished with detailed sculpting. This piece is a nude Aphrodite that is portrayed emerging from her bath, and this beautiful piece was modeled after the renowned 4th century B.C. masterpiece known as the Cnidian Aphrodite by Praxiteles, who in portraying the goddess as she emerges from her bath, epitomized the ancient ideal of feminine sensuality. Kozloff and Mitten commented in "The Gods delight, The Human Figure in Classical Bronze, p. 106", that the universal attraction of this pose can be summarized in the psychology of the experience from that of the viewer, in that: "the viewer became, in essence, a voyeur, allowed to behold something that was at once enticing and forbidden." Kozloff further elaborates: "from each point of view, a special aspect of her beauty is stressed; the face from the left, the buttocks from the back, the breasts from the right, and the pelvis from the front. Her gestures are decorous, and her pose is convincingly self-protective." The Aphrodite offered here is also seen crouched down while looking away to see if she was seen emerging from her bath. Her hair is also pulled back into a bun, which is also very detailed. Her nude body is also perfectly molded, and there are few Hellenistic Greek terracottas that are completely nude, as most are draped to some degree. This piece is also intact and is complete, save for sections of her missing arms and her lower extremities. Overall, this esoteric piece is of a type that is seldom seen on the market, and displays exceptional artistic style. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388642
Apolonia Ancient Art
$925.00
This beautiful and esoteric piece is a Greek terracotta of a Kore, and dates to the 6th-5th century B.C. This piece is approximately 3.8 inches high, and is mounted on a custom steel and Plexiglas display stand. On the stand it is approximately 5.3 inches high. This piece was mold made, as it has a flat backside, and is a light tan terracotta. This piece depicts a Greek Kore, whose name means "maiden", and this goddess was responsible for good fortune and the change of seasons with the "rebirth" of spring, and she was also known as "Persephone". This goddess also has an extended arm and may be making an offering. The esoteric face has a slight smile, almond eyes, and a square chin which are also artistic style hallmarks for the period. This piece also has falling hair curls over her breasts which also accentuates her role as a fertility goddess. This piece is also intact, save for the missing arm sections and a small section of the lower torso. This piece is also in superb "as found" condition, and has some earthen and minute white calcite deposits. Overall, this piece is in superb condition, and has a very esoteric look with superb artistic style for the period. Ex: Munzen and Medaillen Ag, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388636
Apolonia Ancient Art
$875.00
This detailed and esoteric piece is a Greek terracotta of a Kore, and dates to the 6th-5th century B.C. This piece is approximately 3 inches high, and is mounted on a custom steel and Plexiglas display stand. On the stand it is approximately 5 inches high. This piece was mold made, as it has a flat backside, and is a light orange terracotta. This piece depicts a Greek Kore, whose name means "maiden", and this goddess was responsible for good fortune and the change of the seasons with the "rebirth" of spring, and she was also known as "Persephone". Kore was also a fertility goddess, and is seen here holding her breasts. The face also has a slight smile, almond eyes, and a square chin which are also artistic style hallmarks for the period. This piece also has incised detailing that defines the hands, eyes, and hair locks. The face has a very esoteric look, and this piece has superb artistic style for the period. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388453
Apolonia Ancient Art
$385.00
This appealing piece is a Greek terracotta bust that dates circa 4th-3rd century B.C., and is approximately 3 inches high. This large bust is intact, save a small edge chip around the vent hole hole rim seen at the back of the head, and is a terracotta that likely represents a goddess such as Demeter. This goddess is also seen wearing an elaborate and thick diadem, and has a very serene face. Demeter was the mother of Persephone who was responsible for the change of seasons, and the "rebirth" of crops during the year. This piece is in it's natural "as found" condition, and has some spotty earthen and mineral deposits. This piece is a pleasing example for the type, and is mounted on a custom steel and Plexiglas display stand with a total height of approximately 4.7 inches. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388383
Apolonia Ancient Art
$1,265.00
This attractive Greek terracotta dates to the 4th century B.C., and is approximately 3.75 inches high. This large bust is intact to just below the jaw line where it is broken at the neck, and is a bust of a goddess such as Demeter. This esoteric bust has exceptional artistic style, as the portriat is of a more mature goddess with a vibrant face with a slight smile. She is also seen wearing a diadem with perhaps agricultural stalks that are seen within the diadem. Demeter was the mother of Persephone who was responsible for the change of the seasons, and the "rebirth" of crops during the year. This attractive large bust is also in it's natural "as found" condition, and has some minor earthen and mineral deposits. An exceptional example with an intact face and a high degree of eye appeal. This piece is also mounted on a custom steel and Plexiglas display stand with a total height of approximately 5.3 inches. Ex: Munzen and Medaillen AG Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1386486
Apolonia Ancient Art
$1,325.00
This beautiful Greek terracotta dates to the 4th century B.C., and is approximately 3.8 inches high. This large bust is intact, and is a complete bust of a very large standing terracotta of a goddess such as Persephone, who is the Greek goddess of harvest and fertility. This esoteric bust has exceptional artistic style, as the head is slightly tilted to the left, and the head is slightly uplifted. The hair is also tied upwards into a bun above the forehead, and the face has a slight smile. This very large bust is in it's natural "as found" condition with it's natural earthen deposits, and is an exceptional example for the type. This piece is also mounted on a custom steel and Plexiglas display stand with a total height of approximately 5 inches. For the type see "Tanagra Mythe et Archeologie", Louve, Paris, 2004, fig. 107. Ex: Munzen and Medaillen AG Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1386365
Apolonia Ancient Art
$425.00
This piece is a Greco-Roman lead horse that dates circa 1st-2nd century A.D., and is approximately 1.5 inches long, by 1.25 inches high. This piece was a "votive" type object, and was likely sold to the devoted as solely a votive object for dedication at a shrine or grave. This horse may also represent a racing type horse, or one that was tied to a chariot, and may be part of a complete object such as a chariot. This piece was cast from two halves, and was mold made. The horse is complete, save for three of the lower legs, and is a better example that what is recorded, as it is scarce to rare. This piece also has nice detail with the head, and there are reigns that are visible on the neck and body. This piece is also likely Thracian in origin, as votive lead plaques were common for the period and region as well. This piece also has an attractive dark to light gray patina, with spotty dark black and brown highlights. This piece also is mounted on a custom display stand, and has nice eye appeal. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1386086
Apolonia Ancient Art
$1,875.00
This intact Chavin piece is a canteen designed vessel with a seated deity that dates to the Middle Chavin Period, circa 1000-700 B.C. This interesting piece is approximately 8.75 inches high, by 4.5 inches in diameter at the center of the vessel. This piece is a seated deity with a rounded body, extended nose, and appears to be wearing a skull cap and a loose mantle. There are also two suspension holes seen on each side of the raised spout, and this piece may have been carried as a canteen that likely held a sacred liquid. The arms and hands are also tucked in at the front, and has an analogous design as the sculptural deities that were excavated by Julio Tello at Moxeke, Peru. (See attached photo that is seen in "Chavin and the Origins of Andean Civilization" by Richard Burger, Thames and Hudson Pub., 1992, p. 83, fig. 66.) There is also a strong probability that this piece is a "ceremonial type" vessel and was used for offerings and ceremony. This piece has a thick dark gray glaze over the entire vessel, some attractive dark brown burnishing, and is intact with no repair and/or restoration. This piece is not only a scarce to rare Chavin vessel that is seldom seen on the market, but more importantly, it is also an important ceremonial type that depicts a sacred deity. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export, and US Customs Import documentation. In addition, there is a TL authentication lab test from Gutachten Lab, Germany, dated 06/11/1979, no. 3679116. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1385957
Apolonia Ancient Art
$385.00
This pleasing piece is an Egyptian faience Ptah head that dates to the Late Period, circa 713-332 B.C., and is approximately .75 inches high. This piece was originally made as an amulet in the form of the Egyptian god Ptah, who was a popular god in ancient Egypt, and was the Egyptian creator god of Memphis and patron of craftsman. This piece had a suspension hoop at the backside, and was worn as a "protector" type amulet. The piece offered here has a thick dark green glaze, and has a detailed face with a serene smile. Ptah is also seen wearing a skull cap, although he appears to be bald. This superb conditioned bust is complete, save for the missing left ear, and has a realistic and better facial expression that most examples. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1385777
Apolonia Ancient Art
$465.00
This complete piece is a Roman bronze oil lamp cover in the form of a facing Medusa head, and dates circa 2nd-3rd century A.D., and is approximately 1.5 inches in diameter, by .28 inches high in relief. This piece was cast as one solid piece, and has a concave back side and the front side has the facing head of Medusa with long flowing hair. The face is extremely rounded with no facial expression, and has a cloak tie seen below the chin. In addition, there is an indented hole at the top with a bar which served as an opening for a swivel attachment. This piece covered a hole in a bronze oil lamp, and moved up and down over the hole. This piece has a lovely dark green patina, and has very sharp detail, especially with the eyes that have raised hollow pupils that are very noticeable. This piece has a great deal of eye appeal, and is a large example for the type. This piece also hangs on a custom display stand, can easily be removed, and also can be worn as a pendant. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition: