Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
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All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1365159
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These eight complete Greek "sling bullets" date to the 5th-4th century B.C., and are approximately 1 to 1.6 inches in length, by .4 to .7 inches in diameter. These pieces all have some light mineral deposits, and have a light dark gray-brown to tan patina. These relatively heavy lead pieces were mold made, and one can easily discern each half of the piece that fitted into the "two-part mold". These pieces were fitted into a hand sling that generated tremendous force and speed as they were released from the sling. These weapons also have an almond shape, as most lead "sling bullets" have, and this shape provided a stable aerodynamic flight. These pieces also have some light marking and minute impact dents that indicate that many of these pieces were likely in battle. These interesting pieces are all different sizes, and are also fitted into a custom display case. Ex: Joel Malter collection, Los Angeles, CA., circa 1990's. Ex: Private CA. collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1359591
Apolonia Ancient Art
$2,165.00
This exceptional piece is a Greek silver fibula that dates to the Hellenistic Period, circa 4th-3rd century B.C. This attractive piece is approximately 2.2 inches long, by 1.6 inches wide. This piece also has a beautiful light gray patina, and some minute spotty black mineral deposits. This finely detailed piece is a solid example, and was made in sections, and was also designed with an acanthus design seen at one terminal end. The other terminal end has two raised knobs with a hoop between, and this raised hoop likely held a leather tie so that this fibula would not have been lost by the wearer. This piece was expensive in antiquity, and was worn only by a wealthy individual. This piece also displays five "paddle wheel" decorative elements, and each of these decorative elements have six raised knobs. The overall design of this attractive piece is very intricate, which also lends this piece a great deal of eye appeal. This type of piece was also used in place of a button to fasten the sleeves of the Greek chiton. (For the type and use see: "Greek Jewellery, 6,000 Years of Tradition", 1997, Athens, no. 78.) Another near identical example is also seen in the Metropolitan Museum, New York, Inventory no. 52.36. The exceptional piece offered here is one of the finest recorded examples, and is complete, save for the missing ultra-thin attachment pin. This piece is also attached to a custom display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1144158
Apolonia Ancient Art
$685.00
This attractive piece is a Greek terracotta of a standing Aphrodite that dates to the Hellenistic Period, circa 3rd-2nd century B.C. This piece is approximately 8 inches high, and is a complete and intact example. This piece also has several earthen deposits, and is in its intact "as found" condition. This light tan terracotta figure is a nude Aphrodite, who is seen raising her right arm and holding her drapery behind, and her lower right arm is seen holding or resting on an extended dolphin, with its head pointing downwards. This dolphin may also represent a piece of dolphin-designed furniture. The dolphin seen at her side also refers to the ancient Greek myth of the birth of Aphrodite, as she sprang from the foam of the sea. She is also seen on a rectangular stand, and there is a small round vent hole seen on the back side. This attractive piece was mold made from two seperate halves, and is a typical example of a Greek Boeotian terracotta, but this piece has a totally nude highly erotic pose which is not often seen . This type also is found during the late Hellenistic Period, circa 1st century B.C., and is sometimes classified as being "Roman", but the example seen here is an early Greek example. Another analogous Greek example, dating circa 3rd-2nd century B.C., of the same size and molding is seen in Bonhams Antiquities, London, April 2006, no. 114. ( 500-700 Pound estimates, 840 Pound/$1,512.00 realized.) This piece also stands by itself, and sits on a custom black plexiglas and wooden stand. Ex: Joel Malter collection, Los Angeles, CA. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1304362
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This attractive piece is a Greek Boeotian blackware kantharos, and dates circa 450-425 B.C. This piece is approximately 7.6 inches high, by 7.5 inches wide from handle to handle, and is a large example. This esoteric piece has a nice even lustrous black glaze, with a multi-colored iridescent patina over the glaze, and a high degree of eye appeal. This Greek kantharos is a Classic Period type vessel, as can be seen with the two looped handles and the long stemmed base, and this piece is also classified as being a "Type A" type due to this design. This type of piece is also seen on many Greek Classical Period coins and painted ceramics. This type of vessel was used for drinking wine at drinking parties which is known as a "symposium", and was also used for ceremonial offerings. This superb and beautiful piece is intact, and has some spotty white calcite deposits seen in various sections of the piece, and is heavy at the inner bottom of the vessel. There is also some minor roughness seen in sections of the inner bowl, otherwise this piece is in near flawless condition. This piece also have a deep even black glaze seen on the inner and outer surfaces, and there are no pressure cracks and/or repair seen anywhere on this vessel. (Another analogous example was offered at Christie's Antiquities, London, Oct. 2011, no. 71. This piece was approximately 11 inches high, with a faint painted white ivy tendril that runs around the main body of the vessel. $4,600.00-$7,500.00 estimates, $9,246.00 realized.) (Another analogous example can be seen in the Louvre Museum, Paris, Inv. no. MNC 670, and bears an incised inscription that is a sacred dedication. The lengthy inscription is in the Boeotian alphabet, and this vessel is thought to have come from Thespiae.) The attractive piece offered here is scarce to rare in this intact condition, and is seldom offered on the market. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388636
Apolonia Ancient Art
$825.00
This detailed and esoteric piece is a Greek terracotta of a Kore, and dates to the 6th-5th century B.C. This piece is approximately 3 inches high, and is mounted on a custom steel and Plexiglas display stand. On the stand it is approximately 5 inches high. This piece was mold made, as it has a flat backside, and is a light orange terracotta. This piece depicts a Greek Kore, whose name means "maiden", and this goddess was responsible for good fortune and the change of the seasons with the "rebirth" of spring, and she was also known as "Persephone". Kore was also a fertility goddess, and is seen here holding her breasts. The face also has a slight smile, almond eyes, and a square chin which are also artistic style hallmarks for the period. This piece also has incised detailing that defines the hands, eyes, and hair locks. The face has a very esoteric look, and this piece has superb artistic style for the period. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1290668
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This attractive coin is a Greek EL (electron) hekte that was minted in Kyzikos, circa 550-500 B.C. This scarce piece shows the winged helmeted head of Perseus on the obverse, with a tunny fish behind; and the reverse is a quadripartite incuse square punch. This piece is superb quality (EF+/EF+), is approximately 12mm, 2.69gms, is well centered for the type, and has a lustrous high relief sharp portrait of the mythical figure Perseus. The portrait is also seen in the "Greek Archaic" artistic style, and is seen with a large almond eye, a large nose and chin, and a slight smile. "Greek Archaic" portraiture is also a very desirable feature highly valued by collectors of ancient Greek coins, and the portrait seen here is a fine example. There is also an unobtrusive test mark behind the bust, and is very difficult to see, and does not detract from the detailed and high relief portrait of Perseus. Kyzikos was located on the southwest shore of the Propontis in ancient Mysia next to the river Aisepos. The city's prosperity was due principally to its two fine harbors, which made it a convenient stopping point for merchant ships trading between the Aegean and Black Seas, and the coin seen here likely was made to facilitate port and shipping fees. Kyzikos principle export was the tunny fish, which is often seen on the obverse of it's coinage. The prevalence of winged beings seen on Kyzikene coinage is a reflection of an archaic mythical convention of art, that assigned wings to most divine or sacred entities as a symbol of their nature, and in the case of the gods, of their power to move across great distances. On the coin offered here, we see Perseus, who was the son of Zeus and the mortal Danae, who was the daughter of the king of Argos; and as Perseus had divine status, he was widely worshiped and admired among the ancient Greeks. On the exceptional coin offered here, he is depicted as a divine entity wearing a winged helmet, which is the so-called "Helm of Hades", which rendered its owner invisible to other supernatural entities and mortals. This winged helmet was given to him by Athena, in order to help him evade the gorgons Sthenno and Euryale after he had slain and decapitated their sister Medusa. The coin offered here is scarce to rare on the market, and is a rare depiction of Perseus. Von Fritze no. 65. SNG von Aulock no. 1186. Ex: Harlan Berk, Chicago, Ill., circa 1990's. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1304124
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This interesting piece is a silver Greco-European "spectacle fibula" that dates to the Geometric Period, circa 8th-7th century B.C. This piece is approximately 2.4 inches long, by 1.4 inches high, and is intact with no repair/restoration. This piece was made from one hammered strand of silver, and was made by creating a wire spiral that begins and ends at the center of each spiral. This piece is also very solid, as the diameter of the silver strand is about 1/16 inch on the average. The area between both spirals forms a clip that likely held rolls of hair in place, so this piece served as a functional, as well as a decorative type of piece. This piece has an attractive light gray patina, along with some minute spotty dark green mineral deposits seen mostly on "Side B" of the piece. (An analogous example was offered in Bonham's Antiquities, London, Oct. 2012, no. 218, 500-600 Pound estimates.) Silver examples of this type are relatively scarce on the market, especially in the intact condition offered here. This piece hangs on a custom display stand, and can easily be removed. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1323161
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This exceptional piece is an early Greek Athenian silver tetradrachm that dates circa 500-490 B.C., and is classified in "Group L" by Seltman. This coin is approximately 25mm wide, weighs 16.61 gms, and is in mint state condition (FDC/FDC). This coin has a very light gray patina with some minute spotty dark black deposits, and has a beautiful natural "as found" patina. This exceptional coin has the helmeted head of Athena facing right seen on the obverse, and the reverse has a facing standing owl, with an olive sprig behind, and the Greek lettering (A-TH-E) before. The standing owl was also the "civic badge" of Athens, and was widely recognized in the ancient Greek world. This coin also has perfect centering, in addition to, extremely high relief which are factors that make this coin one of the top examples that have been seen on the market. This coin was also likely minted shortly before the battle of Marathon, circa 490 B.C., and was likely used to help expand the Athenian forces that opposed the invading Persian military juggernaut. The helmeted Athena is also a masterpiece of Greek Archaic art, with the slightly smiling face of Athena and the large almond-shaped eyes which are hallmarks of the Archaic Period. The bust of Athena also has a sculptural quality and design that is not often seen on prior or subsequent Athenian issues. This piece also displays a full crest and neckline that is not often seen as well, as this piece has perfect centering and was minted on a large and full flan. Overall, this coin is one of the finest specimens known for the type due to the reasons noted above, along with the fact that this piece has exceptional artistic style which also contributes to this coin's beauty and eye appeal. References: Svoronos, Pl. 6, No. 11. and Seltman, Pl. XV, A214/P275. Ex: Private German collection circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1384480
Apolonia Ancient Art
$965.00
This extremely rare piece is a Greek bronze jewelry mold that dates to the Hellenistic Period, circa 4th-3rd century B.C., and is approximately 1.75 inches long, by 1.25 inches wide, by .3 inches thick. This complete piece was cast as one solid piece and has a flat back, a single hole for suspension seen below the rounded top, and two extended handles with mounting holes seen on each side of the main body of the piece. This piece was also likely secured with cords through the extended handles to a flat surface, and the artist was then able to apply pressure to the mold. A thin sheet of gold or silver was placed into the mold, and pressure into the mold with a tool formed half of the body of the acorn. Two halves were subsequently joined together to form the complete decorative acorn that were often strung side-by-side into a necklace. This piece also has a beautiful dark green patina, and appears to have some minute wear from use in antiquity. The bronze mold offered here is extremely rare, and offers some insights as to how ancient jewelry was produced. This piece may also have been suspended by a cord with other molds of various sizes in a workshop. This piece also comes with a custom display stand, can easily be removed, as it simply hangs on the stand, and is an extremely rare piece that is seldom seen on the market. Ex: Private Swiss collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv. #12608. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1269323
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These beautiful Greek gold pieces were once part of a necklace, and date circa late 4th century B.C. There are eleven (11) pieces, and they were all made to suspend from a cord and/or were attached to the main body of a necklace. Each piece is approximately .75 inches long, by .25 inches in diameter. These gold pieces have a suspension loop at one end, and they were all mold made and put together with two halves. These pieces are also relatively light, as they are hollow and are made from sheet gold that was hammered into shape with a mold. These pieces are in the form of pinecone, or possibly fennel seeds, and this shape was extremely popular in ancient Greek jewelry during the Hellenistic Period, circa 4th century B.C. This type of necklace, that usually had rosettes and stylized seed, made their appearance after the middle of the 4th century B.C., and was known throughout the former empire of Alexander the Great. It's quite possible that the gold found in these necklace pieces originated from the Persian Empire. These pieces were also designed to "free float" in the necklace, and had a great deal of movement as one moved with the piece. These pieces were designed to catch the eye of the viewer, and are a clever design with a great deal of eye appeal. These necklace pieces have a brilliant gold color, and some minute mineral deposits can be seen under high magnification. These attractive pieces were well made, are not coming apart, and are in superb to mint condition. These pieces could in fact be worn today, and could easily be fitted into an attractive necklace. For the type and several examples see, "Greek Gold: Jewelry of the Classical World, by Dyfri Williams and Jack Ogden, Abrams Pub., New York, 1994. Ex: Fortuna Fine Art, New York, circa 1980's. Ex: Private New York collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1374604
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This scarce and beautiful piece is a Greco-Near Eastern gold brooch that dates circa 3rd-1st century B.C., and is approximately 1.75 inches long, by 1.25 inches wide, by .6 inches deep. This type of piece has been found in ancient Baktria which had Greek artisans, and has also been attributed to a later time frame as being Parthian, as well as Sassanian, because the material and construction techniques of this piece are all attributed to this region and these cultures. This attractive piece is made from a beautiful white and dark brown banded agate stone that is mounted in a gold frame. This attractive frame is also made from a flat plate with seven added granular triangle designs, and an outer and inner twisted gold rope rim band. The back side of the gold frame encloses the sides of the agate stone, and firmly holds it into place. There is also a hoop at the back, as this piece likely hung within a necklace that had additional pieces of this type, and may have been the central component of the overall necklace. A complete necklace of this type is seen in the British Museum, and is attributed to being Parthian, circa 2nd century B.C.-2nd century A.D. (This piece is published in "Art of the Ancient Near and Middle East", by Carel J. Du Ry, Abrams Pub., New York, 1969, no. 159. See attached photo.) The piece offered here is scarce to rare for the type, and is seldom seen on the market in this natural "as found" condition. This piece is also very durable, and can easily be worn today. This beautiful piece also hangs on it's custom display stand, and can easily be removed. Ex: Davis and Henry Anavian collection, New York, circa 1970's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #1182861
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This piece is a Greek bronze finger ring that dates to the Hellenistic period, circa late 4th century B.C. This piece is approximately ring size 7.5, and likely was made for a young man or woman. This piece has a flat face, with a beveled back face, and an attached ring hoop. This intact piece is very solid, is in superb to mint condition, and can easily be worn today. The back beveled face also allows this piece to easily slip on and off the finger. There is some slight wear to the back face, and this is a good indication that this piece was worn by a living person, and simply was not solely a votive object. This piece has sharp engraving, and the engraved composition has detailed deep relief. This piece shows a flying Nike facing left, and a seated draped woman below who may represent Ledo. The flying Nike was the Greek god of victory, and this example has wings above and is holding a victory wreath in front. The Nike is in the act of crowning the victor with the wreath, and this is a Greek Hellenistic convention of art that is seen on Hellenistic coinage and objects. The seated woman who may represent Leto, made love to Zeus, and she bore him the great archer-deities Apollo and his sister Artemis. The combination of these two symbols seen on this ring is very powerful, and likely offered the wearer "victory in life". This attractive ring may have been used used a personal signet seal ring as well, as it makes a sharp impression. (See the attached photos showing the ring impression that was done in soft clay.) This ring has a nice dark green patina with some minute dark brown mineral deposits. This piece is a superb example for the type, and is a scarce example. (For the type, see J. Spier, "Ancient Gems and Finger Rings", Malibu, 1992, no. 85.) A custom ring stand is included. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1362275
Apolonia Ancient Art
$1,685.00
This extremely detailed figurine is a Greco-Roman bronze wild boar that dates to the Hellenistic Period, circa 2nd century B.C.-1st century A.D. This cute piece is approximately 1.75 inches long, by 1.2 inches high, and is a complete example with no repair/restoration. This piece is also a solid example, as it was cast as one piece, and it also stands by itself. This piece has extremely detailed features, with scaled skin, realistic facial features, an incised and raised hair neck ridge, and a tightly curled tail. This piece also has an exceptional and even dark green patina, with some minute spotty light red highlights. This piece is very analogous in design to another example seen in Christie's Antiquities, London, "A Peaceable Kingdom, The Leo Mildenberg Collection of Ancient Animals", Oct. 2004, no. 211. ($1,800.00-$2,700.00 estimates, circa 2nd century B.C.-2nd century A.D., and nearly identical in size. See attached photo.) The wild boar was very important to the Greek Hellenistic culture, as it was the ancient boar hunt that defined the passage of a boy to a man. The wild boar was one of the most dangerous beasts that roamed the ancient countryside, and ancient hunting expeditions often assumed mythic proportions, such as the famous Calydonian boar hunt. A nice complete example that has a great deal of eye appeal. A custom display stand is also included, and the piece sits down into the grooves of the stand, and can easily be removed. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Concordia Art, Las Vegas, NV., circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #577270
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This exquisite Greek Attic blackware mug is in flawless condition and has a deep black lustrous glaze. This pieces dates circa 5th-4th century BC and is approximately 4.4 inches high by 3.5 inches in diameter at the rim. This piece has attractive minute white calcium deposits and root marking, and the outer and inner surfaces of this piece are exceptional. The deep black lustrous glaze, in combination with the other surface factors noted above, give this piece a high degree of eye appeal. The mint condition of this piece points to the fact that it may also have been solely a votive piece, and was never used in real life. This piece has a black circle/dot pattern symbol, which is seen centered on the base at the bottom. This symbol is a mark for an Athenian ceramic shop, and the esoteric curved shape of the body displays great skill in the potters hand. Ex: Gunter Puhze collection, Germany. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1333494
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This little gem is a Greek Attic black-glazed kantharos that dates circa 350-325 B.C. This piece is approximately 2.4 inches high, by 4.6 inches wide from handle to handle. This charming piece is intact, and is in mint quality condition with no repair/restoration. The lustrous black glaze is even around the vessel, and is seen both on the inner and outer surfaces. This piece has a "flat handled" design, and these handles have spurred edges, a looping design, and connect to the main body of the vessel. This piece sits on a torus foot, and there is no reserve underneath, as this piece is entirely covered in a black glaze. This dainty piece was also designed to imitate silver vessels of this type. This type of Attic black-glazed ceramic is also scarce to rare on the market, as it is a rare form. This piece has some spotty white calcite deposits, and a multi-colored iridescent patina. (Another analogous vessel of this type was offered by Charles Ede Limited, London, 2010, Catalog 182, no. 35 for 900.00 pounds.) For the type see, B. Sparkes and L. Talcott, "The Athenian Agora, Vol. XII, Black and Plain Pottery", Princeton, 1970, no. 701, fig. 7. Ex: Private U.K collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv. #091613-05. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre 1492 item #1268018
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This beautiful and vibrant piece is a Greek Apulian lidded mug that dates circa 310 B.C. This piece has been attributed to the Kantharos Group, and is approximately 8.25 inches high with the lid. This beautiful piece is also known as a kothon, and this type of vessel normally has a knobbed lid and extended neck, as seen with the piece offered here. This piece is mint quality, with no repair/restoration, and has very vibrant white, yellow, red, and black colors. This piece has a rounded knobbed handle seen at the top center of the lid, and there are two female heads seen on the top of the lid, along with a detailed acanthus pattern between. There is also a large female head seen on the main body of the vessel facing left, along with the top section of a white and red wing that is seen curling up at the front of her face. The female head is also seen wearing a detailed sakkos in her hair that is highlighted with dotted and cross patterns, and is also wearing an elaborate earring and dotted necklace. This figure likely represents a winged "Eros", and this portrait type is also known as a "lady of fashion", and is thought by many academics to also represent Demeter and/or Persephone. To the ancient Greeks the fertility of the ground was closely associated with the autumnal sowing. The return of life and burial is symbolized in the myth of Persephone's abduction and return, and gave rise to the ritual of the Eleusinian Mysteries, in which the worshippers believed that the restoration of the goddess to the upper world promised the faithful their own resurrection from death. This lidded vessel probably held a burial offering such as grain, or a product that could have been used by the deceased in the afterlife. This attractive vessel also has highly decorative floral patterns that are seen on each side of the lady's portrait, and a single "Herakles-knot" type designed handle. This piece is better than most examples of it's type, and another analogous example of this type of vessel of nearly the same size and condition was offered in Christie's Antiquities, New York, Dec. 2011, no. 138. ($3,000.00-$5000.00 estimates, $5,250.00 realized. See attached photo.) The piece offered here is among one of the best examples offered on the market, and is scarce in this mint condition. Ex: G. van Driesum collection, circa 1970's. Ex: Michael Waltz collection, Germany, circa 1970's-1980's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1394722
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This rare piece is a Greek rhyton that dates to the mid 4th century B.C., and is approximately 9.5 inches long, by 4.8 inches in diameter at the rim. This well-defined piece was formed from a mold, and is a light tan terracotta that has a spotty light black glaze with some dark to light brown burnishing. This piece is also intact, and has no apparent repair and/or restoration. The detailed ram's head at the terminal end of this attractive piece has a very defined snout, eyes, and horns. There is also a single looped strap handle under the flared rim, and a small pin hole is seen at the end of the snout. This feature is also an indication that this piece was a votive type piece, and was made so the departed could toast the gods. This vessel also has concentric serrated ridges that run around the main body of the vessel, and this was an aid in grasping this vessel with one hand, as this was a drinking vessel. Greek drinking cups of this type were very popular and were used for banquets, weddings, and drinking parties. There were all sorts of shapes for them - bulls, goats, dogs, and the ram as seen here. Regardless of the type, not many ceramic rhyton vessels have been found on the market, and most surviving examples were most likely votive in nature. Another analogous example of this type and size is from the Arthur Sackler Foundation, and was on loan to Fordham's University Museum of Greek, Etruscan, and Roman Art. (See attached photo.) The rare piece offered here also sits on a custom display stand. Ex: Private Austrian collection, circa 1990's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1372929
Apolonia Ancient Art
$1,375.00
This attractive Greek Apulian squat lekythos dates circa mid 4th century B.C., and is approximately 5.8 inches high. This piece has vibrant black, white, and dark orange colors, and features a draped woman moving to the right and looking back over her right shoulder. She is also seen holding a decorative plate in her extended right hand, and a wreath in her left hand. There is also a circle seen in the field below her right hand holding the decorative plate, and this may be a workshop control mark. This piece has a single handle attached to the main body of the vessel and the extended neck. There is also a decorative dark orange palmate pattern seen below the handle. The top of the vessel has a flat rim, and this was an aid in the flow of a valuable oily unguent, and enabled the owner of the vessel to apply small amounts of liquid from the rim. Another analogous piece of this type was offered by Sotheby's Antiquities, New York, June 2008, no. 87 ($600.00-$900.00 estimates, $3,438.00 realized.) The piece offered here is intact, save for some minor stress cracks seen in the extended neck, and overall, is a superb example with vibrant colors. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition: