Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
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All Items : Antiques : Regional Art : Pre AD 1000 item #1161759
Apolonia Ancient Art
Apolonia Ancient Art is a full member of the ATADA (Antique Tribal Art Dealers Association). Apolonia Ancient Art follows the "Trade Practices and Standards", as defined by the ATADA regarding all business transactions. The ATADA is an association of dealers in antique Tribal and PreColumbian art whose aim is to promote responsible dealing, and provide a standard for all of it's members to represent authentic objects that have full and legal title. The ATADA members "Trade Practices and Standards" can be found at: https://www.atada.org/bylaws.
All Items : Antiques : Regional Art : Pre AD 1000 item #1073003
Apolonia Ancient Art
Apolonia Ancient Art is a full member of the AIAD (Association of International Antiquities Dealers). Apolonia Ancient Art follows the "Code of Conduct", as defined by the AIAD regarding all business transactions. The AIAD is an association of dealers in antiquities (including fine art, coins, metallic and ceramic objects) whose aim is to promote responsible antiquities dealing and to provide a support network and means of exchanging relevant information about fakes, forgeries, fraudulent misrepresentation, and stolen goods with a view to identifying such items offered for sale and notifying the appropriate authorities. The AIAD members "Code of Conduct" can be found at: https://aiad.org.uk.
All Items : Traditional Collectibles : Books : Contemporary item #817549
Apolonia Ancient Art
Price as ordered. Kindle version available at: http://www.amazon.com!
If you are a neophyte or an advanced collector of ancient art, "Into the Antiquities Trade" by Kevin R. Cheek is a valuable resource and a "must read" for every collector. This book defines and explains the political situation relative to the trade, as seen in the chapter "Who's Who", and clarifies the "pro" and "con" positions that the three different camps take regading the trade. This book also offers the collector a refreshing viewpoint that "there is no better preserver of ancient art than the private collector". This book also has a chapter "Some Things to Look For" that is useful for many collectors, especially when they are considering a purchase of ancient art. In addition, this chapter has information relative to the testing of ancient works of art for authenticity, and the detection of forgeries. This chapter also helps to explain market pricing, and the use of descriptions/terms such as "repair", "as found", and "restoration". The Kindle version can be found at: www.amazon.com! This book is also offered in both soft and hard cover, and can be ordered online at: http://www.amazon.com. This book can also be ordered at your local bookstore, including additional bookstores found through Google. ISBN Hardcover: 1-4134-3194-1. ISBN Softcover: 1-4134-3193-3. You may also order a signed copy direct from the author, Kevin R. Cheek, by calling 305-785-5315 or 303-321-7351, or email: apoloniaco@aol.com.
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #598355
Apolonia Ancient Art
$3,265.00
This piece is a East Greek silver ladle that is of "Achaemenid" artistic style, otherwise known as the Persian Empire. This piece was likely made by a Greek artist, and this piece dates circa 6th-5th century B.C. This piece is a superb example and is complete, with no repair and/or breaks. This piece has a beautiful light gray patina, and has not been over cleaned, as there are several minute spotty black surface deposits. This piece was hammered into the shape seen here, and it has a shallow rounded bowl, a slender handle section of octagonal construction, and a looped rounded terminal section that terminates in the head of a bull/calf. The head of the bull/calf is finely molded and engraved. (For other published examples see Dietrich von Bothmer, "A Greek and Roman Treasury", The Metropolitan Museum of Art Bulletin, New York, 1984, p. 41, nos. 60-61.) This piece is also very similar to the piece seen in Sotheby's Antiquities, Important Antiquities from the Norbert Schimmel Collection, New York, Dec. 1992, no. 22. ($8,000.00-$12,000.00 estimates.) The Schimmel example is not only similar, but it is almost an exact match to the piece offered here. The bull/calf head is very analogous relative to both examples, and this is an indication that there is a possibility that both of these pieces came from the same workshop. In addition, the heights of both examples are nearly the same, as the Schimmel example is approximately 7.6 inches high, and the example offered here is approximately 7.75 inches high and weighs approximately 59 gms. These rare pieces were likely used to dip highly concentrated wine into water, as this allowed for an exact mix of wine to water, and the piece offered here and the Schimmel example may have both been made to exact specifications for mixing wine to water. The fact that this type of piece is silver, also points to the probably that this piece was formal table ware for a wealthy Greek noble. There is also a Byzantine period cross and globe stamped into the back side of the ladle, which is seen at the base of the handle. (See photo.) This piece was used later on, probably in the early Byzantine period circa 4th-5th century A.D., and likely in a Christian church or home. This piece survived for a long period of time, as it was utilized down into the Byzantine period. Another probable reason why this piece was used for a long period of time is that it is silver, and has a great deal of utility as a ritual piece. A custom black/clear plexiglas base is included and the piece is mounted on the base with clay and can easily be removed. Ex: F. Bernheimer collection. Ex: Sotheby's Antiquities, New York, Nov. 1989, no. 256. Ex: Private New York collection. Ex: R. Poland collection. Ex: Pierre Berge & Associates, Archeologie, Paris, May 2011, no. 209. (Note: Additional documentation is available to the purchaser, including a French Passport Export Certificate.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #590958
Apolonia Ancient Art
$3,265.00
This extremely rare Greek glass Canosan plate dates from the Hellenistic period, circa 4th-3rd century BC. This piece was likely made in Canosa, Apulia, that is in southern Italy, and is a circular cosmetic plate. The vessel is approximately 6.25 inches in diameter by .8 inches high, and is in mint condition with no stress cracks and/or chips. This piece is surprisingly heavy for its size as well, as this piece was cast in a two-piece mold and was then smoothed by grinding and polishing. Cast glass is thicker and denser than glass that was free blown, and is more difficult to produce. With the advent of glass blowing technology that was perfected by the Romans, they were able to mass produce glass vessels in great numbers with a wide range of shapes. The earlier Greek cast glass was limited to mostly plates, bowls, and cups with added handles. There are very few Greek cast vessels in the marketplace today, as most ancient glass seen on the market is Roman blown glass. This piece is the one of the few extremely rare "Canosan" glass vessels that are currently on the market, and there have been only a very limited number of these cast glass vessels that have ever been offered at auction. This beautiful piece has subtle concentric circles that can be seen, and these were created from the grinding/polishing process. This piece is colorless with a light greenish tinge, and this color is the more common color for glass of this type. This color also matches the majority of the ten Canosan vessels that are now in the British Museum and were donated by the executors of Felix Slade in 1959. A shallow dish that is analogous to the piece offered here is from this group, and is seen in "Masterpieces of Glass" by D.B. Harden, British Museum Pub. 1968, p. 31, no.35. The piece offered here has a thick milky white patina that is adhered to the outer surface, and in places where this is missing, the glass has a multi-colored iridescence. There are also traces of minute root marking and mineral deposits. In "Early Ancient Glass", by Frederick Grose, Toledo Museum of Art, page 186 the following is seen: "To date, five hoards of glass vessels have been identified. Three are known to have been found in separate multichambered family tombs at Canosa; two are thought to have come from this locale but lack documentation. In addition, a few isolated examples from single burials can be attributed to the town. Elsewhere in Magna Graecia, vessels of the group have been found in Campania, at Reggio in Calabria, at Naxos and Morgantina on Sicily, and in Etruria. Outside Italy, sites in Greece, Asia Minor, along the Black Sea, and possibly Cyrenaica have also yielded examples. The number of recorded vessels of the group now stands at about sixty, illustrating a dozen main forms and variants, (see Fig.92)". The vessel offered here is of the type illustrated in Figure 92 as noted above, and is a a rarer form for a circular cosmetic plate, as most of the known examples have upturned rims. (For a Greek Hellenistic light green-tinted cast bowl of the same shape as the piece offered here, although it has a ring base at the bottom and is approximately 4.2 inches in diameter, see: Sotheby's Antiquities, New York, June 2003, no. 152. $6,000.00-$9,000.00 estimates.) If you are a collector of ancient glass, this may be one of the few opportunities to own an extremely rare Canosan glass vessel from this group and of this type. Ex: Hadji Soleimani collection, London, circa 1980's-2000's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition: