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Monumental Greek Apulian Bell Krater: Varrese Painter browse these categories for related items... All Items: Antiques:Regional Art:Ancient World:Greek:Pottery: Pre AD 1000: item # 613593
Apolonia Ancient Art 290 Fillmore St. #D Denver, CO. 80206 303-321-7351 gallery Guest Book Price on request |
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| This monumental Greek Apulian bell krater is approximately 16 inches high by 16 inches in diameter at the upper rim. This large scale piece is attributed to the Varrese Painter, circa 360-350 B.C. This piece has a standing nude male holding a wreath and is facing a seated draped woman (Side A). Side B has two standing cloaked males and this side is known as the "underworld scene". Side A is known as the "living world scene" and may represent a scene from the life of the deceased. Side A has detailed drapery, painted rocks, dotted ground line, and a round floral pattern that is seen above both figures. Side B has a round symbol, seen above the two standing figues, that looks like a divided pie. The features noted here for both Side A and B are attributed to the Varrese Painter, who is considered one of the most important Apulian painters. According to A.D. Trendall in "Red Figure Vases of South Italy and Sicily", Thames and Hudson, London, 1989, page 83: "The Varrese Painter emerges as one of the more significant painters of the mid-fourth century: his work had a considerable influence not only on his immediate followers, but also on the forerunners of the Darius Painter". This piece is 100% original and is repaired from large fragments, as are most large scale Apulian vessels. This piece is rare on the market, as there are very few large scale Apulian ceramics seen on the market outside of an auction. Trendall (ibid, page 83.) adds that: "nearly 200 of his vases have survived; of these about a quarter are large and elaborately decorated". This piece has vibrant colors and detailed drapery, and is an extremely fine example for the painter. Ex: Donna Jacobs Gallery, Birmingham, Michigan (circa 1980's). Ex: Robert Novak collection, St. Louis, MO. I certify that this piece is authentic as to date, culture, and condition: | |||||||||
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