Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
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All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1103081
Apolonia Ancient Art
$2,375.00
This appealing piece is an Egyptian polychrome wooden face mask that dates Third Intermediate Period, circa 1075-715 B.C. This piece is approximately 7.75 inches high, and is a near complete facial section of a wooden sarcophagus mask/lid. This piece has red outlined lips, and red and blue details which are painted over a golden yellow ground that covers the carved wooden surface. There are two dowel holes which were used to attach this esoteric facial section to the main body of the sarcophagus mask/lid. This piece also has some minute spotty black mineral deposits, and the condition of the carved wooden fabric is exceptional. This piece was carved in a very esoteric manner, as seen with the detailed lips and raised eyes. This piece has a great deal of eye appeal, and fits on a custom black plexiglas and marble stand. Ex: Sotheby's Antiquities, London, Feb. 1979, no. 273. Ex: Private New York collection. Ex: Sotheby's Antiquities, "The Charles Pankow Collection of Egyptian Art", Dec. 2004, no. 148. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1378231
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This piece is an Egyptian wooden mummy mask that dates to the Late Period, circa 700-30 B.C. This wooden piece is approximately 8.3 inches high, by 5.3 inches wide, and is a solid example. This pleasing "two-part" piece has a nose attached to the main body of the piece with two wooden dowels, and there are six additional dowels that attached the mask to the coffin lid. Five of these dowels are still in place, and in addition, there is a single dowel seen below the chin that was used to attach the mask to an extended wooden beard. The eyes and eye brows were created with angular cuts, in addition to the upper wig. The face also was applied with a thick white gesso, and thick amounts of it can be seen in various sections of the face. This esoteric face also has a slight smile, and has a great deal of eye appeal. The backside of the mask is flat, as it was attached to the coffin lid. This piece is a superb example with it's sectional dowel construction, and likely was made for a young man. This attractive piece also comes with a custom display stand. Ex: Collection of Swanhild Castle, Brooklyn, New York, circa 1960's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1399716
Apolonia Ancient Art
$1,865.00
This lively and rare Roman-Egyptian bronze dancer dates to the Late Hellenistic Period-Early Imperial Period, circa 1st century B.C.-1st century A.D. This piece is approximately 2.8 inches high, and is an extremely rare to rare example that was likely produced in Alexandria, Egypt. This piece is a lively dancer, also known as a "grotesque dancer", that displays a great deal of movement with a twisted torso, and appears to be seen in a spinning dance. This figure also has his over sized genitals exposed behind, and has "dwarf-like" features with a raised hump on his upper back. This vibrant piece may also be an actual representation of a bald and naked deformed dancing dwarf that was popular during the late Hellenistic period. This piece has a beautiful dark green patina with spotty red highlights, and is a complete example save for the missing lower left leg and the foot of the right leg. (Another analogous example approximately 3 inches high, and attributed to the same period, was offered by Royal Athena Galleries, New York, Vol. XVIII, 2007, no. 41, for $8,500.00. See attached photo.) Ex: Private German collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1338257
Apolonia Ancient Art
$935.00
This piece is an Egyptian necklace that is made of 84 individual beads and amulets that date circa 1070-712 B.C., Third Intermediate Period. This piece is approximately 19 inches long, and has an added modern 18k gold clasp that makes this piece very wearable. The majority of the beads and amulets are mold made with a light blue glaze, and are faience type beads that have nice minute detail. The smaller beads likely represent small floral seeds, and there are two (2) closed floral amulets, three (3) grape cluster amulets, three (3) closed fist amulets, two (2) small carved white bone Horus Falcon bead amulets, and one (1) central light purple molded lapis lazuli phallic amulet that is a scarce example. These amulets are not only "protector type", but they are also "fertility type" amulets that promote fertility and the cycle of life. The ancient Egyptians always wore and offered amulets to a deity, because he or she believed that it would magically bestow a particular form of protective power. The necklace offered here is made from elements of beads and amulets that were also worn in antiquity, and/or were votive. For an explanation of all the elements and amulets seen in this attractive necklace see; "Amulets of Ancient Egypt" by Carol Andrews, University of Texas Press, 1994. All of the elements and amulets are intact in superb condition, and have no repair and/or restoration. This necklace also has nice eye appeal, has detailed features, and can easily be seen from a distance. This piece also has a custom display stand. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1359731
Apolonia Ancient Art
$5,675.00
This extremely rare weapon is a bronze slashing sword that dates circa 1800-1200 B.C. This remarkable piece is approximately 21.4 inches long, by 2.25 inches wide at the point where the blade meets the shank of the weapon. This piece was hand forged into one piece from bronze, and is a thick and heavy bronze weapon. This powerful weapon also has a blade that slightly graduates in width from the shank to the blunt end, and this blade section of the weapon is slightly curved. The straight rectangle shaped "extended shaft" is also very durable, and is approximately .5 inches wide at the shank, by .25 inches thick. This weapon's "extended shaft" also slightly graduates in size, mostly with the width, from the shank to the end of the handle. The cutting edge of the blade is also only on one side, as the blunt end is flat, along with the top side of the blade. Overall, this weapon is very finely made for the period, and has subtle dimensions of construction which makes it a very special and specialized work of ancient arms. This weapon was designed to slash through an enemy with one sweeping motion, and an extended "wooden shaft handle" would have allowed this weapon to be held with one or two hands. This design also allowed this weapon to likely be able to penetrate heavy armor such as a helmet or a breastplate, as the "extended shaft" attached to an extended "wooden shaft handle" would allow one to generate a tremendous amount of force. This weapon may also have been designed for use from a chariot or horseback, as the owner would be able to slash in a downwards motion, which would have generated even more force than a horizontal slash. This weapon may also be of a type that was used in the battle of Kadesh, circa 1274 B.C., which was the largest chariot battle ever fought in antiquity, and involved perhaps 5,000-6,000 war chariots. This battle pitted the Hittite Empire under Muwatalli II against the Egyptian Empire under Ramesses II, and many types of weapons were created by both sides for this conflict. This piece has an attractive dark green patina with some red highlights, and some spotty light to dark green mineralization. This piece is also intact, has no repair/restoration, and has an ever so slight bend at the shank which may indicate that this piece was in battle. This weapon is extremely rare, is a highly specialized work of ancient arms, and is one of the most devastating weapons from antiquity. A custom display stand is also included. Ex: Private Austrian collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Faience : Pre AD 1000 item #1161417
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This attractive piece is an Egyptian faience amulet of a seated Bastet, which dates circa 1100-800 B.C., Late New Kingdom/3rd Intermediate Period. This piece is approximately 2.25 inches high, and is a large example for the type. This mint quality and complete piece is a seated Bastet lion headed goddess that is seen holding a shrine-shaped sistrum, and is a rarer type than what is normally seen, which is the more common openwork hoop-shaped sistrum. The sistrum was a rattling musical instrument that was connected with ceremony, festivity, and merry-making. This sistrum attribute identifies this amulet as being Bastet, rather than the lion headed goddess Sekhmet, which is often the case, and according to Carol Andrews in "Amulets of Ancient Egypt", University of Texas Press, 1994, p. 32: "Of all the mained lion goddesses who were revered for their fierceness Bastet alone was 'transmogrified' into the less terrible cat, although even she often retained a lion-head when depicted as a woman, thus causing much confusion in identification. The female cat was particularly noted for its fecundity and so Bastet was adored as goddess of fertility and, with rather less logic, of festivity and intoxication. This is why, as a cat-headed woman, she carries a menyet collar with aegis-capped counterpoise and rattles a sistrum." In addition, Andrews states on p. 33: "All such pieces must have been worn by women to place them under the patronage of the goddess and perhaps endow them with her fecundity. They were essentially to be worn for life, but could have potency in the Other World." The piece offered here has a suspension hoop seen behind the head, and there is no apparent wear within this hoop which suggests that this attractive piece was votive, and this may also explain it's mint quality condition as well. The seated goddess is seen on an elaborate openwork throne whose sides are formed into the sinuous body of the Egyptian snake god Nehebkau. The facial features of this appealing piece have fine detail, and also have a rather haunting and mysterious look. This rare faience amulet has nice minute spotty dark brown mineral deposits that are seen over a light green/blue glaze, and this piece is in mint condition, with no cracks and/or chips, which are often seen on faience amulets of this large size. The molding of this piece has exceptional detail, and compares to an analogous example of the same type and size seen in Christie's Antiquities, Paris, March 2008, lot no. 115. (7,000.00-10,000.00 Euro estimates, 5,625 Euros realized. Note: This piece has the more common hoop-shaped sistrum, and is from the Charles Gillot collection, circa 1853-1903. See attached photo.) The piece offered here comes with a clear plexiglas display stand, and simply sits on the top surface, and can be easily lifted off. An exceptional large piece that is in mint condition, and is also a rare type. Ex: Robert Rustafjaell collection, circa 1890-1909. Published: "An Egyptian Collection formed by R. de Rustafjaell Bey", by the Ehrich Galleries, New York. Ex: Heckscher Museum of Art, Long Island, New York, deaccessioned circa 2011. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1381237
Apolonia Ancient Art
$875.00
This piece is an intact Romano-Egyptian terracotta fish that dates to the Roman Period, circa 30 B.C.-324 A.D. This piece is approximately 7 inches long, by 3.25 inches high, and is a complete and intact example. This piece was made with a dark red-tan clay, and was mold made from two halves. This attractive piece also some thick gray-white deposits, which was also made from it's original white gesso that coated the entire piece. This piece has a curved body that creates movement for the viewer, and there is an open mouth, a small vent hole under the body, and detailed fins. This piece was also likely a votive object that provided sustenance for the departed in the after-life, and this type of piece is also relatively scarce on the market. This piece also likely depicts a Nile perch, which was a popular fish in antiquity. This piece also sits on a custom display stand. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1363479
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This sensual Egyptian bronze figurine likely represents Isis, and dates to the Late Period, 26th-30th Dynasty, circa 664-342 B.C. This beautiful piece is approximately 5 inches high, and is mounted on a wooden base that is approximately 1 inch high, and this wooden base dates to the turn of the century. This standing figurine also has very pleasing and well-defined facial features, along with detailed armbands, wristbands, individual hair strands, and feet. The goddess is seen with her hands straight down by her sides, and is seen wearing a long close fitting dress which accentuates the sensual curves of her body. One can also see that she exudes the concept of fertility with her smiling face and well endowed breasts. This clearly is a goddess that represents fertility and the bounty of the Nile, and Isis was thought to be responsible for the yearly inundation of the Nile that developed from her tears that she shed for the loss of Osiris. This goddess is also seen wearing a broad collar, a finely striated tripartite wig that is seen passing behind her ears, and a uraeus with a raised cobra and a diadem of uraei that is surmounted by raised horns and a sun-disk. She is also seen bare-footed and has a smiling mouth with full lips, and large eyes with tapering eyebrows. The overall design of this sensual piece is very striking, and is a classic example of ancient Egyptian art. This esoteric piece also has an even and beautiful dark brown patina, with some spotty minute traces of gold gilt. This piece was also cast as one piece, and is a solid, intact example with no repair/restoration, save for the extreme tip of one raised horn. Ex: Heinrich Ferdinand Karl Brugsch collection, Berlin, Germany, circa 1864. Ex: Archaeologie, Drouot-Richelieu, "Collection Emile Brugsch-Pacha et a Divers Amateurs", Paris, France, Sept. 30th-Oct. 1st, 1996, no. 497. Ex: Sotheby's Antiquities, New York, Dec. 2015, no. 12. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1356496
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These scarce nearly identical standing nude concubine gold earrings date circa 1st century B.C.-1st century A.D. These erotic pieces are approximately 2.25 inches high, from the top of the hoop to the bottom of the figures, and are .3 inches wide at the shoulders. The figures themselves are approximately 1.5 inches high. These solid gold pieces together weigh 4.4 grams, and are not gold gilt over another metal which is sometimes the case relative to ancient jewelry. These attractive pieces are complete, and have no restoration/repair. These pieces are also very durably made, and are solid examples that can easily be worn today. Each of the figures are completely nude, and have some minute punched details such as dotted breast nipples, belly button circles, circular eyes, and minute linear hair. Each figurine also appears to be wearing an Egyptian type wig, and the standing body pose is classic Egyptian, with the arms straight down at the sides and the legs tightly together. The frontal design is slightly raised on both pieces, and the back of both earrings are mostly flat. Each figure is also made from two gold sheets that were folded over, and this doubling of the thin gold sheet gave these earrings some added strength. These earrings are highly erotic, and were likely worn to identify a woman who was a concubine for a wealthy and/or important person in antiquity. They also resemble the goddess Isis, and these pieces may have been worn in a religious capacity as well. The nude figurines also resemble a small carved ivory Egyptian concubine that is now seen in the Walters Art Museum. (This piece is approximately 2.5 inches high, and the back is flat as the gold earrings offered here. This piece was also purchased by Henry Walters in 1930. Inventory no.: 71.522. See attached photo.) The scarce to rare erotic gold earrings offered here can easily be worn today, as they also have thick gold hoops that are very solid. It's likely that these pieces were worn in antiquity, and may also have been a votive type object worn in the afterlife. A custom metal earring stand is included. Ex: D. Weller collection, Essen, Germany, circa 1930's-1990's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1379967
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This powerful looking piece is an Egyptian faience amulet torso of Pataikos that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.9 inches high, by 1.75 inches wide from shoulder to shoulder. This piece was originally made as an amulet in the form of the Egyptian god "Pataikos", and was ceremoniously broken with the removal of the head and legs. This piece was worn as a "protector" type amulet, as the missing head had a suspension hoop attached at the back. "Pataikos" was a popular naked dwarf god who strangled snakes, and protected craftsman, children, and everyday working people. The muscular torso seen here has a fine dark green glaze, and very detailed features. The powerful and muscular torso seen here appears to be ready to act as a strong "protector" god, hence the muscular design. This piece is also in superb condition, and is a large example for the type. This piece is also mounted on a custom display stand. (An example of the same size, but not having a large muscular torso, was offered by Royal Athena Galleries, New York, Vol. XXIX, 2018, no. 175 for $7500.00. See attached photo.) Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1378394
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This scarce piece is an Egyptian faience two-faced amulet bust that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.25 inches high, and is an intact example. This piece was originally made as a figurine of the Egyptian god Pataikos, and has an attractive light green glaze. This interesting piece has nearly two identical "mold-made" faces seen on each side of the bust in a "Janus" type design. This appealing Egyptian bust also shows the two faces sharing the same bald head, and these faces have deeply molded features that convey a slight smile and serene expression. This piece was likely made as a "protector" type work of art, and may also have doubled as the god Bes and Pataikos, thus having additional protective powers. The Egyptian god Pataikos was derived from a Phoenician "dwarf-form", and was a "protector" type god which is also sometimes referred to as a "Ptah-Seker" god. Pataikos was also a popular god in ancient Egypt, and was always present among the workers in precious-metal workshops in Old Kingdom scenes of daily life. The piece seen here was also likely to have been intentionally and ceremoniously broken in antiquity, which subsequently killed the magic of the piece. This scarce piece is in superb condition, has a nice colored glaze, and is a large example for the type. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1360510
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This nice Egyptian swivel ring dates to the Second Intermediate Period, circa 1650-1549 B.C., and is approximately 1.1 inches in diameter and was made for an adult male. This piece is in superb condition, and has no repair and/or restoration. The stone has no cracks or chips, and the overall condition of this piece is superb to mint quality. This piece has an attractive green-black steatite stone that swivels around a wire that runs through the piece. This piece has a clever design, in that the wire that runs through the extremely dense steatite stone, is wrapped around a bronze hoop at each end of the stone. The overall design of the ring is very esoteric, and the ring with the raised steatite stone is very noticeable on one's finger. The bronze hoop also has a pleasing dark brown-green patina with some minute red highlights. The attractive green-black steatite stone was highly polished in antiquity, and it still retains a great deal of it's brilliant luster. The stone also has a thin multi-colored iridescence that is seen on both the upper rounded side, and the flat bottom side. This ring is durable enough that it can easily be worn today, and the stone also swivels freely around the inner wire. A nice Egyptian ring that is a high quality example. A black ring display stand is also included. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private new York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1402763
Apolonia Ancient Art
$3,675.00
This Romano-Egyptian micro-mosaic cut glass tile is a bust of Horus, and dates to the Ptolemaic Period, circa 332-31 B.C. This piece is approximately 1.3 cm high, by 1.1 cm wide, by .02 cm deep, and is a complete example with no repair and/or restoration. This rare and exceptional example depicts Horus, the Egyptian falcon-headed god, and is seen in profile with white cheeks, black feathers, a red spotted eye and beak detail, and a green and white striped chest detail, all set against a cobalt blue background. Glass micro-mosaics, like this piece, were made in long canes which were then cut into sections that all showed the same image. This piece also has some minute black spotty mineral deposits, and is an exceptional example, as it also has vibrant colors and the bust of Horus is seldom seen relative to pieces of this type. This piece is also translucent, especially with the cobalt blue background that frames the image of Horus. (Another example of this type was offered in Christie's Antiquities, "The Groppi Collection", London, April 2012, no. 87. The Groppi example may also be from the same workshop as the piece offered here, as the design of Horus is analogous in terms of design and the use of the colored glass.) Ex: Private Swiss collection, circa 1970's-1980's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1384943
Apolonia Ancient Art
$1,675.00
This rare Egyptian faience amulet is a facing panther head that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.2 inches high, by 1.2 inches wide from ear to ear, by .4 inches thick, and is an intact example with no repair and/or restoration. This intact piece is also a complete example, and is in superb condition, save for some minute stress cracks on the front face, and a small area of glass loss on the lower left back side. This piece has a light green glaze, a flat back, and has a molded and detailed panther head on the front side. A hole runs through the center from top to bottom, and there are two additional mounting holes seen on each side of the center hole at the top of the piece. (The piece offered here is very analogous in artistic style to the carved facing panther head seen on the basalt statue of Anen, who served as an astronomer priest under Amenhotep III, and is now seen in the Turin Egyptian Museum, Italy. See attached photos.) The panther head is a regal symbol, and attached with the panther skin robe with stars, together represented the attributes of an astronomer. Egyptian regal princes were trained in astronomy so that they could predict the rising and falling of the Nile. The piece offered here likely was part of a regal necklace, is one of the rarest Egyptian amulet types, and is not often seen on the market. This piece also hangs on a custom display stand that is included. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1360469
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This exceptional piece is an Egyptian scarab that dates to the New Kingdom Period, XIX Dynasty, circa 1320-1200 B.C. This piece also falls within the period that Ramesses II ruled Egypt, circa 1304-1237 B.C. This piece is approximately 1.4 inches long, by .85 inches wide, by .7 inches high, and is in superb to mint condition with no repair and/or restoration. This piece is designed with the body of a beetle, and has a lovely light brown patina, with some minute white calcite and spotty black mineral deposits seen on various sections of the piece. This piece is a glazed steatite material and is a very solid example, as it also served as a seal that has a standing Bes god seen on the underside. The carving of this Bes image is also very deep, and the seal makes a very clear impression with high relief, as seen with the included clay impression that is attached to the custom display stand. This scarab amulet provided the wearer protection against evil, visible or invisible, and offered strength and power every day. In death, he or she who wore this amulet had the possibility of resurrection and being granted eternal afterlife, as this scarab ensured that the deceased heart would not give evidence against the deceased when he or she was being judged by the gods of the underworld. This scarab amulet also served as a seal with the image of Bes, who was a dwarf-like deity who was venerated as the protector of the home, family, and childbirth. The Bes seen on this beautiful piece is seen wearing a tall feather-crown, has a protruding tongue, and the ears of a lion. This piece is also very analogous to another scarce to rare example that is seen in the Israel Museum, Jerusalem, Inv. no. 76.031.3695. (See attached photo.) The scarce to rare piece offered here is also of exceptional quality, and is a type not often seen on the market. This piece also sits on a custom display stand and can easily be removed. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1380004
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This attractive piece is an Egyptian bronze torso of Osiris that dates to the Late Period, circa 713-332 B.C. This piece is approximately 2.9 inches high, by 1.3 wide from shoulder to shoulder, and is the upper torso of a standing or seated Osiris. This Osiris is seen wearing an Atef-crown with a detailed and protective raised cobra seen above the forehead, along with an extended false beard. This figurine is also depicted with a mummified form, with the arms folded tightly over his chest, and is seen grasping the regal crook and flail insignia. The face is also very esoteric, and has very fine artistic style with realistic features. The hollow eyes may also have held an inlay as well. This piece has a beautiful dark green patina with red highlights, and is a near complete upper torso, save for a small section of both of the upper part of the feathered crown attachments. This piece has exceptional detail with esoteric features, and is a better example than what is normally seen in the market. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1385957
Apolonia Ancient Art
$385.00
This pleasing piece is an Egyptian faience Ptah head that dates to the Late Period, circa 713-332 B.C., and is approximately .75 inches high. This piece was originally made as an amulet in the form of the Egyptian god Ptah, who was a popular god in ancient Egypt, and was the Egyptian creator god of Memphis and patron of craftsman. This piece had a suspension hoop at the backside, and was worn as a "protector" type amulet. The piece offered here has a thick dark green glaze, and has a detailed face with a serene smile. Ptah is also seen wearing a skull cap, although he appears to be bald. This superb conditioned bust is complete, save for the missing left ear, and has a realistic and better facial expression that most examples. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1338941
Apolonia Ancient Art
$4,265.00
This attractive Egyptian wooden mummy mask dates to the Third Intermediate Period, 21st-24th Dynasty, 1070-715 B.C. This esoteric piece is approximately 5.6 inches high, by 4.5 inches wide, by 3 inches deep. This piece was likely from the inner coffin lid of a large sarcophagus. This piece is also solid, and has original light red and black paint over stucco that is adhered to the wooden surface on the front side of the piece. The paint and stucco are both very stable, and there is no flaking or recent cracking of the paint and stucco. This piece has no over paint, is all original, and there has not been any repair/restoration to the piece. This piece has a very esoteric artistic style, and is a much more beautiful piece that what is normally seen for a piece of this type for the period. The eyes are almond shaped, and the mouth has a very sensual look and design. The overall face has a serene expression that this piece easily conveys to the viewer. This piece has a flat back side that is slightly oval, and there is an attachment dowel seen at the top back side, and in addition, this dowel attached this facial section to the main part of the mask. This piece also has very high relief, and the nose is completely intact, along with most of the facial features. Egyptian wooden face masks from this period with the exceptional esoteric artistic style that this piece conveys, have sold for very strong prices in todays market. Another analogous example of this type was offered in Sotheby's Antiquities: "The Charles Pankow Collection of Egyptian Art", New York, Dec. 2004, no. 71. ($50,000.00-$70,000.00 estimates. The Pankow example is slightly larger than the piece offered here, and the facial details are very close in design as well. The piece offered here has a very analogous mouth as the Pankow example, along with the delicate designed nose. See attached photo.) The piece offered here is a wonderful example for the type, and is difficult to find with this esoteric artistic style. This piece also sits on a custom metal display stand. Ex: Farag Khodary M. El-Gabry, Cairo, circa 1950's. Ex: Dora and George Mathues collection, Philadelphia, circa 1960's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition: