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Attractive Pink Sandstone Post-Gupta Male Torso
Catalogue:
Antiques:
Regional Art:
Asian:
Indian Subcontinent:
India:
Pre 1492 item# 738399
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Apolonia Ancient Art
303-321-7351 gallery
$2675.00
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This attractive pink sandstone torso is from the Post-Gupta period, circa 9th century A.D., and is from central India. This piece is approximately 14 inches high and is mounted on a custom metal stand. The male seen here may be Vishnu, the preserver, and is probably the most widely worshipped of the Hindu deities in India, and although he is seen as representing stability, he has, through his avatars, a multifaceted character. Over the centuries, he has managed to absorb other cults, making them part of his essential oneness. He is seen here wearing a collar and an intricate three-part jewelled belt, and his posture is centered towards the viewer. This piece has spotty white calcite deposits and has more wear at the back of the piece. This indicates a burial pattern with the front of the piece probably lying face down, and with the back side exposed to the elements. This burial pattern and the calcite deposits are excellent indications of authenticity, and this is very important, given the large number of fakes on the international market. This piece is also a scarce depiction of Vishnu, as he is seen as an over-weight older male. This piece has a great deal of eye appeal and is an excellent example of medieval period Indian art. Ex: Arthur Millner collection, London. I certify that this piece is authentic as to date, culture, and condition:
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Superb Red Sandstone Stele Fragment: 8th-9th Century AD
Catalogue:
Antiques:
Regional Art:
Asian:
Indian Subcontinent:
India:
Pre AD 1000 item# 661705
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click for details
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Apolonia Ancient Art
303-321-7351 gallery
$3675.00
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This superb red sandstone fragment is from central India and dates to the Post-Gupta period, circa 8th-9th Century A.D. This piece is approximately 16 inches high and is mounted on a custom metal stand. This piece may originally have been part of a stele and/or a temple. There is a section on the right side of this piece that is flat, and this side may have been the inner part of a doorway. There are also four smiling Nagas seen on this piece with intertwined serpent tails and cobra hoods above their heads. Their raised clasped hands are seen in the Anjali Mudra position, and they are positioned at an angle so that they view the person that would pass through the doorway. There is also an elaborate foliage pattern seen on the edge, and the overall design of this piece is very esoteric. There is an analogous piece that is seen in the Mr. and Mrs. Harold P. Ullman Collection and is published in "Art of the Indian Subcontinent From Los Angeles Collections", Ward Ritchie Press, 1968. This piece may be a part of the same building and/or stele, as this piece also forms part of a door jam. This piece, and the piece offered here, are both extremely fine examples of ancient Indian art and are in superb condition with clear detailed carving. These carvings are highly spiritual, and were intended to protect the viewer, as this was the reason for the depiction of the Nagas. A nice heavy piece with a high degree of spiritual feeling. Ex: Sotheby's New York, "Indian, Himalayan, and Southeast Asian Art", March, 1990. Ex: Private Los Angeles collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
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