Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1398684
Apolonia Ancient Art
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This attractive and complete piece is a Roman bronze hanging lamp that dates circa 1st-2nd century A.D. This two-part piece is approximately 4.7 inches long, by 1 inch high for the main body of the lamp; and 4 inches long, by 2 inches high for the hanging nail hook. This piece has an attractive dark green patina with dark red highlights, and is in superb "as found" condition; as the hanging chain is complete, the hanging nail hook is intact, and the attachment lanyards on the lamp are intact. This piece was also cast as one piece, and the main body of the lamp has raised round circles at the bottom base which diffused heat. This lamp also has a double spout, and the hanging nail hook allowed this lamp to be extremely portable, and there is a distinct possibility that this lamp was made for a Roman legion that was on the move. It's also important to note that the chain, the hanging nail hook, and the main body of the piece are also contiguous, as evidenced by the matching patina seen on all of these pieces. A superb and complete hanging lamp not often seen on the market. A custom display stand is also included. Ex: Private German collection circa 1980's-2000's. (Note: Additional documentation is included for the purchaser, including US Customs Entry documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1357890
Apolonia Ancient Art
$1,675.00
This complete and detailed piece is a Roman bronze eagle that dates circa 2nd-3rd century A.D. This piece is approximately 2 inches high, by 1.75 inches wide, and is intact with no restoration/repair. This piece is a standing Roman eagle that is seen looking left, and has very realistic features. This piece has very detailed feathers seen on the outstretched wings, and well-defined dotted eyes. This piece also has a beautiful dark green patina, and has a great deal of eye appeal. This ceremonial piece was likely in a private Roman shrine known as a "lararium", and may also have been worshipped by a Roman legionnaire, as the Roman eagle represented Rome itself and was the symbol of the Roman military. This realistic piece also stands on a custom display stand, and can easily be removed. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1357998
Apolonia Ancient Art
$2,365.00
This attractive and flawless Roman glass vessel is a brilliant green colored jar that dates circa 3rd-4th century A.D., and is approximately 3.7 inches high, by 3.2 inches wide from handle to handle. This piece is in mint condition, with no minute cracks and/or chips. The color is very attractive, and has a brilliant light green patina over a dark green glass. The patina also has a bright multi-colored iridescence that is seen on the inside and outside surfaces of the vessel. This piece also has four dark blue-green applied handles that attach to the vessel at three points, and this design also makes these handles very durable, along with the main body of the vessel. This piece has a raised stem base, and a flared collar-like neck that extends upwards away from the rounded body. The overall design of this beautiful vessel also made this vessel very easy to handle and grasp. Another analogous vessel of this type was offered in Christie's Antiquities, "Ancient Glass", London, 1985, no. 34. (2,000.00-3,000.00 Pounds estimates, 2,808 Pounds realized. See attached photo.) For the type see John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", Toronto, 1975, no. 444. Ex: Fortuna Fine Arts, New York, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1264405
Apolonia Ancient Art
$575.00
This mint quality piece is a Roman bronze key that dates circa 1st-2nd century A.D. This piece is approximately 2 inches long, by .75 inches in diameter for the ring seen at the terminal end. This piece has a beautiful light blue to green patina with some spotty red highlights. This piece is in better condition than most examples, and is a mint quality piece with well defined groves seen at the end. This piece may have fit a personal strong box, or possibly a small door. This type of key is also published in "Handwerk und Berfude in der Romischen Stadt', by Rieche & Schalles, Cologne, 1994, pp. 46-47. This nice piece is a complete example of a Roman bronze key that was individually owned by a Roman with some means. This piece also hangs from a custom stand, and can easily be worn today in a necklace. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #583883
Apolonia Ancient Art
$2,165.00
This mint quality Roman glass bottle dates circa 1st-2nd century A.D., and is approximately 6.3 inches high by 5.3 inches in diameter. This mint quality piece has an extended flat and thin upper rim which is intact, and as such, is a rare example for the type, as most Roman glass vessels of this type have a cracked and/or broken upper rim. This attractive vessel also has an exceptional multi-colored patina, and is much better than most examples of this type, as the patina is very thick in sections. This vessel is also a light blue-green color, and has light brown and white calcite deposits that are seen both on the inside and outside surfaces. (For an analogous example, see "Roman and Pre-Roman Glass in the Royal Ontario Museum" no. 146, p.58.) The exceptional piece offered here is seldom seen on the market in this mint quality, and has a great deal of eye appeal. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1295159
Apolonia Ancient Art
$12,675.00
This rare piece is a Roman bronze figurine that dates circa 1st-3rd century A.D. This impressive piece is approximately 2.8 inches high, and is an intact example with no repair/restoration. This complete piece also has an even beautiful dark blue/green patina with spotty red highlights, and is in excellent condition with no noticeable breaks or chips. This piece is seen standing with the full weight on the left leg, and the other leg is slightly bent while the body is seen slightly leaning to the right. This piece also stands by itself, and is placed on a custom stand for added stability. This piece has extremely refined facial detail, and there are other minute details seen on this piece such as the design of the sandals. The figure seen here may also depict Alexander the Great, as it displays many attributes that are known for this dynamic Greek figure from antiquity. Although this piece is a Roman bronze, the Greek features seen on this piece are unmistakable, such as the Greek muscled cuirass which is worn over the Greek knee-length "chiton", the attached cape "chlamys" which falls behind, and the pose of the figure that is seen with the weight on one leg. In addition, this figure has upswept curls above the forehead known as an "anastole" hair style, along with thick locks of leonine hair, deep set eyes, an angular jaw, and a prominent brow which are all facial features of Alexander the Great. This figure is also seen extending his right arm, and the open upturned hand likely held a missing round "phiale", which held wine that was used for sacrificial offerings to the Gods. This military figure also appears to be in the act of offering wine sacrifice to the Gods, and this type of wine sacrifice using a "phiale" was purely a Greek religious rite, rather than a Roman ritual. It's possible that this figurine reminded the owner in Roman times of Alexander's visit to Troy, as he was the new Achilles - the champion of the Greeks and, as Achilles had done 1,000 years before, he sacrificed in the temple of Athena. Wealthy and cultivated Romans would often engage the topic of Alexander's notable personality, his superhuman accomplishments, and the human fate with their philosophical discourses. It would not be surprising to find his image in the intimacy of a domestic villa. The famous Villa dei Papiri in Herculaneum contained a whole collection of several bronze busts representing Greek Hellenistic rulers, Greek poets, and philosophers, which serves as an eloquent example of the cultural preferences of the Roman elite. This figurine also appears to be grasping a Roman sword known as a "gladius", which had a rounded pummel as seen here. The Roman general Marcus Antony also favored Greek dress as seen on this figurine, and this piece may also represent a "duality of portraiture", in that it is a combination of Greek and Roman attributes, and may represent more than one famous individual and/or military leader. What is certain relative to this rare figurine, is that this figure is both a military and religious figure, and this combination is best displayed in the figurine offered here. (Another analogous example of a Roman bronze figurine in the guise of Alexander the Great, was offered by Royal Athena Galleries, New York, in "Art of the Ancient World", Vol. XXIII, 2012, no. 49. Approximately 3.75 inches high, circa 1st-3rd century A.D., and complete. $47,500.00 fixed price. See attached photo.) The piece offered here is a rare type that is seldom seen on the market. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1404947
Apolonia Ancient Art
$425.00
This intact piece is a Roman bronze figurine of the god Mercury, and dates circa 2nd-3rd century A.D., and is approximately 2.2 inches high. This piece has an attractive dark green patina, and some spotty light mineral deposits. This piece was cast as one solid piece from a mold, and was likely produced as a votive object for a temple, or for a private Roman shrine in a home known as a "lararium". Mercury is also the Roman name for the Greek god Hermes, and both gods are seen wearing the winged cap known as a "petasus". The "caduceus" also served as a herald's staff which possessed magical powers, and has two entwined snakes at the top. The figurine seen here is also seen holding a money bag in his extended right hand, and this was to offer the owner of this piece fortune in commerce. This piece also has a square built-in base, and this piece stands by itself. The piece offered here is very simple in design, and imbues this piece with a magical haunting appearance. It's also very likely that a religious pilgrim would have purchased this object as a votive donation to either a temple or shrine. This piece also comes with a custom display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's-1990's. Ex: Private CA. collection, circa 2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1360586
Apolonia Ancient Art
$685.00
These three Egypto-Late Roman "millefiori" glass beads date circa 7th-8th century A.D., and are in mint quality condition. These three brilliant colored glass beads are approximately .75, .5, and .7 inches high, and .7 inches in diameter. These pieces are classified as being Egypto-Roman "millefiori" glass, and all three beads have vibrant multiple colors such as white, light blue, dark red, green, dark blue, yellow, and black. These three beads are also very different with their color combinations and their surface texture. "Millefiori" glass was highly specialized in it's production, and was made with multi-colored glass canes or rods. In antiquity, these beads were also prized as personal jewelry and works of art. These beads are also thought to have been produced in Egypt in the city of Fustat, and are also commonly known as "crumb-beads". These beautiful pieces are also very durable, and can easily be worn today. A necklace with 32 analogous Roman "millefiori" beads was sold at Christie's Ancient Jewelry, Dec. 2007, no. 426. ($15,000.00-$20,000.00 estimates, $27,400.00 realized. See attached photo.) The three Egypto-Roman beads offered here not only have very vibrant colors, but also have a high degree of eye appeal and are three of the finest examples offered on the market today. These three pieces also sit on a custom display stand, and can easily lift off their support pins. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1399716
Apolonia Ancient Art
$1,865.00
This lively and rare Roman-Egyptian bronze dancer dates to the Late Hellenistic Period-Early Imperial Period, circa 1st century B.C.-1st century A.D. This piece is approximately 2.8 inches high, and is an extremely rare to rare example that was likely produced in Alexandria, Egypt. This piece is a lively dancer, also known as a "grotesque dancer", that displays a great deal of movement with a twisted torso, and appears to be seen in a spinning dance. This figure also has his over sized genitals exposed behind, and has "dwarf-like" features with a raised hump on his upper back. This vibrant piece may also be an actual representation of a bald and naked deformed dancing dwarf that was popular during the late Hellenistic period. This piece has a beautiful dark green patina with spotty red highlights, and is a complete example save for the missing lower left leg and the foot of the right leg. (Another analogous example approximately 3 inches high, and attributed to the same period, was offered by Royal Athena Galleries, New York, Vol. XVIII, 2007, no. 41, for $8,500.00. See attached photo.) Ex: Private German collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1385777
Apolonia Ancient Art
$425.00
This complete piece is a Roman bronze oil lamp cover in the form of a facing Medusa head, and dates circa 2nd-3rd century A.D., and is approximately 1.5 inches in diameter, by .28 inches high in relief. This piece was cast as one solid piece, and has a concave back side and the front side has the facing head of Medusa with long flowing hair. The face is extremely rounded with no facial expression, and has a cloak tie seen below the chin. In addition, there is an indented hole at the top with a bar which served as an opening for a swivel attachment. This piece covered a hole in a bronze oil lamp, and moved up and down over the hole. This piece has a lovely dark green patina, and has very sharp detail, especially with the eyes that have raised hollow pupils that are very noticeable. This piece has a great deal of eye appeal, and is a large example for the type. This piece also hangs on a custom display stand, can easily be removed, and also can be worn as a pendant. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1306126
Apolonia Ancient Art
$985.00
These three Roman vessels are from the northern reaches of the empire, and date circa 3rd-early 4th century A.D. These three pieces are approximately 3.4, 3.5, and 4.5 inches high, and are all in flawless mint quality condition. These pieces are made from a tan terracotta, and have "strap designed" handles that are attached to the rim and main body of each vessel. There are some attractive spotty white calcite deposits and root marking seen on various sections of the vessels, and the bottom half of each vessel flares to a small and elegant round circular flat base. These esoteric designed pieces likely served as daily tableware vessels, and were likely used for wine and water. There are two cups with a single strap handle, and a larger three-handled storage vessel that may have held a grain product. These matching pieces were also produced in the Rhineland area, possibly in or near the Roman stronghold Trier, which was also a thriving ceramic production center. Ceramics of the type offered here were exported over a wide geographical region, and were popular in the western and northern reaches of the empire. The ceramics offered here are also very thin walled, and were produced with a very high firing temperature. This firing technique not only produced a fine ceramic that was very light, but also one that is very durable. Trier was also known for producing fine thin walled ceramics in antiquity, and the city was also the location where Constantine the Great established his summer residence, circa 306 A.D., and Trier subsequently became the capital of Rome's Western Empire. The pieces offered here have parallels that are classified as being circa 3rd century A.D., and are seen in "Pottery of the Roman Period. The Athenian Agora Vol. V.", by H.S. Robinson, Princeton, 1959, no. M191. These pieces are scarce on the market, as they are a matching set and are in near mint condition. Ex: Joel Malter collection, Los Angeles, CA., circa 1990's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1362411
Apolonia Ancient Art
$2,365.00
This superb Roman bronze is a portrait bust of the Roman emperor, Marcus Aurelius, and dates circa 170-180 A.D. This mesmerizing piece is approximately 1.35 inches high, by .8 inches wide, and is a complete bust with most of the lower neck. This piece was part of a figurine, and was broken at the lower neckline, and the bust is a complete example, with no cracks and no other noticeable areas of damage. This realistic portrait bust is in superb condition, and has a beautiful light to dark green patina with some minute red spotty highlights. In addition, there are some light green and blue deposits seen mostly on the inner surface of the piece. This piece is classified as a "Type IV" portrait of Marcus Aurelius, as it shows the emperor in an advanced age with a very full beard. The beard is also divided in the center of the chin that also shows parallel locks of hair. This "Type IV" convention of art can easily be seen on this portrait bust, along with the distinctive arc of hair that frames the forehead. The emperor is also seen wearing a diadem crown in the hair which also signifies the wearer as being regal in status. The overall look of the face also conveys the Stoic nature of this emperor-philosopher, and conveys a peaceful ideal. (For the portrait type see: Klaus Fittschen and P. Zanker, "Katalog Der Romischen Portrats in den Capitolinischen Museen und den Anderen Kommunalen Sammlungen der Stadt Rom", 3V., Berlin: P. von Zabern, 1983-2010.) Marcus Aurelius Antoninus Augustus ruled from circa 161-180 A.D., along with Lucius Verus as co-emperor from circa 161 until Verus' death in 169. During his reign, the empire defeated a revitalized Parthian empire, and fought the Marcomanni, Quadi, and Sarmations with success during the Marcomannic Wars, but it was the Germanic tribes that Marcus fought incessantly with during the remaining years of his rule. The realistic portrait bust offered here was likely created during this time, and is likely a provincial portrait, which may also have been in a private shrine where the Roman legions were stationed near Germania along the Danube. Whatever the case, this portrait served a Roman well in the period in which it was created, and is an excellent image of this important emperor. This attractive piece also sits on a custom display stand, and can easily be removed. Ex: Private Swiss collection, circa 1970's. Ex: Phoenix Ancient Art, New York and Geneva, Switzerland. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1378549
Apolonia Ancient Art
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This exceptional Roman silver denarius is attributed to Pescennius Niger, and dates circa 193-194 A.D. This piece is approximately 19mm wide, weighs 2.89 gms, and is in Good Extremely Fine condition, otherwise graded Superb, (EF+/EF+). This piece is also thought to have been minted in Antioch, and is apparently a unique set of dies. This coin is also thought to be the finest of just four recorded examples bearing this reverse type. The (Obv.) obverse features the wreathed and draped bust of Pescennius Niger facing right within a dotted border, and IMP CAES C PESC NIGER IVST AVG around. The (Rev.) reverse shows Niger standing left holding a globe and sword hilt, crowned by Victory standing left within a dotted border, and VICTORIAE AVG around. This coin is also extremely rare to unique, as the coinage of this ruler was meticulously recalled by Septimius Severus in 194 A.D. The portrait seen on this coin is also very realistic, and is superior to most numismatic images seen on this coinage. An exceptional example that is one of the finest recorded examples. References: CNG 69, June 2005, lot 1648 (Similar dies.); RIC-; BMC-; RSC-. Ex: Roma Numismatics, Auction IX, March 2015, no. 746. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Coins : Pre AD 1000 item #1304062
Apolonia Ancient Art
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This wonderful coin is a Roman silver serrate denarius, circa 79 B.C., Rome mint, and minted by C. Naevius Balbus, who was the mint master in Rome for the period. This coin is in FDC grade (mint state), is 3.78g., and is approximately 19mm. This coin has a serrated edge, and is known as a "Serrate Denarius", and the added edge work was done to insure that the mint was coining near pure silver. One could inspect this coin and see into the inner flan from the serrated edge, and know that the core of this coin was made from silver and was not plated. This type of coin briefly was the norm during the late Roman Republic period. This attractive coin features: Obv; The diademed bust of Venus facing right, with S.C behind, and Rev; A winged Victory driving a three-horse triga right, control number above, and the lettering C.NAE.BALB in the exergue below. This coin also has a beautiful light gray old cabinet patina, and fine detail can be seen with the horse reigns, minute dotted Victory wings, and the hair of Venus. C. Naevius Balbus, Rome's mint master for 79 B.C., was a supporter of Sulla and his use of Venus on the obverse of this coin, was due to the fact that Venus was the patron deity of Sulla; and the reverse type with the winged victory seen on this coin, also commemorates Sulla's victories against Mithridates VI of Pontus. The use of the three-horse triga on Roman Republican coinage is also rare - previously it occurred in 110 B.C. on the coinage of Appius Cladius, who was also consul in 79 B.C. when this coin was minted. The coin offered here is also one of the finest known examples for the type. Crawford 382/1a. Sydenham 769. Ex: Private UK collection, circa 1980's. Ex: Roma Numismatics, Auction IX, no. 531. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #594619
Apolonia Ancient Art
$1,675.00
This Roman silver miniature eagle is extremely detailed, is a masterpiece of roman engraving, and dates circa 1st century B.C.- 1st century A.D. The quality and detail seen on this piece is mint to superb, and this piece probably was made by a gem engraver and/or coin die celator. This miniature silver piece is approximately 1.25 inches high, weighs approximately 11 gms, and sits on a custom clear/black plexiglas base. This piece rotates around on a small pin that is centered within a clear plexiglas post. This piece is also solid, as it was cast, then hand-worked with minute detail. This remarkable minute detail is especially seen within the wings and upturned head, and this type of workmanship reminds one of the Greek coins of Acragas, circa 472-420 B.C., that show a standing eagle in the process of devouring a captured hare. A coin such as this may have served as a model for the exceptional piece offered here, as the Roman artists strove to duplicate the earlier Greek artists. The minute detail, seen within the feathers of the wings and the tension portrayed in the neck with a slight twist, could only have been produced by a very accomplished artist. The pose of this piece is very refined from every angle, which is another point that defines this piece. The patina of this piece is aged to a light gray, which indicates that this piece has had contact with oxygen for quite some time and that it has not been recently cleaned. An exceptional piece with fine detail and one of the best Roman miniatures that has been offered. Ex: Private German collection. Ex: Private New York collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1373047
Apolonia Ancient Art
$725.00
This scarce Roman bronze lamp dates circa 2nd-3rd century A.D., and is approximately 2.5 inches long, by 1.1 inches high. This piece is complete, has no breaks and/or chips, and is in mint "as found" condition. This piece has two openings, one in the top center for filling oil, and the other at the end of the vessel that would hold the wick. The other end of the vessel has an attachment hoop for a chain, or a cord, and could have been hung as a votive offering pendant. This piece also has a flat bottom and easily stands by itself. This piece not only was likely made as a votive offering, but it was also likely functional as well. This piece has a beautiful dark green patina with dark red highlights, and has some heavy dark brown mineral deposits on the inside of the vessel. This piece comes with a custom Plexiglas display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1401878
Apolonia Ancient Art
$365.00
This scarce piece is a Roman bronze bull's head oil lamp cover that dates circa 2nd-3rd century A.D. This attractive piece is approximately 1.25 inches long, by 1.1 inches wide from ear to ear, by .3 inches high. This piece is complete with no repair and/or restoration, and was cast into a mold and was then finished with hammered details. The head of the bull seen here has very detailed eyes, snout, and horns, and is a superb example for the type. This piece also has a very attractive dark brown patina with light green and blue highlights which are also heavier on the inside surface of the piece. This piece likely served as a cover for a bronze oil lamp, and was simply placed over the central filler hole. Roman oil lamp lids of this type are also scarce, as Roman bronze oil lamps usually had lids that were attached to the lamp with a swinging type hinge. There is also no indication that this piece was attached to a hinge as well. Overall, a nice Roman bronze with a high degree of eye appeal. This piece also sits on a custom display stand, and can easily lift off the stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection, circa 2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Coins : Pre AD 1000 item #1150976
Apolonia Ancient Art
$265.00
This is a group of three (3) late Roman bronze coins that were minted by the emperor Gratian. These coins were minted circa 367-383 A.D., and are all AE 3 (17 mm) and grade EF to Superb. Coins A,B. and C (left to right) all show the pearl-diademed and draped bust of Gratian facing right on the obverse. The reverse shows - Coin A: Gratian advancing right, dragging captive and holding labarum, GLORIARO-MANORVM left and right, H right field. (Sear no. 4142.) Coin B: Victory advancing left, SECVRITAS-REIPVBLICAE left and right. (Sear no. 4143.) Coin C: Gratian advancing right, dragging captive and holding labarum, GLORIARO-MANORVM left and right, H left field, Star and P right field (Sear no. 4142.) All three of these detailed coins are slightly different with different symbols, and are all minted in the Siscia mint (Sisak, former Yugoslavia), as indicated by the SIS as seen below the ground line on the reverse of all three coins. All three coins have a beautiful glossy dark green patina, and have exceptional line designed detail. (A coin with a EF grade, Gratian dragging a captive reverse type, sold in Gorny & Mosch, March 2012, for $106.00.) Ex: Harlan J. Berk, circa 1980's. I certify that these coins are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1283823
Apolonia Ancient Art
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This visually appealing piece is a Roman marble of the goddess Minerva, and dates circa 2nd-3rd century A.D. This piece is approximately 8.75 inches high, by 5 inches wide. This piece is a helmeted bust of the Roman goddess Minerva, who also doubled as the Greek goddess Athena. This piece shows Minerva with finely carved hair that is seen under the edges of the Corinthian type helmet, and is a portrait of a young woman that conveys the eternal beauty of the goddess. She is also seen with a serene expression, and her rounded chin also conveys a goddess that is perceived as a powerful woman. The helmet also has a raised crest, and has an inset square dowel joint on each side that probably supported a running Pegasus that was mounted on each side of the helmet. In addition, this piece is carved in the round, and the helmet design is seen on the back side of the bust as well. The face is completely intact, with no major breaks, and the carving of the eyes, nose, and the delicate mouth is extremely detailed. The eyes also have center drilled dots with a carved circular iris, which give this piece a very dynamic "alive" look, and the treatment of the eyes in this fashion is typical for Roman portraiture especially during the Antonine Period, circa 2nd century A.D. This piece also has a nice light gray patina, with heavier dark gray mineral deposits seen at the back of the bust. This piece is also analogous in design to the earlier Greek Athenian coinage, circa 5th century B.C., which shows on the obverse a helmeted Athena in profile wearing a Corinthian type helmet, with a helmet crest and dotted necklace. This piece also follows the design of the Greek gold coinage of Alexander the Great, who placed a helmeted bust of Athena on the obverse of his gold staters, circa late 4th century B.C. This piece is scarce to rare on the market, as it likely completed a full size standing and draped statue of the goddess. The portrait type of this piece was derived from an earlier Greek prototype, which is thought to be a large full standing bronze cult statue that is known as the "Athena Sunias", which was displayed in a temple dedicated to Athena at Cape Sounion. (See G. Despinis, "Athena Sunias-Eine Vermutung", Archaologischer Anzeiger, 1999, pp. 173-181.) An analogous example without the helmet crest and dotted necklace, and of nearly the same size was offered by Halan J. Berk of Chicago, Ill. in "Ancient Art", 1987, no. 45. (See attached photo.) The Berk example was also mounted on a custom display stand, as the piece offered here, with a center pin running up into the lower neck where the break occurred. The piece offered here has a great deal of eye appeal, as the facial design of this piece, especially with the treatment of the eyes and delicate mouth, provide this piece with a very dynamic "alive" and "penetrating" look. Ex: Private New York collection. Ex: Phoenix Ancient Art, Geneva and New York, circa 2000-2014, Inv.# P33-059-012614b. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #872310
Apolonia Ancient Art
$265.00
This interesting Roman bronze coin is a bronze Sestertius, and was minted circa 60-68 A.D., and depicts a bust of Nero, who was in power circa 54-68 A.D. This coin is approximately 37mm in diameter, is Very Good quality, and has a nice dark green patina with heavy dark green/brown deposits. There are also four holes seen on this piece, and this likely facilitated leather ties which allowed this piece to be fitted into a composite corslet as scale armour. (See attached drawing.) This type of of Roman armour is known, but is extremely rare, and was not often manufactured by the Romans, although the blending of metal leaves interwoven with fabric, was known by the Greeks as early as the 12th century B.C. in Cyprus. (See "Warfare in Ancient Greece" by Tim Everson, Sutton Pub., United Kingdom, 2004, p. 154-155.) This piece could have served as armour during this period, as Rome had a brief, but quick civil war with four Emperors circa 68-69 A.D. This piece also has a deep mark in the center of the coin that was probably a test cut, rather than a battle mark. The test cut was done in order to test that the metal was 100% bronze, rather than a bronze plated "fourree". This test cut was also probably done when this coin was no longer in circulation, and could have been struck circa 68 A.D., when Nero was replaced by Galba. This coin is an interesting piece that had a dual utility. A custom black plexiglas stand is included, and the piece is easily removable as it is attached with clay. Ex: Private English collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1308509
Apolonia Ancient Art
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This rare piece is a Greco-Roman bronze bust of a bald grotesque figurine that dates to the late Hellenistic Period, circa 1st century B.C.-1st century A.D. This piece is approximately 1 inch high, and is a superb example with a nice even dark green patina. This piece was likely a bottle stopper and/or may have fitted into a long-necked glass or bronze vessel. The bottom of the stem appears to have been broken, and this piece may have had a longer stem that could have extended down into the vessel. This piece may also have had gold or silver gilt, and may possibly have been a garment or hair pin. Regardless of what this piece could have been, it was certainly made to have been seen, and the bald head and deformed features of this "grotesque bust" is very noticeable. This interesting piece has ears that are lop-sided, with one higher than the other, deep sunken eyes, and a very a very large nose. This portrait may also represent an actual individual that was born with these deformities, and may have been created to represent an actual person rather than a fantasy individual. It is also possible that this deformed person may have been the subject of a play, and may have represented a type of actor. An analogous piece with a near identical portrait, and described as a "Dancing Grotesque of Mine", is seen in "Master Bronzes from the Classical World", by Mittien and Doeringer, Fogg Art Museum Pub., 1968, no. 122. (This published piece has an identical portrait as the piece offered here, and is bald except for a lock at the crown. This near nude figurine is also posed in a vigorous dance, and is a dancer that likely held castanet-like clappers. This piece is also described as having "contorted contours and exaggerated features which embody the Hellenistic love of caricature", and is "allegedly from Alexandria". See attached photo.) The portrait seen on this published piece, and the piece offered here is nearly identical, and both pieces were likely produced in an Alexandrian workshop. The rare piece offered here also sits on the custom display stand and can easily be removed. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1290942
Apolonia Ancient Art
$985.00
This attractive piece is a Roman bronze ring that dates circa 1st-2nd century A.D. This complete piece is approximately 1 inch wide, is ring size 6.5, and was made for a young man or woman. This ring has an oval shaped hoop, and this shape provided for a wide face that looks very large when worn on the finger. This piece is very solid and can easily be worn today as well. This piece has sections of original gold gilt seen over the bronze, and this piece has a brilliant translucent orange carnelian stone that is firmly attached to the bronze bezel. The beautiful carnelian stone was never reattached to the ring, and it is firmly in place in it's original setting. The brilliant orange carnelian stone also has a carved image of a seated animal, possibly a dog or a fox. This animal is seen on a ground line, and has raised ears and a long curled tail. The brilliant orange carnelian stone is also highly polished, has an oval shape, a flat bottom, and is clear save for a small black inclusion that is deep within the stone. This piece was also used as a personal seal/signet ring, and makes a sharp impression. The condition of this piece is superb, and is intact with no repair/restoration, and has original gold gilt seen on the inner and outer surfaces of the bronze bezel. Overall, this attractive piece is in better condition than most examples of its type, and is in its natural "as found" condition. Ex: Private New York collection, circa 1980's. Ex: Phoenix Ancient Art, New York and Geneva, Inv. #P33-091-031915. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1281148
Apolonia Ancient Art
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This pleasing Roman marble is a portrait of a young woman that dates circa 2nd century A.D. This piece is approximately 3.4 inches high by 2.25 inches wide. This piece has a break at the back, at the bottom of the neck, and at the back right side of the head. The flat break at the back is an indication that this piece was once part of a large carved relief, possibly a sarcophagus panel, and was broken away from the main part of the sculpture. This attractive bust is also designed with a three-quarter facing profile, and this is a Greek convention of art that was extensively copied by the Romans circa 1st-2nd century A.D. In addition, the head is leaning to the left, with the neck seen at an angle moving down to the right, and this is an indication that the body of this young girl was portrayed with movement, as seen within the entire scene that this this bust was originally attached to. The face of the young girl appears to be serene, and conveys an eternally young look which may also be an indication that this is also meant to be a portrait of a goddess, possibly Diana (Artemis) or Juno (Hera). The hair seen on this young portrait is also arranged in three layers, which was a Roman hair style that was popular in the 2nd century A.D. The face of this piece is also intact, with no breaks to the nose, chin, and cheeks. The mouth is also rendered in a very sensual way, and has a great deal of eye appeal. This piece is also somewhat analogous to the numerous Roman marble portraits that were produced circa 161-176 A.D. of Faustina II, who was the daughter of Antoninus Pius and Faustina I, and was later married to Marcus Aurelius in 145 A.D. (See attached photo of a young marble portrait bust of Faustina II, circa 161-176 A.D., and seen in "Art of the Ancient World", Vol. XXI, 2010, no. 26 by Royal Athena Galleries, New York.) The attractive piece offered here has a nice light tan patina, with some spotty dark brown and black mineral deposits, which are also readily seen over the entire piece. Overall, this piece is an attractive Roman marble, and is a choice example. This piece is also mounted on an attractive custom display stand. Ex: Private New York collection, circa 1990's. Ex: Fortuna Fine Art, New York. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1278504
Apolonia Ancient Art
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This rare piece is a Roman iron javelin head that dates circa 3rd-4th century A.D. This piece is approximately 5.7 inches long, and is a complete example. This piece has a barbed "spiked tang" head at the end, and a rounded lead weight attached to the shaft about 3.5 inches from the end of this formable weapon. This piece has an exceptional dark brown patina, is in superb condition, and is preserved with a wax sealant which has preserved the iron shaft. There are also some spotty dark brown and white calcite mineral deposits seen mostly on the lead weight. This weapon was also known as a "hasta plumbata", meaning "leaded spear", or as referred to by the ancient source Vegetius, as a "martiobarbalus", meaning "Mars-barb". (See Vegetius, "Epitoma Rei Militaris", translated by N.P. Milner, Liverpool University Press, 1993.) Another ancient source, the "De Rebus Bellicus", M.W.C. Hassall and R.T. Ireland (eds), 1979, Oxford, describes the "plumbata Mamillata", meaning "breasted javelin", as a javelin with a lead weight and a pointed iron head, with flights attached to the opposite end of the shaft. The epithet 'breasted' likely refers to the bulbous lead weight. This lead weight was also molded onto and around the iron shaft, and was solidly attached to the shaft. This type of weapon is rare, as only a few examples have been recovered from the British Isles, notably Wroxeter; and even fewer examples have been found in Germany, notably Augst and Castell Weissenberg, and Lorch, Austria. However, the ancient source Vegetius, (1.17), does state that two Illyrican legions were renamed "Martiobarbuli Ioviani" and "Martiobarbuli Herculiani" by the joint emperors Diocletian and Maximianus because of their proficiency with this weapon. He further states that five "plumbatae" were carried by a soldier in the concavity of his shield, and they were thrown at first charge, or used to defend with the reserves and could penetrate the body or foot of the assailant. This weapon was also thought to easily penetrate shields because of the lead weight, and could be thrown at great distance. Vegetius, (1.17), further states that soldiers using the "plumbata" take the place of archers, "for they wound both the men and the horses of the enemy before they come within reach of the common missle weapons". This weapon was truly an innovation in Roman battle tactics, and is a weapon that is seldom seen on the market today, as it was made from iron which easily deteriorates in mineralized soils. Another rare piece of this type is seen in "The Late Roman Army" by Pat Southern and Karen Dixon, Yale University Press, 1996, p. 114, Fig. 46. A custom display stand is also included. Ex: Private German collection, circa 1990's. (Note: Addition documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1339702
Apolonia Ancient Art
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This extremely rare piece is a Roman bronze armor plaque that dates circa 2nd-3rd century A.D. This piece is approximately 4.75 inches high, by 2.2 inches wide at the top, and the high relief of this piece is about .25 inches. This striking piece has a beautiful dark green patina with some spotty dark red highlights, along with some spotty light to dark green mineralization seen mostly on the backside of the piece. In addition, this piece has some spotty gilt "tinning" seen in various sections of the front side of the piece. This piece was likely fitted into an armored cuirass below a shoulder plaque, and this cuirass likely had duplicate pieces that were also fitted into the cuirass on the other side of the chest. This piece may also have been interwoven into the fabric of the cuirass, and there is a square attachment slot seen at the bottom of the piece. This piece was hand beaten over a mold, and depicts a very muscular standing nude Mars holding a shield on the ground with his left hand, and in the right, he is holding and leaning on a spear. He is also seen wearing a helmet, and has a cloak draped over his arms. The muscular Roman war god Mars is also seen standing over a sea-panther with a coiled tail, and the entire scene is framed by a dotted border. There are very few Roman plaque armor examples such as the piece offered here, and most plaques are fragmentary, and are not complete and intact as the exceptional piece offered here. In addition, the majority of Roman armor was constructed with several bronze pieces which attached to a leather and/or fabric cuirass, and most of these sectional bronze pieces are individual finds. This piece is also in mint to superb condition, and has no repair/restoration, cracks, or chips. This type of piece is also analogous to another example that depicts the nude Roman war god Mars standing over a sea-panther, and is seen in Christie's Antiquities, "The Axel Gutmann Collection, Part I", London, Nov. 22, no. 87. (See the attached photo of this piece which is a shoulder plaque that is approximately 5.5 inches high, by 2.8 inches wide, circa 2nd-3rd century A.D., $6,300.00-$9,300.00 estimates.) For this type of armor, see M.C. Bishop and J.C.N. Coulston, "Roman Military Equipemt", London, 1993, pp. 139-142. This piece is mounted into a custom Plexiglas stand, and can easily be removed. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's. Ex: Private Austrian collection, circa 1990's. (Note: additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1355169
Apolonia Ancient Art
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This beautiful piece is a light blue Roman glass ribbed bowl that dates to the Hellenistic Period, circa 1st century B.C.-1st century A.D. This piece is approximately 6.75 inches in diameter, by 2.2 inches high, and is in flawless condition with no hairline cracks, chips, or any other imperfections. This piece also has 26 vertical ribs that increase in thickness, and run upwards from the flat bottom to just below the upper rim. This type of bowl is also known as a "pillar-molded" bowl, as it was mold made, and was then ground and polished into shape. There are also two decorative well-defined "wheel-cut concentric grooves", and a small well-defined "wheel-cut circle" seen on the inner bottom center of the bowl. In addition, there are two shallow "wheel-cut grooves" that are seen running around the middle of the inner wall. These shallow "wheel-cut grooves" are also so shallow in sections that they do not appear to have been intended as a decorative type element, but rather are marks that resulted from centering a polishing tool within the inner surface of the bowl. There are also some faint polishing lines still visible on the inner surface, as this piece is in mint condition, and may have been offered solely as a votive type object. This piece also has a spotty multi-colored iridescence, and some light earthen deposits seen mostly on the outer surface of the vessel. The exceptional piece offered here is also one of the better recorded examples, and is nearly identical and larger than the example sold in Christies Antiquities, New York, June 2012, lot 151 ($4,000.00-$6,000.00 estimates, $9,375.00 realized. 5.4 inches in diameter, with 22 vertical ribs. See attached photo.) Another example that was recently sold was offered in Christie's Antiquities, London, July 2016, lot 204 ($15,000.00-$22,000.00 estimates, $16,138.00 realized. 5.75 inches in diameter, with 26 vertical ribs.) The piece offered here is not only one of the best recorded examples, but it is also a beautiful example with a light blue color that has a high degree of eye appeal, and as such, it compares in color and quality to the two other examples noted above. For the type see John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", 1975, nos. 50-52. Ex: Private German collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1390809
Apolonia Ancient Art
$2,365.00
This rare piece is a Roman glass and turquoise pendant that dates to the 4th-5th century A.D., and is approximately 1.7 inches in diameter, by .35 inches thick. This piece is an exquisitely carved turquoise roundel with a laureate and cuirassed young male deity that is seen facing right. This roundel is also framed in a green glass bezel, and has a small hole for suspension seen at the top. The backside of this piece is also flat, and the glass bezel is very translucent which also adds to it's beautiful eye appeal. The glass also has sections of a thick multi-iridescent patina, and some root marking. The young male deity seen on this piece may also represent a Roman emperor seen as a god. This piece was also an object with a great deal of eye appeal in antiquity, and was meant to be seen. Ex: Private Swiss collection, circa 1970's. Ex: Bank Leu Numismatik, Zurich, Switzerland, circa 2000's. (Note additional documentation is available to the purchaser, including US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1405826
Apolonia Ancient Art
$865.00
This lively piece is a Roman bronze dolphin handle that dates circa 2nd-3rd century A.D., and is approximately 2.25 inches long, by 1.9 inches high. This piece is complete, and is an intact example with no restoration and/or repair. This solid piece was cast as one piece, and has a pronounced upper dorsal fin, a lively twisted tail, and a base tab that the head and snout is attached to. This piece was likely attached to a vessel, such as a large cauldron, and may also have served as a decorative element, as well as a handle. This piece has a beautiful dark green patina, and is a superb example for the type. This piece is also mounted on a custom display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection, circa 1990's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1303911
Apolonia Ancient Art
$925.00
This mint quality Roman glass "sprinkler" flask dates circa 3rd century A.D., and is in flawless condition with no cracks and/or chips. This piece is approximately 3.4 inches high, by 2.25 inches wide at the upper rim. This piece is also a large example for the type, and has a wider rim than what is usually seen. This piece has an exceptional patina, and is a light blue-green color, and has thick dark brown/black deposits that are seen over a brilliant multi-colored iridescent surface. The extra large wide rim seen on this vessel allowed for added control while pouring and/or sprinkling the contained liquid, and served as a palette for the liquid. This piece was also mold made from two halves, and the main body of this vessel has an impressed lattice-work "diamond pattern" type design. This attractive design is also very detailed, and the intricate "diamond pattern" design also imitates a surface texture that is very similar to that of pine cones. The pine cone was also a Greco-Roman symbol that was associated with the Greek god Dionysus, and the Roman god Bacchus. (For the type see: "Shining Vessels, Ancient Glass from Greek and Roman Times", Fortuna Fine Arts, New York, 1991, no. 93, $2,500.00 estimate.) This piece is also scarce in this pristine condition. A custom display stand is also included with this piece. Ex: New York private collection. Ex: Fortuna Fine Arts, New York, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1397562
Apolonia Ancient Art
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This scarce piece is a Roman bronze "Tabula Ansata" military plaque that dates circa 1st-2nd century A.D. This complete piece is approximately 3.4 inches long, by 1.2 inches high, by 1/8 inches thick, and has an exceptional dark green patina with spotty dark brown/red highlights. This piece is rectangular shaped, and was made from a sheet of bronze cut in a "Tabula Ansata" format, which was a tablet with dovetail handles at each end. This type of format was also a favored shape in Imperial Rome for creating votive markers, and "Tabula Ansata" simply means "tablet with handles". Roman bronze military tablets/plaques of this form have also been found with the remnants of leather covers of soldier's shields at Vindonissa, a Roman legion camp at the modern town of Windisch, Switzerland. The example offered here has a hole at each end, and within are remnants of iron rivets, in addition to, an iron rectangular plate seen on the backside of each rivet that fastened the plaque to leather, or some sort of other material. There is also some remnants of this material seen between the plaque and the iron rectangular plates as well. This attractive piece also has five lines of engraved text that reads: VIHANSAE-Q.CATIVS.LIBO.NEPOS.-CENTVRIO.LEG.III-CYRENAICAE.SCV-TVM.ET.LANCEAM.D.D. This piece likely refers to a Roman centurion whose name and title is seen on the first two lines of the plaque, and was a member of the famed Legion III, Cyrenaica, which was first formed by Mark Antony in Alexandria, Egypt circa 35 B.C., and was under his direct command along with his ally, Cleopatra VII. Elements of this legion were also known to have fought in the "First Jewish-Roman War", circa 66-70 A.D., and was one of the principle legions that besieged the city of Jerusalem. Vespasian, Proconsul of Africa, led this campaign, and subsequently, this legion also accompanied Vespasian back to Alexandra, circa 69 A.D., in the "Year of the Four Emperors", and proclaimed Vespasian emperor while also controlling the grain supply to Rome. Vespasian was quickly sworn in as emperor while still in Egypt in December circa 69 A.D. This legion also was known to have participated in yet another Jewish war, the Bar Kokhba revolt, circa 132-136 A.D. Elements of this legion were also known to have been along the Danube River, circa 84-88 A.D., the Parthian frontier under Trajan, circa 120 A.D., and again the Parthian frontier under Lucius Verus, circa 162-166 A.D. It's also likely this legion was involved in the fighting with Queen Zenobia of Palmyra circa 262-267 A.D., and over time, this legion was perhaps one of the most traveled Roman legions in Roman history. This piece is a remarkable Roman military object seldom seen on the market, and sits on a custom display stand. For the type see: Elizabeth Meyer, "Legitimacy and Law in the Roman World: Tabulae in Roman Belief and Practice", Cambrige University Press, 2004. Ex: Private CA. collection circa 1980's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1338146
Apolonia Ancient Art
$1,875.00
This attractive flawless Roman glass vessel is an aubergine colored jar that dates circa 4th-5th century A.D., and is approximately 2.25 inches high. This piece is in mint condition, with no minute cracks and/or chips. The color is very attractive, and has a deep dark brown/purple color with some light spotty silvered patina both on the inside and outside surfaces. The deep dark brown color is also very desirable, as most Roman glass pieces of this color are much lighter in color. There is also some spotty minute root marking and a multi-colored iridescence seen on various sections of the piece. This piece also has a zigzag trailing decoration (six times up and down) that is seen running around the piece, and connects on the upper shoulder and the outer lip of the vessel. The lip of the vessel also has a rounded trailing piece that runs around the upper lip. This pleasing piece also has four evenly-spaced indented sides, in addition to an indented bottom. These indentations made this piece easier to handle, and allowed the vessel to sit upright. Roman glass vessels of this type with a deep dark brown/purple coloration are also scarce on the market. Another analogous vessel of the same type and size was offered in Chrisite's Antiquities, New York, April 2016, no. 108. ($1,500.00-$2,000.00 estimates, $1.375.00 realized. Note: This vessel is also the more common dark green color. See attached photo.) For the type see John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", Toronto, 1975, no. 417. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1357051
Apolonia Ancient Art
$765.00
This pair of Roman gold earrings with shield emblems and large hoops are complete, and date circa 2nd-3rd century A.D. These attractive pieces are approximately 1.25 inches high, by .25 inches in diameter for the shield emblems. Together the pair weighs 1.5 grams, and they are solid gold and are not plated. The shield emblems each have a raised central dot, and have a detailed beaded border. The hoops are very simple, and are a single strand that was attached to each of the shield emblems. These pieces are very durable, and can easily be worn today, as there is no clasp. This pair has some minute light red mineralization, and can be easily cleaned if one desires. A nice collectable pair of ancient jewelry with a simple design, which also displays well with the wearer. For the type see: Ruseva-Prokoska L., "Roman Jewelry, A Collection of National Archaeological Museum", Sofia, Bulgaria, 1991, nos. 30-35. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1356647
Apolonia Ancient Art
$875.00
This nice Roman bronze is an eagle applique that dates circa 2nd-3rd century A.D. This piece is approximately 2.2 inches high, by 2 inches high. This piece is a very detailed Roman eagle that has a raised head and spread wings. The wings are very detailed, and have very fine feather "line design". The head is designed with the head facing right, and is seen looking at the viewer. There is also detail on the head not facing the viewer, and there is a very defined "dotted eye". This piece has a flat back, and there is an extended mounting pin seen in the back center. This piece likely served as an applique for a vessel, and may have served as a decorative element in a legionary phalera, or an element in Roman armor. The military application relative to this piece is readily apparent, as the Roman eagle was the Roman symbol of the power, and was presented in many art forms within the Roman army. This attractive piece is intact, and has no repair/restoration. This piece also has a nice dark green patina with some minute red highlights, and is a fine example for the type. Another analogous example was offered by Bonham's Antiquities, London, July 1995, no. 442. (500-600 pounds estimates. See attached photo.) The nice piece offered here is also mounted on a custom display base. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Concordia Art, Las Vegas, NV., circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1384812
Apolonia Ancient Art
$1,275.00
This mint quality and appealing Roman glass flask dates circa late 2nd-3rd century A.D., and is approximately 5.3 inches high. This piece is a light amber colored glass flask with a raised cylindrical neck, which is slightly constricted where it meets the body and flares at the rim. The main body has subtle pinched rims that run around the vessel, and these gave this vessel added strength for holding a heavy liquid. This piece has a brilliant silvery patina seen within the flared lip, and a multi-colored iridescence seen on various sections of the piece. A piece with nice eye appeal. (For the type see: John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", 1975, no. 157.) Ex: Rafi Brown collection, Los Angeles, CA., circa 1980's. Ex: Superior Galleries: "The International Diamond Corporation Auction", Los Angeles, CA., June 8, 1993. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Coins : Pre AD 1000 item #1397702
Apolonia Ancient Art
$785.00
This Superb to FDC graded & scarce Roman silver denarius was minted in Rome by Hadrian, and dates circa 134-138 A.D. This coin has a large flan, is perfectly centered, weighs 3.49 gms, and is in Superb to FDC condition (EF+/EF+) with a great deal of mint lustre on the surfaces. The obverse (Obv.) shows a laureate Hadrian facing right with a bare neck; and HADRIANVS behind, with AVG.COS.III.P.P front. The reverse (Rev.) shows the goddess Egypt reclining left, holding a sistrum, and an ibis is seen at her feet; AEGYPTOS seen left and above, with a dotted border around. This coin also has high relief, and exceptional detail with the hair of Hadrian and the drapery seen on the goddess Egypt. This coin was also minted to commemorate the travels of Hadrian in Egypt and down the Nile. This coin varient with the bare neck is scarce, as most examples show Hadrian with a draped neck. A choice and scarce example for the type. References: RIC 297; C. 106; BMC 799. Ex: Harlan Berk collection, Chicago, Ill., circa 1980's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1313572
Apolonia Ancient Art
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This exceptional piece is a massive Roman glass bottle that dates circa 2nd century A.D. This piece is approximately 12.1 inches high, and is in flawless condition with no cracks and/or chips. This beautiful piece is a pale blue-green color, is free blown, and has a slightly indented "dimple base". This piece also has a long cylindrical neck that is constricted at the lower end, and has a flanged "roll-band" below the rounded rim. This "roll-band" was designed to act as an aid for a portable seal over the opening, such as an animal skin or textile seal. This large-scale piece was also likely a storage vessel for a precious oil or unguent. This piece has a beautiful multi-colored iridescent patina, exceptional smooth surfaces, and some minute root marking. Large-scale Roman blown glass vessels like this example took a great deal of skill to produce, and large-scale pieces with balanced symmetry like this example are rare on the market. In addition, flawless examples like this piece are also not often seen as well. A rare and exceptional large-scale piece that has an interesting design with a brilliant multi-colored patina. Ex: Private Geneva, Switzerland, collection, circa 1980's. Ex: Christie's Antiquities, New York, June 2012, no. 138. ($6,000.00-$8,000.00 estimates.) Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition: