Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1290942
Apolonia Ancient Art
$985.00
This attractive piece is a Roman bronze ring that dates circa 1st-2nd century A.D. This complete piece is approximately 1 inch wide, is ring size 6.5, and was made for a young man or woman. This ring has an oval shaped hoop, and this shape provided for a wide face that looks very large when worn on the finger. This piece is very solid and can easily be worn today as well. This piece has sections of original gold gilt seen over the bronze, and this piece has a brilliant translucent orange carnelian stone that is firmly attached to the bronze bezel. The beautiful carnelian stone was never reattached to the ring, and it is firmly in place in it's original setting. The brilliant orange carnelian stone also has a carved image of a seated animal, possibly a dog or a fox. This animal is seen on a ground line, and has raised ears and a long curled tail. The brilliant orange carnelian stone is also highly polished, has an oval shape, a flat bottom, and is clear save for a small black inclusion that is deep within the stone. This piece was also used as a personal seal/signet ring, and makes a sharp impression. The condition of this piece is superb, and is intact with no repair/restoration, and has original gold gilt seen on the inner and outer surfaces of the bronze bezel. Overall, this attractive piece is in better condition than most examples of its type, and is in its natural "as found" condition. Ex: Private New York collection, circa 1980's. Ex: Phoenix Ancient Art, New York and Geneva, Inv. #P33-091-031915. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1409852
Apolonia Ancient Art
$3,275.00
This mint quality Roman glass plate dates circa 3rd-4th century A.D., and is approximately 9.5 inches in diameter by 1.85 inches high. This exceptional example is in mint quality condition, and has no cracks, chips, or any other surface markings. This attractive piece is a light green glass with a beautiful patina, and has a brilliant golden patina with multi-colored iridescent highlights. This piece also has an applied double base ring, and is a rare feature, as most Roman glass plates of this type have a single base ring. (For another analogous Roman glass plate of this type and size with the typical single base ring see: Christie's Antiquities, New York, June 2010, no. 63. $3,000.00-$5000.00 estimates, $3,750.00 realized. See attached photo.) The piece offered here is seldom seen with the double base ring, along with it's mint quality condition, and as such is a rare example. For the type see: "Roman and Pre-Roman Glass in the Royal Ontario Museum", by John W. Hayes, Toronto, 1975, p. 120, no. 468. Ex: Private CA. collection, Los Angeles, CA., circa 1970's. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's-1990's. Ex: Private CA. collection, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1226370
Apolonia Ancient Art
$2,865.00
This beautiful piece is a Graeco-Roman bronze that dates circa 1st century B.C.-1st century A.D. This complete piece is approximately 3.5 inches high, and stands by itself on it's own base. This type of nude female Graco-Roman piece is known as the "Aphrodite Anadyomene", whose name signifies the birth of the goddess from the foam of the sea. The Greek goddess Aphrodite was born from the sea foam created when the severed genitals of Uranus were cast into the sea. Like many other naked figures of the goddess Aphrodite, the "Anadyomene" was not posed to conceal the body, and has arms raised to the hair which exposes the body to the gaze. In the Hellenistic and Roman periods, each hand is seen lifting and/or wringing the wet hair strands that hang down to the shoulders, as Aphrodite was seen rising from the sea at her birth. Her head is also seen slightly bent, her face is generally seen with a long straight nose with a small mouth, and she usually has wide hips and thighs. All of these features noted above create an impression of youthful fertility, and portray Aphrodite as having eternal youth and beauty. The piece offered here displays all of these features, and in addition, the "Aphrodite Anadyomene" is portrayed in a "contrapposto pose", with the weight carried on one leg with a slight twist to the waist. For the type, see Margarete Bieber, "The Sculpture of the Hellenistic Age", New York: Columbia University Press, 1955. The piece offered here has the features attributed to the "Aphrodite Anadyomene" sculptural type as noted above, including the rolled hair that is seen coiled into a bun with a small tie at the front. The piece seen here is an exceptional example of the type, as the face is very sensual with the long nose and slight smile. This piece is also complete, is cast with it's own base, and is intact with a beautiful dark green patina with red highlights. This piece is scarce on the market in this complete and superb condition, and it also sits on an included custom Plexiglas stand. Ex: Frank Sternberg collection, Zurich, Switzerland, circa 1980's. Ex: Antiqua Ancient Art, Los Angeles, CA. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1374471
Apolonia Ancient Art
Sold
This superb Roman bronze is an applique that shows a facing Diana that dates circa 1st-2nd century A.D. This piece is approximately 4.5 inches high, and is complete with no repair/restoration. This piece is a facing Diana, who was the Roman goddess of the hunt, and is seen with a bow quiver over her shoulder, along with a chiton and animal skin cloak that is draped over her left shoulder. She is also seen with a raised hair tie that holds her hair at the top of her head with intricate folds. This attractive bust of Diana displays a very serene face, and has eyes that were likely inlaid with silver. There is also a crescent moon pattern seen at the bottom outer edge of the bust, and this alludes to this goddess, as she was the Roman goddess of the hunt, nature, and the lunar cycle. This piece has an even light green patina with some spotty red highlights, along with some spotty light gray calcite deposits. This piece also was likely a decorative element that may have fit on a furniture piece or box. (For the type se Babelon-Blanchet, "Catalogue des Bronzes Antiques de la Bibliotheque Nationale", Paris, 1895, nos. 140 and 176; and another analogous example is seen in "Art of the Ancient World", Royal Athena Galleries, New York, 1985, no. 312.) This piece sits on a custom marble and Plexiglas stand. Ex: Private French collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1357105
Apolonia Ancient Art
$675.00
This pair of Roman gold earrings with hemispherical shields are complete, and date circa 2nd-3rd century A.D. These lovely pieces are approximately .68 inches in diameter for the hoops, and the hemispherical shields are approximately .25 inches in diameter. Together the pair weighs 1.6 grams, and they are solid gold and are not plated. The hemispherical shields have a smooth facing surface, and have a great deal of eye appeal because of their simplicity of design. These pieces can easily be worn today with some adjustments, as they do not open with a clasp, and were tied off so the wearer could wear these every day. These pieces are a nice collectable pair of ancient jewelry, and have a pleasing eye appeal. For the type see: Ruseva-Prokoska L., "Roman Jewelry, A Collection of National Archaeological Museum", Sofia, Bulgaria, 1991, no. 43. A custom display stand is also included. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #599095
Apolonia Ancient Art
$825.00
This superb Roman bronze piece is an applique with the image of Silenus. This piece dates circa 1st century B.C.-1st century A.D., and is in the form of a facing head, with an attached peg that extends about 1.5 inches from the back side of the applique. This piece was probably mounted in an object such as a furniture piece, or a bronze and wooden door, or a composite work or arms such as a Roman shield. A piece with this type of design, with the extended peg, could have fit in a number of objects. The Sileni were native not to Greece, but to Phrygia in Roman Asia, and personified the genii of springs and rivers. Unlike the Satyrs who derive chiefly from the he-goat, the Sileni derive rather from the horse, whose tail hooves, and even ears they possess. This piece clearly shows the horse ears and shows Silenus as a fat old man, snub-nosed, always drunk, who was in the retinue of Dionysus. Silenus was the tutor of Dionysus and had helped him form his character, and the bust seen here is a very powerful and intense image of Silenus. The diameter of this piece is approximately 1.4 inches and the length is approximately 2 inches. This piece has a dark green patina with red highlights and the detail is superb. There are also some heavy dark green mineral deposits seen on the extended peg. This piece is mounted with clay on a custom black/plexiglas base and can easily be removed. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1405826
Apolonia Ancient Art
$865.00
This lively piece is a Roman bronze dolphin handle that dates circa 2nd-3rd century A.D., and is approximately 2.25 inches long, by 1.9 inches high. This piece is complete, and is an intact example with no restoration and/or repair. This solid piece was cast as one piece, and has a pronounced upper dorsal fin, a lively twisted tail, and a base tab that the head and snout is attached to. This piece was likely attached to a vessel, such as a large cauldron, and may also have served as a decorative element, as well as a handle. This piece has a beautiful dark green patina, and is a superb example for the type. This piece is also mounted on a custom display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection, circa 1990's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1357890
Apolonia Ancient Art
$1,675.00
This complete and detailed piece is a Roman bronze eagle that dates circa 2nd-3rd century A.D. This piece is approximately 2 inches high, by 1.75 inches wide, and is intact with no restoration/repair. This piece is a standing Roman eagle that is seen looking left, and has very realistic features. This piece has very detailed feathers seen on the outstretched wings, and well-defined dotted eyes. This piece also has a beautiful dark green patina, and has a great deal of eye appeal. This ceremonial piece was likely in a private Roman shrine known as a "lararium", and may also have been worshipped by a Roman legionnaire, as the Roman eagle represented Rome itself and was the symbol of the Roman military. This realistic piece also stands on a custom display stand, and can easily be removed. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1311165
Apolonia Ancient Art
$2,365.00
This cute piece is a Roman bronze seated Silenus that dates circa 1st century A.D. This piece is approximately 1.9 inches high, and is a complete intact piece that has no repair/restoration. This piece has a beautiful dark green patina with some spotty red highlights, and was cast as one piece. This piece shows a nude drunken and drinking Silenus seated on a rock, and he is holding a kantharos in his left hand, and his right hand is raised with an open palm and raised thumb. This pose with the open palm is also thought to have been a popular gesture used by actors in the Greek and Roman theater. (For a description of these various theatrical poses and gestures see: "The History of the Greek and Roman Theater", by Margarete Bieber, Princeton University Press, 1939.) The Silenus seen here has the typical bald head, pot belly, short legs, and had human and horse attributes. The eyes and facial features are very well detailed, and this piece is a nice example of this mythical creature who was the companion and tutor of Dionysus. This piece also has a round insert below the piece, and this is an indication that this piece may have been part of a group bronze sculpture made from several figurines. This piece also has a small flat section on top of the head, and this may have been designed to support another object and/or figurine as well. A nice Roman bronze with a great deal of eye appeal. Ex: Private New York collection. Ex: Phoenix Ancient Art, New York and Geneva, circa late 1990's. (Note: Additional documentation is available to the purchaser.) This piece also sits on a custom display stand, and simply lifts off the stand. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #579338
Apolonia Ancient Art
$4,625.00
This x-large Roman glass jug dates circa 1st-2nd century A.D., and is approximately 7.5 inches high by 5.8 inches in diameter. This beautiful piece is also in mint condition, with no stress cracks and/or chips. This pleasing light green vessel has beautiful multi-colored iridescence and nice minute root marking. There are also five decorative wheel-cut (lathe) bands that run around the main body of the piece, and these bands may also have served as a measurement indicator of the level of the contained liquid. This was likely the case, as the five cut bands are evenly spaced on the vessel. There is also a thick strap handle that was applied to the upper shoulder and below the lip. The lip of this attractive vessel was also turned out and down, which formed a rounded edge. (For an analogous example, see Christie's Antiquities, New York, June 2001, no.213. This vessel is approximately 9.25 inches high, and has eleven decorative wheel-cut bands, three of which are deeply cut. $20,000.00-$30,000.00 estimates, and realized $23,500.00. Another recent comparable sold at Cristie's Antiquities, London, April 2010, no. 98, for 5625 Pounds, approximately $7600.00, and had 5,700-7,900 pounds estimates. This vessel is approximately 6.5 inches high and is a light green color with six decorative wheel-cut bands. See attached photo.) The piece offered here is an exceptional large example of early Roman blown glass, is very analogous to the two examples noted above, and is scarce in this mint quality condition. Ex: Private English collection. Ex: Private CA. collection, circa 1970's. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's-1990's. Ex: Private CA. collection, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1374530
Apolonia Ancient Art
$785.00
This mint quality piece is a Roman glass patella cup that dates circa 2nd-3rd century A.D., and is approximately 4.5 inches in diameter, by 1.5 inches high. This beautiful dark green glass piece is mint quality, has a thick honey brown patina seen mostly on the outer surfaces, and an iridescent silvery milky-white patina seen mostly on the inner surfaces. There is also some attractive minute root marking and some dark black mineral deposits seen within the thick encrusted surface patina. This piece has an applied ring base, a folded ring running around the rim, a raised inner base, and a pontil-mark on the bottom. This piece is also thin walled, and is very light in weight for it's size, and as such, is a rare example for the type. This piece is known as a "patella cup" due to it's design, and is one of the best examples for the type with it's exquisite patina. For an analogous example see: John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", Toronto, 1975, no. 196, pl. 171. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre 1492 item #1224239
Apolonia Ancient Art
$4,675.00
This superb Roman bronze of Attis dates circa 2nd-3rd century A.D., and is approximately 5 inches high by 3.5 inches high. This intact piece is in superb to mint condition, and is complete with no repair/restoration. This piece also has silver inlaid eyes which add to the lively and animated facial expression of this exceptional Roman bronze. This piece also has a beautiful dark green patina with some minute black mineral deposits, fine hair detail, and a finely designed Phrygian cap. There is a round hook at the back of the neck which may have been attached to a suspension chain, as this piece may have been part of a suspended bronze vessel or a furniture object. There is additional detail with incised dotted decorative crosses and line work seen on each side of the Phyrgian cap, which is also an attribute associated with the deity Attis. The head of this piece is also modeled in the round, and extends slightly forward from the lower bust, and this is another indication that this piece was likely attached to a rounded vessel. In addition, the majority of Roman applique pieces are not modeled in the round in the upper section like the example offered here, and simply have an open end at the back of the head. This piece therefore has a dual design, not only as an applique, but it is also designed like a Roman portrait bust. According to Phyrgian and Roman myth, the youth Attis was madly loved by the Phyrgian goddess Cybele, and she loved him so jealously that she could not bear him marrying the nymph Sagaritis. When Attis later proposed to Sagaritis, in a rage, she made him go out of his mind, and he castrated himself and died from his wound. Cybele, struck with grief, revived her dead lover and the pair were worshipped together throughout Phrygia and the Roman world. In a Lydian version of the myth, Attis is not killed by his castration, but by a wild boar, like Adonis. For the myth of Attis and Cybele see: "Gods and Mortals in Classical Mythology" by Michael Grant, New York, 1979. The lively and animated face seen on this appealing piece, reveals the mad love that Attis had for Cybele and Sagaritis, and as such, this piece displays a high degree of art. This piece hangs on a custom black plexiglas and steel stand, and can easily be removed. Ex: Private German collection, circa 1980's. Note: Additional documentation is available to the buyer. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1399716
Apolonia Ancient Art
$1,865.00
This lively and rare Roman-Egyptian bronze dancer dates to the Late Hellenistic Period-Early Imperial Period, circa 1st century B.C.-1st century A.D. This piece is approximately 2.8 inches high, and is an extremely rare to rare example that was likely produced in Alexandria, Egypt. This piece is a lively dancer, also known as a "grotesque dancer", that displays a great deal of movement with a twisted torso, and appears to be seen in a spinning dance. This figure also has his over sized genitals exposed behind, and has "dwarf-like" features with a raised hump on his upper back. This vibrant piece may also be an actual representation of a bald and naked deformed dancing dwarf that was popular during the late Hellenistic period. This piece has a beautiful dark green patina with spotty red highlights, and is a complete example save for the missing lower left leg and the foot of the right leg. (Another analogous example approximately 3 inches high, and attributed to the same period, was offered by Royal Athena Galleries, New York, Vol. XVIII, 2007, no. 41, for $8,500.00. See attached photo.) Ex: Private German collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1278900
Apolonia Ancient Art
$6,875.00
This rare Roman bronze figurine is a standing gladiator that dates circa 1st-early 2nd century A.D. This bronze figurine is approximately 3.4 inches high, and is mounted on a custom display stand. This animated figurine is a standing gladiator, who is seen raising his left arm to the brim of his helmet, and has his left leg raised as if it is resting on his adversary. His raised left arm may be a signal either to spare or kill his adversary who is perhaps laying injured on the ground. The animated pose of the gladiator depicted here, with his raised arm and hand signal, is scarce to rare relative to Roman bronze gladiator figurines of this type, and is seldom seen on the market. The gladiator depicted here is also a "Murmillo" type, as he is seen wearing a "Cassis Crista", which is a broad-rimmed helmet based on the prior Greek Boeotian type, and the large helmet seen here has an enclosed double face visor, a forward raised crested plume, rounded eye visors, and decorative minute fish scale elements that are seen on the outer bowl. The helmet also has some minute details showing the double opening for the face visor, and this helmet is classified as the "Pompeii G Type", which is rarely seen on Roman bronze gladiatorial figurines as the more common "Berlin G Type". Early gladiatorial helmets, including the ones found at Pompeii, had round eye apertures for the eyes, and were often screened with removable round or semi-circular grating plates, and in addition, the visor grating also consisted of two halves that joined at the front, forming a vertical rib as seen on the exceptional example offered here. The helmet details noted above, relative to the "Pompeii G Type", are seldom seen on Roman bronzes of this type, and is another feature that makes this piece a very desirable example. This figurine is also seen wearing an arm guard on his right arm which is known as a "Manica", which was usually made of thick cotton quilt, leather, and some metal alloys. This gladiator is also seen holding a short sword in his right hand known as a "Gladius", and protective greaves on both shins. In addition, his right leg is seen wrapped with a protective covering which was used to kick at his adversary, and he is wearing a wide leather belt known as a "Balteus". This figurine also appears to be bare chested as well. There is also a palm branch "Palma" seen on his back side, and this was an award for victory in the arena. On receiving his awards, the gladiator made a lap of honor around the arena, waving his palm branch. (See "Gladiator: Rome's Bloody Spectacle" by Konstantin Nossov, Osprey Pub., United Kingdom, 2009.) The name "Murmillo" is derived from "Mormylos", meaning "seafish", and is sometimes spelled "Myrmillo". This name also alludes to the fish-scale design seen on the outer bowl of the helmet seen here. The "Murmillo" usually fought the "Thraex" or the "Hoplomachus", with whom he shared some of the equipment (notibly the arm guards, the all-enclosing helmet, and the dangerous "Gladius" short sword). The "Murmillo" fighting style was best suited for a man with large muscular arms and strong heavy shoulders that were needed to carry the weight of his shield and sword. Men who played the "Murmillo" were usually shorter and more muscular than most gladiators. The "Murmillo" depended on his strength and endurance to survive the battle against foes who were lighter armed and were suited for attacking. The figurine seen here also appears to be a short, muscular individual. The piece offered here is complete, save for the lower feet that are broken off, and this may have been done as this piece may have been a votive offering, and the breaking of the lower feet would keep the magic and spirit of the figurine in the grave. There also appears to be a shield hanging under the left arm, and a small fragment of this is missing. Overall, the condition of this piece is superb, and has nice detail with a nice even dark green patina, with minute spotty red highlights. (An analogous piece, without the minute detail that the piece offered here displays, was offered in Christie's Antiquities, London, Oct. 2003, lot. 13. Approximately 3.1 inches high, $3,400.00-$5,100.00 estimates, $5,593.00 realized.) The piece offered here has also been mounted on a custom display stand, and is a rare type seldom seen on the market. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #665966
Apolonia Ancient Art
$3,265.00
This Roman bronze portrait bust dates circa 2nd century A.D., and is approximately 3 inches high. This powerful piece is the terminal end for a leg that served as a table support for a folding tripod. These Roman bronze tripods were portable and moved with the Roman armies and/or wealthy families. This piece had a L-shaped hook at the back that supported a caldron that was at the center of the tripod. This piece is in the form of a portrait bust, and likely depicts the young Roman emperor Caracalla. This portrait bust also has an attribute relative to Herakles, as the figure is seen wearing a lion's skin cloak. The face has a short cropped beard, a rounded nose, and a wide forehead which are prominent features of Caracalla. The head is slightly turned to the right, as are many Roman marble portrait busts during this period. The hair is seen as thick rounded curls which may indicate a wig, as Caracalla was known to have worn a golden haired wig that was arranged in the German style. Caracalla was born in 188 A.D., and in 213 A.D. as emperor, he left Rome for Germany and defeated the Alamanni on the upper Rhine River. Caracalla often wore a flowing Gallic cloak which gave him his nickname, and the bust seen here shows a lion's skin cloak that is not only an attribute of Herakles, but is also an attribute of Alexander the Great. After Caracalla's victories in Germany, he planned an invasion of the Parthian east, and in 214 A.D., he mustered a great army for this oriental expedition, including a phalanx of sixteen thousand men, clothed and equipped like the Macedonians of old. Caracalla liked to see himself as a new Alexander the Great, and this may explain the lion's skin cloak seen on this piece. Caracalla met his end in 216 A.D., near Edessa in Media, and was stabbed to death by supporters of Macrinus. This piece is likely a portrait of Caracalla for the reasons noted above, and there is a strong possibility that this stylized image is an image of Caracalla as seen in the guise of Alexander the Great. (The portraiture of Alexander the Great is noteworthy for the wide range of styles that were employed to portray his unique physiognomy. The treatment of the hair, for example, can be long and wavy, while others emphasize the cowlick seen above the forehead which is known as the "anastole". This "anastole" can also be seen on the piece offered here, with the hair raising up as a curl from the center of the forehead. For several examples of this hair style see F. Antonovich, "Les Metamorphoses divines d'Alexander", Paris, 1996.) This portrait bust is also analogous to the marble bust of Caracalla that is seen in the Staatliche Museen in Berlin, Germany. (See "The Art of Rome" by Bernard Andreae, Abrams Pub., New York, 1977, no. 551.) This marble bust dates circa 212 A.D., and was created on the occasion of Caracalla becoming sole ruler. This marble bust also has large hair curls and bare arms/upper chest, as also seen in the bronze portrait bust offered here. This piece has a superb dark green patina with spotty dark red highlights, and sits on a custom display stand. Ex: New York private collection, circa 1980's. Ex: Sotheby's Antiquities New York, Dec. 2006, no. 122. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1390809
Apolonia Ancient Art
$2,365.00
This rare piece is a Roman glass and turquoise pendant that dates to the 4th-5th century A.D., and is approximately 1.7 inches in diameter, by .35 inches thick. This piece is an exquisitely carved turquoise roundel with a laureate and cuirassed young male deity that is seen facing right. This roundel is also framed in a green glass bezel, and has a small hole for suspension seen at the top. The backside of this piece is also flat, and the glass bezel is very translucent which also adds to it's beautiful eye appeal. The glass also has sections of a thick multi-iridescent patina, and some root marking. The young male deity seen on this piece may also represent a Roman emperor seen as a god. This piece was also an object with a great deal of eye appeal in antiquity, and was meant to be seen. Ex: Private Swiss collection, circa 1970's. Ex: Bank Leu Numismatik, Zurich, Switzerland, circa 2000's. (Note additional documentation is available to the purchaser, including US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1283823
Apolonia Ancient Art
Sold
This visually appealing piece is a Roman marble of the goddess Minerva, and dates circa 2nd-3rd century A.D. This piece is approximately 8.75 inches high, by 5 inches wide. This piece is a helmeted bust of the Roman goddess Minerva, who also doubled as the Greek goddess Athena. This piece shows Minerva with finely carved hair that is seen under the edges of the Corinthian type helmet, and is a portrait of a young woman that conveys the eternal beauty of the goddess. She is also seen with a serene expression, and her rounded chin also conveys a goddess that is perceived as a powerful woman. The helmet also has a raised crest, and has an inset square dowel joint on each side that probably supported a running Pegasus that was mounted on each side of the helmet. In addition, this piece is carved in the round, and the helmet design is seen on the back side of the bust as well. The face is completely intact, with no major breaks, and the carving of the eyes, nose, and the delicate mouth is extremely detailed. The eyes also have center drilled dots with a carved circular iris, which give this piece a very dynamic "alive" look, and the treatment of the eyes in this fashion is typical for Roman portraiture especially during the Antonine Period, circa 2nd century A.D. This piece also has a nice light gray patina, with heavier dark gray mineral deposits seen at the back of the bust. This piece is also analogous in design to the earlier Greek Athenian coinage, circa 5th century B.C., which shows on the obverse a helmeted Athena in profile wearing a Corinthian type helmet, with a helmet crest and dotted necklace. This piece also follows the design of the Greek gold coinage of Alexander the Great, who placed a helmeted bust of Athena on the obverse of his gold staters, circa late 4th century B.C. This piece is scarce to rare on the market, as it likely completed a full size standing and draped statue of the goddess. The portrait type of this piece was derived from an earlier Greek prototype, which is thought to be a large full standing bronze cult statue that is known as the "Athena Sunias", which was displayed in a temple dedicated to Athena at Cape Sounion. (See G. Despinis, "Athena Sunias-Eine Vermutung", Archaologischer Anzeiger, 1999, pp. 173-181.) An analogous example without the helmet crest and dotted necklace, and of nearly the same size was offered by Halan J. Berk of Chicago, Ill. in "Ancient Art", 1987, no. 45. (See attached photo.) The Berk example was also mounted on a custom display stand, as the piece offered here, with a center pin running up into the lower neck where the break occurred. The piece offered here has a great deal of eye appeal, as the facial design of this piece, especially with the treatment of the eyes and delicate mouth, provide this piece with a very dynamic "alive" and "penetrating" look. Ex: Private New York collection. Ex: Phoenix Ancient Art, Geneva and New York, circa 2000-2014, Inv.# P33-059-012614b. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1381237
Apolonia Ancient Art
$875.00
This piece is an intact Romano-Egyptian terracotta fish that dates to the Roman Period, circa 30 B.C.-324 A.D. This piece is approximately 7 inches long, by 3.25 inches high, and is a complete and intact example. This piece was made with a dark red-tan clay, and was mold made from two halves. This attractive piece also some thick gray-white deposits, which was also made from it's original white gesso that coated the entire piece. This piece has a curved body that creates movement for the viewer, and there is an open mouth, a small vent hole under the body, and detailed fins. This piece was also likely a votive object that provided sustenance for the departed in the after-life, and this type of piece is also relatively scarce on the market. This piece also likely depicts a Nile perch, which was a popular fish in antiquity. This piece also sits on a custom display stand. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs import documentation.) I certify that this piece is authentic as to date, culture, and condition: