Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1386365
Apolonia Ancient Art
$425.00
This piece is a Greco-Roman lead horse that dates circa 1st-2nd century A.D., and is approximately 1.5 inches long, by 1.25 inches high. This piece was a "votive" type object, and was likely sold to the devoted as solely a votive object for dedication at a shrine or grave. This horse may also represent a racing type horse, or one that was tied to a chariot, and may be part of a complete object such as a chariot. This piece was cast from two halves, and was mold made. The horse is complete, save for three of the lower legs, and is a better example that what is recorded, as it is scarce to rare. This piece also has nice detail with the head, and there are reigns that are visible on the neck and body. This piece is also likely Thracian in origin, as votive lead plaques were common for the period and region as well. This piece also has an attractive dark to light gray patina, with spotty dark black and brown highlights. This piece also is mounted on a custom display stand, and has nice eye appeal. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1381808
Apolonia Ancient Art
$1,675.00
This scarce piece is a Colima effigy deer vessel that dates to the Protoclassic Period, circa 100 B.C.-250 A.D. This piece is approximately 10.5 inches long, by 6.5 inches high, and is in mint quality condition with no repair and/or restoration. This exceptional Colima vessel depicts a standing deer, with the sides of the body decorated with incised panels that frame two doubled-headed spiders. In addition, there is an incised diamond pattern seen on the frontal shoulders below the raised neck. The head is designed with a pointed nose and peaked ears, and there is a broad spout that forms the tail. This piece has a thin reddish-brown glaze, and some minute tan earthen deposits. This type of vessel is scarce to rare, as it depicts a standing deer, rather than the usual Colima dog types. (For the type see: "Fine Pre-Columbian Art from the Collection of Mr. and Mrs. Peter G. Wray, Harmer Rooke galleries, Oct. 9, 1984-Jan. 1985, no. 112.) The piece offered here may also represent a sacred "protector type" piece that was made for the after-life. Ex: Private Florida collection, circa 1980's. Ex: Sotheby's Pre-Columbian Art, May 1991, New York, no. 365. ($1,500.00-$2,000.00 estimates, $1,100.00 realized.) Ex: Private Kansas collection, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser, including the Sotheby's information that describes this piece as an "effigy deer figurine".) .I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1299352
Apolonia Ancient Art
Sold
This beautiful x-large Greek Apulian ceramic is a knob-handled patera plate that dates circa 340-330 B.C. This extremely large piece is approximately 18.2 inches wide from handle to handle, by 6.5 inches high, and is attributed to the Ganymede Painter. This piece is also larger than most examples of this type, and is a superb intact example that is 100% original. The overall condition of this piece is superb to mint quality, save for some minor glaze checkering on the inside surface, and some minor and minute stress cracks which are all normal for an ancient Greek ceramic of this size. This piece also has some minute root marking seen mostly on the bottom base stem, and attractive heavy spotty white calcite deposits that are seen on various sections of the vessel. This piece has not been over-cleaned, and is in it's natural "as found" condition, which is scarce for a vessel of this size; and in addition, what is also not often seen is that this piece also has very vibrant black, dark orange, yellow, and white colors. This piece has two decorative black raised handles attached on each side of the raised flat rim, and in addition, there are four raised knobs attached to the flat rim which are seen on each side of each handle. There is an additional knob seen in the top middle of each handle as well. These knobs are also very decorative, and may have served in antiquity as an additional hand grip on the vessel, as this type of vessel was typically used to pour libations. The center of this beautiful plate has a draped seated woman seen seated on a rock, and is holding a plate and floral garland. She is facing a standing nude youth that is seen showing an open box, and is holding a wreath in his right hand. The drapery seen on her body is very detailed and translucent, which lends this figure an erotic look. The entire scene is also balanced with each figure holding an object away from the center of the scene, and in this case, the standing nude youth is seen holding a wreath, and the draped seated woman is holding a garland which balance the scene of the overall composition. Both figures are seen on a "dot-and-egg" pattern band that is seen below a minute "dotted" ground line, and the entire scene is seen within a sacred white olive-leaf wreath that frames the entire scene. The underside of this beautiful plate has a black reserve, with a raised footed base. The Ganymede painter was one of the best accomplished Greek Apulian artists during the second half of the 4th century B.C., and according to A.D. Trendall in "Red Figure Vases of South Italy and Sicily", Thames and Hudson, London, 1989, p. 96: "His drawing is more fluid and his youths have a softer look. He is fond of figures holding fans, open boxes and cistae, divided by two diagonal lines." The piece offered here is a fine example of the Ganymede Painter, and knob-handled patera by this painter are scarce to rare. This piece has a very high degree of eye appeal and is scarce to rare on the market, due to it's condition, esoteric design, and that it has been attributed to the Ganymede Painter, which is rarer than the scarce examples by the Darius-Underworld and the White Sakkos Painters. (A recent example was sold by Christie's Antiquities, London, April 2014, for 9373.00 Pounds/$15,591.00 USD realized. Attributed to the Darius-Underworld Painter, circa 330 B.C., 14.75 inches diameter, 8,000.00-12,000.00 Pounds estimates.) Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1357890
Apolonia Ancient Art
$1,675.00
This complete and detailed piece is a Roman bronze eagle that dates circa 2nd-3rd century A.D. This piece is approximately 2 inches high, by 1.75 inches wide, and is intact with no restoration/repair. This piece is a standing Roman eagle that is seen looking left, and has very realistic features. This piece has very detailed feathers seen on the outstretched wings, and well-defined dotted eyes. This piece also has a beautiful dark green patina, and has a great deal of eye appeal. This ceremonial piece was likely in a private Roman shrine known as a "lararium", and may also have been worshipped by a Roman legionnaire, as the Roman eagle represented Rome itself and was the symbol of the Roman military. This realistic piece also stands on a custom display stand, and can easily be removed. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #944741
Apolonia Ancient Art
Sold
The beautiful pieces offered here is a matching set of Greek silver earrings, that date circa 6th century B.C. These pieces are made of solid silver, are not plated or have a bronze core, and they have an attractive dark gray patina. These pieces are approximately 1 inch high and .64 inches wide near the base. The upper half narrows into a point, which allowed these earrings to pass through a pierced ear. There is some flex to these pieces even now, and they could easily be worn today. The shape of this type of earring is known as a "boat-shaped type", and they have two additional decorative rosette pattern knobs that are seen on each side. Each of these minute round knobs were individually added, and these earrings were made with a great deal of skill, although they have a simple design. Greek silver jewelry from this time frame, circa 550 B.C., is scarce, as most Greek silver jewelry dates to the later Hellenistic Period, circa 336 B.C. (A Greek silver fibula with analogous workmanship is seen in The Belgrade National Museum and is published in "Balkani" by Tatjana Cvjeticanin, Giovanni Gentili, and Vera Krstic, Silvana Editoriale Pub., 2008, no. 73.) The earrings offered here are intact and have no repair/restoration, and are in exceptional mint condition. An earring stand is included, along with a gift box. Ex: Private German collection. (These pieces have additional documentation for the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1254565
Apolonia Ancient Art
$875.00
This interesting piece is a Recuay culture standing warrior that dates to the Early Intermediate Period, circa 400 B.C.-300 A.D., and the Recuay culture was centered in the Northern Peruvian Highlands, Callejon de Huaylas Valley. This piece is approximately 5.8 inches high by 4.2 inches in diameter, and is in intact condition, save for some minor stress cracks that appear to be filled at the base. This piece was made with a "resist-decoration" technique, and is a thin-walled white/cream colored kaolin clay with red-orange, yellow, and black colored line-drawn highlights. This piece also has some attractive light brown burnishing, and some spotty black mineral deposits. This piece shows a very animated figure that appears to be a standing warrior, as he is seen wearing a helmet and probable body armor, which is built into the round and portly design of the main body of the vessel. This figure also appears to be holding some objects in each hand, and the object in his right hand may be a round fruit which he is seen lifting to his wide mouth. The artistic style of this piece is also very geometric in it's design, and the lower legs and feet of this warrior are also designed in high relief at the base of the vessel. This piece also has the typical single spout which is wide and funnel shaped, and is integrated in width and height relative to the head of the warrior, which makes it to be somewhat imperceptible at first glance. It is also likely that the Recuay were a satellite people of the Mochica, and perhaps were guardians of sacrificial llamas and were an elite group of warriors. The ceramic offered here may also have been designed with additional ceramics, which made up a group scene that was created as a ceremonial grave offering. (For the culture and the warrior-type ceramics, see A. Lapiner, "Pre-Columbian Art of South America", New York, 1976, pp. 167-169.) A scarce piece with nice eye appeal. Ex: Dr. Ernst J. Fischer collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Byzantine : Pre AD 1000 item #1102815
Apolonia Ancient Art
$785.00
This attractive piece is a Byzantine bronze cross that has a nice silver inlaid design. This piece dates circa 4th-7th century A.D., and is approximately 1.9 inches high by 1.9 inches high by 1/16th inch thick. This piece has an attractive silver inlaid design which has a detailed "circle-and-line" type design. This piece also has a nice dark green patina with some light green and red surface deposits. There are also five small holes seen in this piece which were likely used to sew this piece into a garment. This piece is in superb condition, and could easily be worn as a pendant today. This piece also comes with a custom black plexiglas display stand, and can easily be removed, as it simply hangs on the stand. Ex: Joel Malter collection, Los Angeles. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #1264405
Apolonia Ancient Art
$575.00
This mint quality piece is a Roman bronze key that dates circa 1st-2nd century A.D. This piece is approximately 2 inches long, by .75 inches in diameter for the ring seen at the terminal end. This piece has a beautiful light blue to green patina with some spotty red highlights. This piece is in better condition than most examples, and is a mint quality piece with well defined groves seen at the end. This piece may have fit a personal strong box, or possibly a small door. This type of key is also published in "Handwerk und Berfude in der Romischen Stadt', by Rieche & Schalles, Cologne, 1994, pp. 46-47. This nice piece is a complete example of a Roman bronze key that was individually owned by a Roman with some means. This piece also hangs from a custom stand, and can easily be worn today in a necklace. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1239527
Apolonia Ancient Art
$3,265.00
This rare piece is a Salinar/Viru culture monkey "transformation" type vessel that dates circa 400-200 B.C. This piece is approximately 9 inches long by 7 inches high, and is in superb condition with no repair/restoration. This piece is a standing quadruped with a stylized lobed monkey's head, and a short tail is seen curled at the back. This piece is seen standing on sturdy legs, with each flank painted with mythical creatures that have bared fangs and claws. The whole piece is covered with a light yellow-brown slip, and the mythical creatures and facial elements are painted in a light reddish-orange color. This piece is also a "stirrup-handle" type piece that is also designed as a "whistle" type vessel, as it makes a shrill sound when one blows into the raised end of the handle, and as such, this vessel was also likely a "ceremonial" type vessel. In addition, this piece also represents a "transformation" type vessel, as the stylized lobed head on the monkey has human and animal features. This rare early Andean culture ceramic may also be a prototype for the subsequent Moche I ceramics, and as such, this type of piece set the standard for Andean ceramics that have a great deal of realism regarding both human and animal representations. This intact piece has no restoration/repair, some spotty light brown mineral deposits, and is a superb to mint quality example for the type that is seldom seen on the market. Another analogous example of this culture is seen in Lempertz Pre-Columbian Art, Brussels, Jan. 2010, no. 49. (See attached photo. The Lempertz example also has an analogous painted mythical creature on the flanks as the piece offered here, and both of these pieces may have been produced in the same workshop.) This type of piece is x-rare to rare, and has a high degree of eye appeal. Ex: Dr. Ernst J. Fischer collection, Germany, circa 1980's. Ex: Auktion Ketterer 163, 1986. Ex: Private German collection. (Note: Additional documentation is available for the purchaser, including a TL test from Gutachten Lab., 01/14/1991, no. 369012, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1370697
Apolonia Ancient Art
Call For Price
This mint quality Greek Illyrian helmet dates circa 6th century B.C., and is approximately 12 inches high, from the top of the crest box to the tip of the cheek pieces, and it is a full size example. This beautiful piece has been classified in "Antike Helm", Lipperheide and Antikenmuseums Collections, Mainz, Germany, 1988, pp. 59-64, as being "Type II, Var.B". This piece is in flawless, mint condition, and has no repair/restoration, and is one of the best examples on the global market. This piece has slightly elongated cheek pieces, a detailed punched decorative dotted band that runs around the outer perimeter edge, and a well-defined crest box. This piece was hand beaten from one sheet of bronze, and the crest box was added into the construction of the helmet, not only to define an attachment area for the crest which was likely made from bird quills, but also to give extra strength to the main body of the piece. The added crest box also was designed to protect the warrior from overhead blows. There is also a slightly extended neck guard which is finely made as well. This exceptional example also has some very minor horizontal scraps and nicks which is also an indication that this piece was in battle. This piece has a compact and attractive design, and is one of the top examples for the type. In addition, this piece has an exceptional dark green patina with dark blue highlights which lends this piece a great deal of eye appeal. The patina seen on this attractive piece is also in "as found" condition, and this helmet has not been over cleaned as most examples. This piece also comes with a custom metal display stand. Ex Axel Guttmann collection, Inventory no. 517, Berlin, Germany, circa 1980's. Ex: Private Dallas, Texas collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1392002
Apolonia Ancient Art
$875.00
This scarce piece is a Huari bowl that dates to the Middle Horizon period, circa 550-1050 A.D. This piece is approximately 6.5 inches high, by 6.8 inches in diameter, and has white, black, dark orange, and dark red colors. This interesting piece has a flat bottom and an oval opening at the rim. This piece has a mirror image design that appears to be a "jugate-designed" type image, which are two heads back-to-back with a shared central white eye. This image also likely represents a sacred mythical creature that could be part feline, as there are also black dots seen within the design that could represent jaguar spots. There are also two raised bands that rise above the main design, and in addition, there are white and black dots that frame the entire image which may be celestial in nature. There is a "key pattern" that forms a ground line, and they also divide the vessel into two halves, along with a "chevron" pattern that is a hallmark design seen on Huari ceramics. This vessel could have been used in a sacred ceremony, and may also have served as a seed storage jar. This piece also has an ancient repair, as indicated by two bow-drilled holes that held a cord wrapping which held a crack together. This piece is complete, and has some minor crack fill seen mostly at the base that was done 30 plus years ago. This piece also has some attractive spotty white calcite deposits seen on the inside and outer surfaces. An interesting piece that has a very complex design. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1356647
Apolonia Ancient Art
$965.00
This nice Roman bronze is an eagle applique that dates circa 2nd-3rd century A.D. This piece is approximately 2.2 inches high, by 2 inches high. This piece is a very detailed Roman eagle that has a raised head and spread wings. The wings are very detailed, and have very fine feather "line design". The head is designed with the head facing right, and is seen looking at the viewer. There is also detail on the head not facing the viewer, and there is a very defined "dotted eye". This piece has a flat back, and there is an extended mounting pin seen in the back center. This piece likely served as an applique for a vessel, and may have served as a decorative element in a legionary phalera, or an element in Roman armor. The military application relative to this piece is readily apparent, as the Roman eagle was the Roman symbol of the power, and was presented in many art forms within the Roman army. This attractive piece is intact, and has no repair/restoration. This piece also has a nice dark green patina with some minute red highlights, and is a fine example for the type. Another analogous example was offered by Bonham's Antiquities, London, July 1995, no. 442. (500-600 pounds estimates. See attached photo.) The nice piece offered here is also mounted on a custom display base. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Concordia Art, Las Vegas, NV., circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1338092
Apolonia Ancient Art
Sold
This rare to extremely rare piece is a Greek Apulian-Gnathia alabastron that dates circa 350-330 B.C., and is approximately 7.6 inches high. This type of vessel is also referred to as an aryballos, but due to its cylindrical shape, it is classified as an alabastron. This piece is extremely rare as it follows the slightly earlier Greek Apulian types in form, but it also combines the extremely rich floral decorations that are seen on the subsequent Greek Gnathian type ceramics. This piece is therefore classified as an Apulian-Gnathian type of ceramic, and the high degree of art and form for this culture makes it an extremely rare to rare example. This piece has a beautiful and detailed young woman, likely Persephone, that is seen emerging from the floral elements that are seen rinsing up from the ground. For the ancient Greeks, Persephone represented the change of seasons and eternal life, as she returned from the underworld every spring to regenerate the earth. The detail of Persephone, and the floral elements seen to the right and left of the bust seen on this vessel are exquisite. This piece may also be attributed to the "Toledo Painter", who was one of the more accomplished painters for the period who utilized extensive floral elements and detailed faces as seen on this beautiful piece. This piece also has a flat designed opening, which also was an aid in controlling the flow of precious oil. This piece has a lustrous black glaze, and vibrant white, yellow, and light brown colors. The vibrant white color of the bust of Persephone also pops out from the black background, and can easily be seen from a great distance. This piece is also intact with no repair and/or restoration, and is in mint condition. There are some spotty light white calcite deposits seen in various sections, and the black glaze is deep and even over the entire piece. This piece also easily stands by itself, and is a remarkable and beautiful example of an ancient Greek ceramic. (For the type see "The Art of South Italy: Vases from Magna Graecia by Margaret Mayo, Virginia Museum of Fine Arts, 1982, nos. 55-56 and 128-129.) Ex: Phoenix Ancient Art, Geneva, circa 1990's. Ex: Private Swiss collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre 1492 item #1185287
Apolonia Ancient Art
Sold
This attractive piece is an Inka-Chimu canteen vessel that dates circa 1450-1533 A.D. This piece is approxiamtely 8.5 inches high by 3.5 inches wide, and is in mint to superb condition with no repair/restoration. This piece has an attractive glossy black glaze with some dark brown burnishing. This piece has an indented depression on each side, and seen centered within, is a star and a spiral symbol on each side of the vessel. The star is a well known Inka symbol, and is often seen as a design shape on Inka bronze mace heads and black basalt bowls. The spiral design is also seen as a sacred Nazca line symbol, and these line symbols created in the desert were constructed by the Nazca to have been viewed by the Gods from the air. The sacred Nazca spiral design may have served as a "water/rain symbol", and the canteen vessel offered here may have held water in a votive capacity as well. (An analogous sacred Nazca spiral symbol is seen published in "The Mystery On the Desert" by Maria Reiche, pub. 1949, reprint 1968.) The piece offered here was also likely made by Chimu potters who simply continued working for their Inka masters who conquered their city state of Chanchan circa 1470 A.D. The piece offered here derives from earlier Chimu pottery types/techniques, notably the lustrous blackware made by the north-coast potters of Chanchan and Lambayaque. One feature of these Chimu potters, seen on the vessel offered here, is the single elongated neck of the vessel. This piece is an interesting example of Andean pre-Columbian art, as it has symbols that are common to several cultures, and has a very esoteric shape which is another hallmark of Inka ceramics. Ex: Private German collection, circa 1970's. Ex: Dr. Klaus Maria collection, circa 1980-2012. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1351887
Apolonia Ancient Art
$1,675.00
This rare and esoteric piece is an Olmec seated duck poison bottle that dates circa 1100-800 B.C. This vessel is attributed to the Las Bocas region of Mexico, and is approximately 2.4 inches high. This piece has an attractive lustrous black glaze, along with some spotty light brown burnishing that is seen on all of the outer surfaces of the vessel. This piece is also intact, and has no repair/restoration. This piece is also in the form of a hollow container, as the top of the head has an opening into the hollow section of the lower body. This type of vessel is also known as a "poison bottle", as they generally held a substance such as red cinnabar or another hallucinogenic powder or liquid. This vessel was likely used in a ceremonial capacity, and this was likely the case for the majority of glazed Olmec vessels that depict birds such as ducks, raptors, and songbirds. (Another analogous "poison bottle" vessel of this type portraying a raptor is seen in "The Olmec World: Ritual and Rulership", Princeton University, 1996, Harry Abrams Pub., no. 61, p. 183. See attached photo.) The esoteric vessel offered here has a very animated face with dotted eyes, and two squat legs and an extended tail that serve as a tripod base for the vessel. There is also a "double dot-and-bar" symbol seen between the eyes, and the eyes also appear to represent dots as well. The "four-dots-and-bar" motif is also thought to represent the "axis mundi", as the conduit between the Olmec natural and supernatural realms, and the two dotted eyes together with the "double dot-and-bar" symbol, may be a representation of the "four-dots-and-bar" motif. The symbolism seen on this piece also reinforces the theory that this piece was created as a ceremonial type vessel. This piece is an exceptional example of Olmec ceramic art, and is seldom seen on the market. Ex: Ferdinand Anton collection, Germany, circa 1959. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1226370
Apolonia Ancient Art
$3,265.00
This beautiful piece is a Graeco-Roman bronze that dates circa 1st century B.C.-1st century A.D. This complete piece is approximately 3.5 inches high, and stands by itself on it's own base. This type of nude female Graco-Roman piece is known as the "Aphrodite Anadyomene", whose name signifies the birth of the goddess from the foam of the sea. The Greek goddess Aphrodite was born from the sea foam created when the severed genitals of Uranus were cast into the sea. Like many other naked figures of the goddess Aphrodite, the "Anadyomene" was not posed to conceal the body, and has arms raised to the hair which exposes the body to the gaze. In the Hellenistic and Roman periods, each hand is seen lifting and/or wringing the wet hair strands that hang down to the shoulders, as Aphrodite was seen rising from the sea at her birth. Her head is also seen slightly bent, her face is generally seen with a long straight nose with a small mouth, and she usually has wide hips and thighs. All of these features noted above create an impression of youthful fertility, and portray Aphrodite as having eternal youth and beauty. The piece offered here displays all of these features, and in addition, the "Aphrodite Anadyomene" is portrayed in a "contrapposto pose", with the weight carried on one leg with a slight twist to the waist. For the type, see Margarete Bieber, "The Sculpture of the Hellenistic Age", New York: Columbia University Press, 1955. The piece offered here has the features attributed to the "Aphrodite Anadyomene" sculptural type as noted above, including the rolled hair that is seen coiled into a bun with a small tie at the front. The piece seen here is an exceptional example of the type, as the face is very sensual with the long nose and slight smile. This piece is also complete, is cast with it's own base, and is intact with a beautiful dark green patina with red highlights. This piece is scarce on the market in this complete and superb condition, and it also sits on an included custom Plexiglas stand. Ex: Frank Sternberg collection, Zurich, Switzerland, circa 1980's. Ex: Antiqua Ancient Art, Los Angeles, CA. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1384711
Apolonia Ancient Art
$1,865.00
This rare piece is a Greek Attic aryballos in the form of a shoe, and dates circa early 4th century B.C. This appealing piece is approximately 3.9 inches long, by 2.8 inches high, and is an intact example with no repair and/or restoration. This piece was mold made, and has a single strap handle applied at the back, along with a black glazed fluted spout. The strap handle also has a black glaze, and the balance of the piece is a orange/red terracotta. This shoe also has delicate and realistic molding, and is an excellent representative of an ancient Greek shoe. This piece also has some minute spotty white calcite deposits, and is an extremely rare piece that is seldom seen on the market. This piece also stands by itself, and has a Plexiglas display stand. Ex: Private French collection, circa 1980's. Ex: Christie's Antiquities, London, Oct. 2011, no. 96. 1,800-2,200 Pounds estimate, $2,800-$3,300.00. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #761896
Apolonia Ancient Art
Sold
This exceptional piece is a Roman marbled bottle that dates circa 1st century A.D. This piece is approximately 4.5 inches high and is in mint quality condition. This piece is a dark green/blue color, has some calcite deposits on the inner surface, and some spotty black mineral deposits on the outer surface. This piece was made by blending glass rods into the piece, and this process created the "marbled" composition of the vessel. This piece is also much heavier than a Roman glass blown example that is thin walled. For an analogous example see Christie's Antiquities, New York, Dec. 2007, no. 90. ( $3,000.00-$5,000.00 estimates, $6875.00 realized.) A rare piece that is seldom offered on the market. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition: