Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1295159
Apolonia Ancient Art
$12,675.00
This rare piece is a Roman bronze figurine that dates circa 1st-3rd century A.D. This impressive piece is approximately 2.8 inches high, and is an intact example with no repair/restoration. This complete piece also has an even beautiful dark blue/green patina with spotty red highlights, and is in excellent condition with no noticeable breaks or chips. This piece is seen standing with the full weight on the left leg, and the other leg is slightly bent while the body is seen slightly leaning to the right. This piece also stands by itself, and is placed on a custom stand for added stability. This piece has extremely refined facial detail, and there are other minute details seen on this piece such as the design of the sandals. The figure seen here may also depict Alexander the Great, as it displays many attributes that are known for this dynamic Greek figure from antiquity. Although this piece is a Roman bronze, the Greek features seen on this piece are unmistakable, such as the Greek muscled cuirass which is worn over the Greek knee-length "chiton", the attached cape "chlamys" which falls behind, and the pose of the figure that is seen with the weight on one leg. In addition, this figure has upswept curls above the forehead known as an "anastole" hair style, along with thick locks of leonine hair, deep set eyes, an angular jaw, and a prominent brow which are all facial features of Alexander the Great. This figure is also seen extending his right arm, and the open upturned hand likely held a missing round "phiale", which held wine that was used for sacrificial offerings to the Gods. This military figure also appears to be in the act of offering wine sacrifice to the Gods, and this type of wine sacrifice using a "phiale" was purely a Greek religious rite, rather than a Roman ritual. It's possible that this figurine reminded the owner in Roman times of Alexander's visit to Troy, as he was the new Achilles - the champion of the Greeks and, as Achilles had done 1,000 years before, he sacrificed in the temple of Athena. Wealthy and cultivated Romans would often engage the topic of Alexander's notable personality, his superhuman accomplishments, and the human fate with their philosophical discourses. It would not be surprising to find his image in the intimacy of a domestic villa. The famous Villa dei Papiri in Herculaneum contained a whole collection of several bronze busts representing Greek Hellenistic rulers, Greek poets, and philosophers, which serves as an eloquent example of the cultural preferences of the Roman elite. This figurine also appears to be grasping a Roman sword known as a "gladius", which had a rounded pummel as seen here. The Roman general Marcus Antony also favored Greek dress as seen on this figurine, and this piece may also represent a "duality of portraiture", in that it is a combination of Greek and Roman attributes, and may represent more than one famous individual and/or military leader. What is certain relative to this rare figurine, is that this figure is both a military and religious figure, and this combination is best displayed in the figurine offered here. (Another analogous example of a Roman bronze figurine in the guise of Alexander the Great, was offered by Royal Athena Galleries, New York, in "Art of the Ancient World", Vol. XXIII, 2012, no. 49. Approximately 3.75 inches high, circa 1st-3rd century A.D., and complete. $47,500.00 fixed price. See attached photo.) The piece offered here is a rare type that is seldom seen on the market. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1379967
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This powerful looking piece is an Egyptian faience amulet torso of Pataikos that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.9 inches high, by 1.75 inches wide from shoulder to shoulder. This piece was originally made as an amulet in the form of the Egyptian god "Pataikos", and was ceremoniously broken with the removal of the head and legs. This piece was worn as a "protector" type amulet, as the missing head had a suspension hoop attached at the back. "Pataikos" was a popular naked dwarf god who strangled snakes, and protected craftsman, children, and everyday working people. The muscular torso seen here has a fine dark green glaze, and very detailed features. The powerful and muscular torso seen here appears to be ready to act as a strong "protector" god, hence the muscular design. This piece is also in superb condition, and is a large example for the type. This piece is also mounted on a custom display stand. (An example of the same size, but not having a large muscular torso, was offered by Royal Athena Galleries, New York, Vol. XXIX, 2018, no. 175 for $7500.00. See attached photo.) Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1239527
Apolonia Ancient Art
$3,265.00
This rare piece is a Salinar/Viru culture monkey "transformation" type vessel that dates circa 400-200 B.C. This piece is approximately 9 inches long by 7 inches high, and is in superb condition with no repair/restoration. This piece is a standing quadruped with a stylized lobed monkey's head, and a short tail is seen curled at the back. This piece is seen standing on sturdy legs, with each flank painted with mythical creatures that have bared fangs and claws. The whole piece is covered with a light yellow-brown slip, and the mythical creatures and facial elements are painted in a light reddish-orange color. This piece is also a "stirrup-handle" type piece that is also designed as a "whistle" type vessel, as it makes a shrill sound when one blows into the raised end of the handle, and as such, this vessel was also likely a "ceremonial" type vessel. In addition, this piece also represents a "transformation" type vessel, as the stylized lobed head on the monkey has human and animal features. This rare early Andean culture ceramic may also be a prototype for the subsequent Moche I ceramics, and as such, this type of piece set the standard for Andean ceramics that have a great deal of realism regarding both human and animal representations. This intact piece has no restoration/repair, some spotty light brown mineral deposits, and is a superb to mint quality example for the type that is seldom seen on the market. Another analogous example of this culture is seen in Lempertz Pre-Columbian Art, Brussels, Jan. 2010, no. 49. (See attached photo. The Lempertz example also has an analogous painted mythical creature on the flanks as the piece offered here, and both of these pieces may have been produced in the same workshop.) This type of piece is x-rare to rare, and has a high degree of eye appeal. Ex: Dr. Ernst J. Fischer collection, Germany, circa 1980's. Ex: Auktion Ketterer 163, 1986. Ex: Private German collection. (Note: Additional documentation is available for the purchaser, including a TL test from Gutachten Lab., 01/14/1991, no. 369012, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Metalwork : Pre AD 1000 item #1208989
Apolonia Ancient Art
$1,275.00
This interesting piece is a Near Eastern bronze roundel, that dates circa 1000-650 B.C. This rare piece is approximately 2.5 inches in diameter, and it has a concave design. This piece was likely attached to a cloth backing such as a garment, as there are some minute attachment holes seen on the outer flat perimeter band. Its quite possible that this piece could have made up a armored object such as a cuirass, a belt, or a quilted protective garment with several of these attached roundels. The concave design, with a protective inner core of leather or wood, would have offered some added strength. The flat outer perimeter band also has a detailed dotted pattern that runs around the piece, and another larger dotted pattern is seen just inside on the inner concave section of this piece. Centered in the middle of this concave section is a cat-like design which likely represents a lion or lioness, as it has a small upturned tail, paws, and feline ears, nose, and eyes. The stylized design of the head is very interesting, as there is an insect design seen within the head of this animal. This insect resembles a bee or an ant, as seen from the perspective of a top view and looking down. This piece may be from the Luristan, Urartian, or Marlik cultures, as the fabric and artistic style of this piece is analogous to other bronze pieces from those cultures. However, the duality of design is not often seen relative to the cultures noted above, and this piece is rare to extremely rare. This piece likely was used as a "protector type" piece, given the symbols seen on this piece, and this also makes perfect sense as a work of arms. The dark green patina of this piece is exceptional, and there is some attractive spotty light brown and reds seen within this piece. This piece has some minor losses seen on the upper outer edge which does not detract from this attractive piece, and this piece has a great deal of eye appeal. This pieces comes with a custom wooden and clear Plexiglas stand, and simply slips down into the stand and can easily be removed. Ex: Private German collection, circa 1990's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #590958
Apolonia Ancient Art
$3,675.00
This extremely rare Greek glass Canosan plate dates from the Hellenistic period, circa 4th-3rd century BC. This piece was likely made in Canosa, Apulia, that is in southern Italy, and is a circular cosmetic plate. The vessel is approximately 6.25 inches in diameter by .8 inches high, and is in mint condition with no stress cracks and/or chips. This piece is surprisingly heavy for its size as well, as this piece was cast in a two-piece mold and was then smoothed by grinding and polishing. Cast glass is thicker and denser than glass that was free blown, and is more difficult to produce. With the advent of glass blowing technology that was perfected by the Romans, they were able to mass produce glass vessels in great numbers with a wide range of shapes. The earlier Greek cast glass was limited to mostly plates, bowls, and cups with added handles. There are very few Greek cast vessels in the marketplace today, as most ancient glass seen on the market is Roman blown glass. This piece is the one of the few extremely rare "Canosan" glass vessels that are currently on the market, and there have been only a very limited number of these cast glass vessels that have ever been offered at auction. This beautiful piece has subtle concentric circles that can be seen, and these were created from the grinding/polishing process. This piece is colorless with a light greenish tinge, and this color is the more common color for glass of this type. This color also matches the majority of the ten Canosan vessels that are now in the British Museum and were donated by the executors of Felix Slade in 1959. A shallow dish that is analogous to the piece offered here is from this group, and is seen in "Masterpieces of Glass" by D.B. Harden, British Museum Pub. 1968, p. 31, no.35. The piece offered here has a thick milky white patina that is adhered to the outer surface, and in places where this is missing, the glass has a multi-colored iridescence. There are also traces of minute root marking and mineral deposits. In "Early Ancient Glass", by Frederick Grose, Toledo Museum of Art, page 186 the following is seen: "To date, five hoards of glass vessels have been identified. Three are known to have been found in separate multichambered family tombs at Canosa; two are thought to have come from this locale but lack documentation. In addition, a few isolated examples from single burials can be attributed to the town. Elsewhere in Magna Graecia, vessels of the group have been found in Campania, at Reggio in Calabria, at Naxos and Morgantina on Sicily, and in Etruria. Outside Italy, sites in Greece, Asia Minor, along the Black Sea, and possibly Cyrenaica have also yielded examples. The number of recorded vessels of the group now stands at about sixty, illustrating a dozen main forms and variants, (see Fig.92)". The vessel offered here is of the type illustrated in Figure 92 as noted above, and is a a rarer form for a circular cosmetic plate, as most of the known examples have upturned rims. (For a Greek Hellenistic light green-tinted cast bowl of the same shape as the piece offered here, although it has a ring base at the bottom and is approximately 4.2 inches in diameter, see: Sotheby's Antiquities, New York, June 2003, no. 152. $6,000.00-$9,000.00 estimates.) If you are a collector of ancient glass, this may be one of the few opportunities to own an extremely rare Canosan glass vessel from this group and of this type. Ex: Hadji Soleimani collection, London, circa 1980's-2000's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388722
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This beautiful piece is a Greek terracotta of a nude Aphrodite, and dates to the Hellenistic Period, circa 2nd-1st century B.C. This piece is approximately 5.75 inches high, and is mounted on a custom steel and Plexiglas stand. On the stand it is approximately 8 inches high. This esoteric piece was mold made, and was finished with detailed sculpting. This piece is a nude Aphrodite that is portrayed emerging from her bath, and this beautiful piece was modeled after the renowned 4th century B.C. masterpiece known as the Cnidian Aphrodite by Praxiteles, who in portraying the goddess as she emerges from her bath, epitomized the ancient ideal of feminine sensuality. Kozloff and Mitten commented in "The Gods delight, The Human Figure in Classical Bronze, p. 106", that the universal attraction of this pose can be summarized in the psychology of the experience from that of the viewer, in that: "the viewer became, in essence, a voyeur, allowed to behold something that was at once enticing and forbidden." Kozloff further elaborates: "from each point of view, a special aspect of her beauty is stressed; the face from the left, the buttocks from the back, the breasts from the right, and the pelvis from the front. Her gestures are decorous, and her pose is convincingly self-protective." The Aphrodite offered here is also seen crouched down while looking away to see if she was seen emerging from her bath. Her hair is also pulled back into a bun, which is also very detailed. Her nude body is also perfectly molded, and there are few Hellenistic Greek terracottas that are completely nude, as most are draped to some degree. This piece is also intact and is complete, save for sections of her missing arms and her lower extremities. Overall, this esoteric piece is of a type that is seldom seen on the market, and displays exceptional artistic style. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1307575
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This exceptional Greek ceramic is a Messapian trozella that dates circa 400-300 B.C. This piece is approximately 7.9 inches high, by 8.25 inches wide from handle to handle. This piece has two applied strap handles to a pear-shaped body that has a raised foot. The handles also have four disks built into the handle junctions, and the description "trozella" has the meaning "little wheels", and "trozella" is a very appropriate description for vessels of this type. The esoteric piece offered here is an early example, as it has a shorter pear-shaped body with a footed base, rather than an extended body with a raised foot with a spread base. The earlier examples are much rarer, and often have beautiful detailed painting as the example has here. Vessels of this type also generally have painted sections that are worn, and in many cases the painted images are completely worn off, but the images seen on this exquisite vessel are nearly entirely intact, and can clearly be seen on both sides of the vessel. These vessels were also painted after the vessel was fired in the kiln, and were quickly re-fired again, and this is why the painted images seen on vessels of this type are generally faded and are not very bright. The painting seen on this exceptional piece is extremely fine and detailed, and shows reddish-brown acanthus patterns on the upper shoulder that are connected with a single fine line with added dots. There are added geometric "cross-and-line" patterns seen on various sections of the vessel, and the two boxes seen on the upper shoulder have dark red defining lines. The overall esoteric design of this vessel, along with the delicate painting, make this vessel one of the finest examples of this type that has been on the market. The description "Messapian" also refers to the Greek colonists and native Greek peoples that settled in the southern heel of Italy. It is unkown if this early example was produced locally, or was a production in a Greek city made for import into the region. Given the delicate Greek acanthus designs, and the fact that this piece is a rarer earlier example, I am leaning to the latter scenario that this piece may have been produced for import into the region. This piece also has some minute dark spotty black mineral deposits, along with some heavier root marking seen on the inside of the vessel and the upper flat rim. Another analogous vessel that is a later type, was offered by Sotheby's Antiquities, Dec. 2007, no. 129. ($5,000.00-$8,000.00 estimates, $4,688.00 realized.) The vessel offered here is rare on the market, as it is an early example, has delicately painted fine design work, and is in mint condition. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: New York private collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1323656
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This attractive Greek silver triobol was minted in Phokis in central Greece during the Classical Period, circa 460-430 B.C. This coin weighs 3.0 gms, has a dark gray patina, and is in extremely fine condition (EF/EF). The obverse of this interesting coin has a facing bull, and the reverse features the bust of Artemis facing right, with her hair bound with a fillet. The face of this young goddess also has a pleasing smile that is also designed with an earlier "Archaic Period" artistic style. There are four letters seen around the bust of this young goddess, with each letter seen at each corner of the incuse square, and these letters represent the name of "Phokis". The facing bull seen on the obverse may also represent a sacrificial bull, and has very high relief. The coin offered here is a superb example for the type, as most of these examples are found in Very Fine grade (VF), and have a great deal of wear. References: Sear 2348. Ex: Harlan Berk collection, circa 1980's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1327483
Apolonia Ancient Art
$2,875.00
This superb Greek vessel is a silver plate and/or shallow bowl that dates to the Hellenistic period, circa 3rd-1st century B.C. This piece is approximately 1.7 inches high, by 7 inches in diameter, by 1/16th inch thick on the average. This scarce piece has a dark gray patina, with some spotty dark black and brown mineral deposits that are seen on both sides of the vessel, and in addition, is an intact mint quality vessel in "as found" condition. This piece is a solid, thick, and heavy silver plate and/or shallow bowl that has a beaded hammered edge, and has a slightly oval form. There is also a single attached silver ring handle that easily moves up and down within it's flat "leaf-shaped" mount. This allowed this plate and/or bowl to be hung either in a room, or in a mobile fashion from a wagon or horse. This piece was hammered over a mold, and has very minute micro marks and root marking. The overall design of this vessel is rare, especially with the added ring handle which appears to be original with this vessel. Greek silver vessels of this type with the added ring handle are also thought to be Greco-Thracian, and were often produced in Greek coastal centers for export. An analogous example is seen in "Silver for the Gods", Toledo Museum exhibition catalog, 1977, p. 82, no. 45. This piece is an exceptional heavy example for the type, and has nice eye appeal. Ex: Private Austrian collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1178207
Apolonia Ancient Art
$1,675.00
This piece is a Moche ceramic stirrup-jar that dates circa 450-600 A.D., Moche IV-V periods. This interesting piece is approximately 9.75 inches high, and is intact with no repair/restoration. This piece has some minute black spotty mineral deposits, and has some light brown burnishing. This piece has light orange/red highlights over a cream colored background, and is a very detailed Moche fineline ceramic. This lively piece shows two detailed and animated "Strombus Monsters", which are seen facing right and are seen on each side of the vessel. These composite creatures are seen wearing a conch shell, from which they are seen emerging, and they display a lively open mouthed pose. These creatures have a striped pelage, a tapering tail, a long-spined main that runs down the length of it's back, and four legs with claws. There are also three eyes that extend from the front of the head. According to Christopher Donnan in "Moche Art of Peru", University of California, Los Angeles, CA., 1978, p.63: "On the snout of the monster are antenna-like objects clearly derived from the land snail. There is a likely explanation for the combination of features on this animal. Since conch shells (Strombus galeatus) were imported from Ecuador, the Moche people probably never saw the creature living inside. They may, however, have made an analogy between the creature they thought inhabited the conch shell and the land snail, which is native to the north coast of Peru." There is an analogous comparable to this vessel that is seen in Sotheby's New York, Arts of Africa, Oceania & the Americas, May 2003, no. 207. ($4,000.00-$6,000.00 estimates.) Ex: Private German collection, circa 1970's. Ex: Dr. Klaus Maria collection, circa 1978-2012. (Note: Additional documentation is available to the purchaser, including a TL document from Gutachten Lab., no. 7579125, dated 11/19/1979, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #956245
Apolonia Ancient Art
$625.00
These three pieces are being offered as one lot, as they are made from the same light red/tan clay fabric, and have similar light tan earthern deposits that have minute root marking. These three intact pieces are all classified as being Greek Corinthian, and date circa mid 6th century B.C. The first piece is an aryballos, that is approximately 2.25 inches high. This petite piece has some dark brown design elements that are seen at the rounded base, and is in superb condition, save for some unobtrusive chips that are seen below the lip. The second piece is a thin walled skyphos, that is approximately 3.1 inches high by 6 inches wide handle to handle. This piece is also in superb condition, save for a minute chip at the base that may be from antiquity. The third piece is a exaleiptron, otherwise known as a "kothon", which was used as a funerary ritual vessel that contained aromatic oil. This piece is also in superb condition, save for a minute chip at the end of one of the two handle flares. This vessel has a low foot ring and has traces of geometric light brown painted line design under the earthern deposits. All three of the superb vessels offered here may have been used in a votive funerary ritual as well. All three of these pieces are in an intact "as found" condition, although they have little or no glaze with heavy tan earthen deposits. Corinthian vessels, such as the three examples offered here, were also exported throughout the ancient Greek world during the 6th century B.C., and competed for markets with ancient Greek Attic ceramics. An interesting group that is being offered as one lot. Ex: Arte Primitivo, New York, circa 1990's. Ex: Private New York collection, circa 2000's. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1357958
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This exceptional piece is a Greek/Scythian iron short sword that dates to the Hellenistic Period, circa 3rd-2nd century B.C. This attractive iron weapon is larger than most examples, and is approximately 12.9 inches high, by 3.5 inches wide at the hilt which is in the middle section of the piece. This scarce iron piece is dark brown, and has some spotty light brown highlights. This piece was also hand forged from iron, and is a "four-part construction" type piece. This piece is made up with a "V-shaped blade", a "decorative curved hilt", a "handle bar", and a "pommel end bar" that has a single rivet that holds it onto the "handle bar". This rivet is made from a section of the "handle bar" that fitted through the "pommel end bar", and was hammered down over the "pommel end bar" which holds it in place. The "decorative curved hilt" is identical on each side of the piece, and it gives a very esoteric look to the piece as well. The overall construction is very solid, and this piece is a very durable weapon. The "V-shaped blade" also has hammered "blood lines" down the center, and this strengthened the "V-shaped blade" and allowed for a tight fit in a scabbard. There is also a grooved "slot" seen on one side of the "handle bar", and this likely held a wooden or bone handle into place that was fitted over the "handle bar". The condition of this piece is superb to mint quality, and is one of the best recorded iron examples of this type of weapon. The surface has some minor pitting from hammering and wear, and the piece was conditioned by a major museum in Germany. This piece has no repair/restoration, and there is some minute fill at the extreme tip end, which has also prevented the tip from breaking off. This piece is of the type that has been found in ancient Thrace, and the region around the Black Sea. Overall, an exceptional large example with excellent preservation and metal quality. This piece also sits on a custom metal display stand. Another analogous example was offered by Royal Athena Galleries, New York, 2017, No. HM1102. (This Royal Athena Galleries piece is nearly the same length as the piece offered here, 11.25 inches long, and has some wear and losses. The Royal Athena piece is also offered at $7500.00. See attached photo.) Ex: Private German collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1396425
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These eight complete Greek "sling bullets" date to the 5th-4th century B.C., and are approximately 1 to 1.6 inches in length, by .4 to .7 inches in diameter. These pieces all have some light mineral deposits, and have a light dark gray-brown to tan patina. These relatively heavy lead pieces were mold made, and one can easily discern each half of the piece that was fitted into a "two-part mold". These pieces were fitted into a hand sling that generated tremendous force and speed as they were released from the sling. These weapons also have an almond shape, as most lead "sling bullets" have, and this shape provided a stable aerodynamic flight. These pieces also have some light marking and minute impact dents that indicate that many of these pieces were likely in battle. In addition, four of these pieces have lettering, and often refers to a city, a military general, or a battle message. These interesting pieces are all different sizes, and a custom display case is included. Ex: Joel Malter collection, Los Angeles, CA., circa 1990's. Ex: Private CA. collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #984306
Apolonia Ancient Art
$1,365.00
This striking ancient Greek coin is a hemidrachm that was minted circa 390-370 B.C. This coin was minted in the civic mint of Neapolis, and grades extremely fine in condition (EF/EF). Neapolis developed as an Athenian colony, and was important because of the rich silver mines that were in the region. Neapolis was located on the coast of the Greek mainland directly opposite the island of Thasos. The obverse is a facing Gorgon that has an open mouth with a protruding tongue, and this was the civic symbol of Neapolis. The Gorgon was the Greek mythical beast that turned men into stone. There is also a single dot seen below the cheek of the Gorgon, and this may be an indication of value. The reverse has a delicate young female head facing right, and has been classified by many numismatists as being a young nymph. It is my contention that this young female head is Artemis Parthenos, who was a goddess that was popular in the wild interior of this region. This head is rendered with exceptional detail, as one can easily see individual hairs and a delicate single strand necklace. There is also Greek lettering seen running around the head: N-E-O-II. This coin is approximately 1.88 gms, and is 14mm in diameter. (Another example of the same grade was offered by Freeman & Sear, Fixed Price List 11, June 2006, no. 28, for $1,500.00.) Die references: Sear 1417, Jameson 954, and Dewing 1067. Ex: Private CA. collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1388919
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This piece is a Moche seated prisoner that dates circa 200-500 A.D., and is approximately 12 inches high. This piece is intact with no repair and/or restoration, and has some minute spotty black mineral deposits. This piece also has a tan and brownish orange glaze. This piece is a seated prisoner that has a coiled rope around his neck, and has his hands bound at the back with rope ties. This prisoner is completely nude, save for his wearing a turban with a raised crescent ornament, and behind the raised crescent ornament, there is an open spout. The crescent ornament may also be a symbol of rank, and this prisoner may represent an important captive. The Moche also engaged in ritual combat in order to capture prisoners for sacrifice to their gods, and the seated prisoner seen here is portrayed while awaiting his fate. This may also explain the apparent forlorn expression that is seen on his face. This piece has nice eye appeal, and is an interesting example with the raised crescent turban. For the type see: Christopher Donnan, "Moche Art of Peru", University of California, Los Angeles, 1978. Ex: Sotheby's Pre-Columbian Art, New York, May 1993, no. 191. Ex: Private Kansas collection, circa 1990's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1398820
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This superb piece is an Egyptian alabaster cosmetic vessel that dates to the Late Dynastic Period, 26th-31st Dynasty, circa 664-332 B.C., and is approximately 2.5 inches high with the lid, by 2.4 inches in diameter at the base. This piece is a complete example, as it has the original lid that was made with the main body, and the side lug handles are original with no repair and/or restoration. This superb piece is also near mint "as found" condition, save for a minute chip on the underside edge of the lid and some roughness on the flat bottom. This roughness on the flat bottom also has some heavy calcite deposits and some spotty dark brown mineral deposits which is also an excellent indication of age. This carved banded alabaster vessel also has a nice light honey-brown patina, and has not been over cleaned as the majority of these vessels have. The patina on the main body of this vessel also matches sections of the lower lid. There is also some minute root marking seen on both the outer and inner surfaces of this esoteric vessel as well. This piece has a very attractive shape, and graduates in size from the lip of the main body down to the flat base. There are also bow drilled holes seen within each lug handle, as well as the raised handle at the top of the lid. This piece is scarce with it's original lid and condition, and is a superb vessel for the type. This type of alabaster vessel is also known as a "beehive" type vessel, and was likely made in Naukratis, Egypt by Greek artists for export. For the type see: "Naukratis: Greeks in Egypt, Stone Vessels" by Aurelia Masson, The British Museum Pub., Fig. 7. Ex: Private New York art market circa 1980's. Ex: Fortuna Fine Arts, New York, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1103081
Apolonia Ancient Art
$2,375.00
This appealing piece is an Egyptian polychrome wooden face mask that dates Third Intermediate Period, circa 1075-715 B.C. This piece is approximately 7.75 inches high, and is a near complete facial section of a wooden sarcophagus mask/lid. This piece has red outlined lips, and red and blue details which are painted over a golden yellow ground that covers the carved wooden surface. There are two dowel holes which were used to attach this esoteric facial section to the main body of the sarcophagus mask/lid. This piece also has some minute spotty black mineral deposits, and the condition of the carved wooden fabric is exceptional. This piece was carved in a very esoteric manner, as seen with the detailed lips and raised eyes. This piece has a great deal of eye appeal, and fits on a custom black plexiglas and marble stand. Ex: Sotheby's Antiquities, London, Feb. 1979, no. 273. Ex: Private New York collection. Ex: Sotheby's Antiquities, "The Charles Pankow Collection of Egyptian Art", Dec. 2004, no. 148. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Prehistorical item #1402347
Apolonia Ancient Art
$685.00
This intact and attractive piece is an Apulian-Gnathian pelike that dates to the late 4th century B.C., and is approximately 4.7 inches high. This piece has a thin black glaze with attractive light gray burnishing, and is an intact example with no repair and/or restoration. This vessel also has additional and detailed fine body molding seen at the upper rim, and above the ring base on the lower body of the vessel. There are added incised decorative tendril vines that run around the upper shoulder, and these incised elements are also seen on the neck of the vessel. There are also added white painted vine leaves and grape clusters, although faded, that are seen on this vessel as well. This piece has some minute root marking, and some light brown mineral deposits which also add to this vessel's eye appeal. A nice intact piece with fine body molding, and likely made by an accomplished potter. Ex: Hans Piehler collection, Germany, circa 1940's-1960's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1363891
Apolonia Ancient Art
$2,675.00
This scarce piece is a Greek silver cup that dates to the Hellenistic Period, circa 4th-3rd century B.C. This piece is approximately 3.9 inches high, by 4.65 inches in diameter at the upper rim. This beautiful piece has a flat bottom, and easily stands by itself. This attractive piece also has a slightly flared rim, and graduates in size down to the flat base, and overall, this piece has a very esoteric shape and a high degree of eye appeal. This vessel also has a light to dark gray patina with some attractive spotty light gray mineral deposits. These attractive mineral deposits are not only a mark of authenticity, but they also show that this piece has not been over cleaned, and is in it's natural "as found" condition. There is also some minute root marking and scratches, which is normal for a vessel of this type, and there is no repair/restoration. This piece may also have been produced in ancient Thrace, and may also have been produced for the Scythian market. For the type see: D.E. Strong in "Greek and Roman Gold and Silver Plate", London, 1966, pp. 84-86. The piece offered here is scarce to rare, and overall, is a superb example seldom seen in this condition on the market. Ex: Private Austrian collection, circa 1990's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #599095
Apolonia Ancient Art
$825.00
This superb Roman bronze piece is an applique with the image of Silenus. This piece dates circa 1st century B.C.-1st century A.D., and is in the form of a facing head, with an attached peg that extends about 1.5 inches from the back side of the applique. This piece was probably mounted in an object such as a furniture piece, or a bronze and wooden door, or a composite work or arms such as a Roman shield. A piece with this type of design, with the extended peg, could have fit in a number of objects. The Sileni were native not to Greece, but to Phrygia in Roman Asia, and personified the genii of springs and rivers. Unlike the Satyrs who derive chiefly from the he-goat, the Sileni derive rather from the horse, whose tail hooves, and even ears they possess. This piece clearly shows the horse ears and shows Silenus as a fat old man, snub-nosed, always drunk, who was in the retinue of Dionysus. Silenus was the tutor of Dionysus and had helped him form his character, and the bust seen here is a very powerful and intense image of Silenus. The diameter of this piece is approximately 1.4 inches and the length is approximately 2 inches. This piece has a dark green patina with red highlights and the detail is superb. There are also some heavy dark green mineral deposits seen on the extended peg. This piece is mounted with clay on a custom black/plexiglas base and can easily be removed. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Metalwork : Pre 1492 item #1242679
Apolonia Ancient Art
$3,875.00
This scarce piece is a Chimu/Inka culture silver mask that dates circa 1300-1532 A.D. This piece is approximately 8 inches wide by 6.9 inches high by 1 inch deep. This appealing designed piece is intact, save for some minor stress cracks seen in the lower nose section, and is complete with no restoration/repair. This piece has a nice dark gray patina with some minute spotty black mineral deposits, and thick dark/light brown mineral deposits are seen on the back side of this piece. This piece was also hand beaten from a single silver sheet, and there are punched cheek, nose, and mouth details. There are also two punched horizontal shaped eye holes, and two holes on each side which were used to tie this powerfully primitive designed piece to a textile shrouded mummy bundle. This piece also has very little bend, and also served as a solid cover for the mummy bundle. The primitive design of this piece may also have been designed to represent the departed in the spirit world, and also served to protect the mummy. This piece is also the normal size for a piece of this type, and another scarce piece of this type classified as Chimu culture is seen in "Peru, Durch Die Jahrtausende", Verlag Aurel Bongers KG, Recklinghausen 1984, Austria, Kat.-Nr. 11.67, Linden-Museum, Stuttgart, Museum no. M 31 059. (The Stuttgart example is approximately 8 inches high and has analogous punched out eye holes, and punched nose and facial details. See attached photo.) The piece offered here is a powerfully primitive designed facial image that defines the essence of Pre-Columbian Andean art. This striking piece also comes with a custom shadow box, and can easily be removed, as it is mounted within with removable plastic tabs. Ex: Auktion Ketterer 149, Lot 371, Zurich, circa 1990. Ex: Dr. Ernst J. Fischer collection. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1381237
Apolonia Ancient Art
$875.00
This piece is an intact Romano-Egyptian terracotta fish that dates to the Roman Period, circa 30 B.C.-324 A.D. This piece is approximately 7 inches long, by 3.25 inches high, and is a complete and intact example. This piece was made with a dark red-tan clay, and was mold made from two halves. This attractive piece also some thick gray-white deposits, which was also made from it's original white gesso that coated the entire piece. This piece has a curved body that creates movement for the viewer, and there is an open mouth, a small vent hole under the body, and detailed fins. This piece was also likely a votive object that provided sustenance for the departed in the after-life, and this type of piece is also relatively scarce on the market. This piece also likely depicts a Nile perch, which was a popular fish in antiquity. This piece also sits on a custom display stand. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1356984
Apolonia Ancient Art
$875.00
This Roman gold earring with a shield emblem is a complete example, and dates circa 2nd-3rd century A.D. This attractive and large example is approximately 1.1 inches in diameter, and weighs 3.5 grams. This piece is a solid example, and is not plated. The shield emblem seen on this superb piece has a dotted decorative element in the center, and a beaded border. The clasp has been wired shut, as the wearer likely wore this piece everyday. The clasp can be adjusted so that it can be easily worn today, and the hoop is very durable as it has a large diameter. The shield emblem also has a single rivet that attaches it to the solid gold hoop, and this adds additional strength and durability to this beautiful example. This piece also has some spotty dark red/brown deposits, and can easily be cleaned. This piece is a very collectable example of ancient jewelry, and is an exceptional large piece. For the type see: Ruseva-Prokoska L., "Roman Jewelry, A Collection of National Archaeological Museum", Sofia, Bulgaria, 1991, nos. 30-35. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1364438
Apolonia Ancient Art
Sold
This extremely rare ceremonial stone ball is attributed to the Taino culture, and dates circa 1100-1250 A.D. This piece is approximately 5.3 inches in diameter, and is a perfect sphere. This piece is a hard sandstone that is native to the Caribbean region where the Taino culture dwelled, and there also have been many ceremonial ball-courts found in Puerto Rico, where the Mesoamerican ballgame was played with a rubber ball. The piece offered here may have been from this region of the Caribbean as well. This interesting piece features many geometric designs that were minutely hand pecked into the stone, and the designs appear to be a mirror image of one another when one rotates the stone. This piece was definitely a "votive-type" piece, and may also have been a trophy for the ball-game itself. The exact ceremonial nature of this piece is unknown, but what is known, is that this piece was definitely connected to the ceremonial ball-game. This game was also believed to have been played by only bumping the ball with the elbows and torso. This piece also has some minute dark black and gray mineral deposits, and some slight wear in various sections of the piece. This piece also comes with a Plexiglas display ring. Ex: Throckmorton Fine Art, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #1119822
Apolonia Ancient Art
$1,265.00
This cute piece is a Greco-Roman bronze that is in the form of a bull's head, and dates to the Late Hellenistic Period, circa 2nd century B.C.- 1st century A.D. This piece is approximately 1.5 inches high by 2 inches wide, and weighs approximately 122.5 gms. This piece is a weight that was designed for a steelyard weight scale, which was a bar that was suspended by a chain that acted as a swivel, and this bar had a chain suspended tray at each end. The scarce weight offered here was simply placed on one of the trays, as this weight was designed with a flat bottom and this piece stands upright. This piece also has a hole that runs through the middle of the neck, and a bar/chain could have also suspended this weight on the steelyard scale bar as well. This attractive piece has floppy ears, almond shaped eyes, and cropped horns. The horns could have also been cropped in antiquity in order to conform this weight to a specific weight of 122.5 gms. This weight also conforms to seven (7) Greek Macedonian tetradrachms (Alexander the Great) with a weight norm of 17.36 gms. This piece also has a beautiful dark blue-green patina, with some dark blue and light brown surface deposits, which lends this attractive piece a high degree of eye appeal. This piece sits on a custom plexiglas display stand that is also included. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388636
Apolonia Ancient Art
$825.00
This detailed and esoteric piece is a Greek terracotta of a Kore, and dates to the 6th-5th century B.C. This piece is approximately 3 inches high, and is mounted on a custom steel and Plexiglas display stand. On the stand it is approximately 5 inches high. This piece was mold made, as it has a flat backside, and is a light orange terracotta. This piece depicts a Greek Kore, whose name means "maiden", and this goddess was responsible for good fortune and the change of the seasons with the "rebirth" of spring, and she was also known as "Persephone". Kore was also a fertility goddess, and is seen here holding her breasts. The face also has a slight smile, almond eyes, and a square chin which are also artistic style hallmarks for the period. This piece also has incised detailing that defines the hands, eyes, and hair locks. The face has a very esoteric look, and this piece has superb artistic style for the period. Ex: Munzen and Medaillen AG, Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1404824
Apolonia Ancient Art
$12,875.00
This extremely rare Greek bronze dates to the Geometric Period, circa late 8th-7th century B.C., and is approximately 3.9 inches high. This piece is a votive bronze warrior, and was likely offered to a shrine such as Dodona or Delphi. In addition, this type is known as a "ithyphallic type" figurine, as this figurine displays a large phallus, and is a symbol of strength and fertility, along with the cult of Dionysus. This piece also has a bent lower right leg, and was intentionally bent so that the spirit of the warrior would not spiritually leave the shrine. This piece also has a single belt seen around the waist, has incised facial details, and outstretched stubby arms. The head also has an angular jaw and large almond eyes that are artistic hallmarks of the Greek "Geometric Period". This piece has a beautiful light blue patina with dark brown/green highlights, and is intact with no repair and/or restoration. This piece is also very analogous, and nearly identical to an example found at the Greek sacred shrine of Dodona, and is now on display at the Archaeological Museum of Ioannina, Greece, no. 4905. (For a view of this piece, see the attached photo from the Archaeological Museum of Ioannina, and at Wikimedia: https://commons.wikimedia.org). The piece offered here is about the same size as the piece noted above, and both pieces were cast as a single piece. The piece noted above also has three belt rings seen around the waist, and the piece offered here has a single belt ring. This belt ring may also signify the rank of the warrior, and these warriors are completely nude save for these waist belt rings. There is also a strong possibility that the Museum of Ioannina piece noted above, and the piece offered here, were both made at the same workshop. This piece is also analogous to a larger Greek Bronze Warrior that was offered in Christie's Antiquities, New York, Dec. 2014, no. 7 ($40,000.00-$60,000.00 estimates, $43,750.00 realized. See attached photo.) The extremely rare piece offered here is seldom seen on the market, as there are only a handful of recorded examples, and the majority of bronze figurines of this design are Italic in origin and date circa 625-600 B.C. This piece also hangs on a custom display stand, and can easily be removed. Ex: M. Waltz collection, Germany, circa 1960's-2000's. (Note: Additional documentation is available to the purchaser including US Customs Entry documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #944693
Apolonia Ancient Art
$785.00
This rare piece is a Greek bronze stand that was likely made for an aryballos type glass vessel that has a rounded bottom (See attached photo showing a glass aryballos with a rounded bottom that is dated from the same period as the bronze stand offered here). The piece offered here dates circa 7th-6th century B.C., and is approximately 2.8 inches high, by 2 inches in diameter for the upper bowl. This attractive piece is intact, and has a nice dark green patina with some dark green deposits. This piece has some bottom roughness and a minute dent on the upper bowl, otherwise it is in superb condition. This piece is also a two-part construction, with the bowl and the stem cast as separate pieces. The outer bottom of the bowl has nice decorative inset concentric circles that are a hallmark design feature of the Greek Geometric Period, circa 8th-7th century B.C. The base stem has decorative bands that are designed in relief, and this allows one to easily grasp this piece, and in addition, all of these decorative elements give this piece a great deal of eye appeal. A nice rare piece that is seldom seen on the market. Ex: M. Ward Gallery, New York. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1380004
Apolonia Ancient Art
Sold
This attractive piece is an Egyptian bronze torso of Osiris that dates to the Late Period, circa 713-332 B.C. This piece is approximately 2.9 inches high, by 1.3 wide from shoulder to shoulder, and is the upper torso of a standing or seated Osiris. This Osiris is seen wearing an Atef-crown with a detailed and protective raised cobra seen above the forehead, along with an extended false beard. This figurine is also depicted with a mummified form, with the arms folded tightly over his chest, and is seen grasping the regal crook and flail insignia. The face is also very esoteric, and has very fine artistic style with realistic features. The hollow eyes may also have held an inlay as well. This piece has a beautiful dark green patina with red highlights, and is a near complete upper torso, save for a small section of both of the upper part of the feathered crown attachments. This piece has exceptional detail with esoteric features, and is a better example than what is normally seen in the market. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Pre AD 1000 item #1402052
Apolonia Ancient Art
$465.00
This piece is a scarce Etruscan black glazed-ware kernos that dates circa 5th-4rd century B.C., and is approximately 1.9 inches high, by 3.1 inches wide. This interesting vessel has three raised interconnected containers that all have a base ring and a flared rim. There is a suspension ring seen at the center, and the black glaze is seen both on the inner and outer surfaces of the vessel. This type of vessel is known as a "Kernos" vessel, meaning "a vase for multiple offerings", and was used in religious ceremonies such as the Eleusinian Mysteries. These sacred vessels were made to contain ritual ingredients such as wheat, barley, honey, and wine. The "Duenos Inscription", one of the earliest known "Old Latin" texts, dated to the 7th-5th century B.C., was also found inscribed around a small Etruscan "kernos" vessel as the type offered here. (See Arthur Gordon, "Notes on the Duenos-Vase Inscription in Berlin", California Studies in Classical Antiquity, Vol. 8, 1975, pp. 53-72.) These sacred religious vessels were also used in the cults of Demeter and Cybele, as this type of vessel was specifically made for religious ceremonies. This scarce and intact vessel has no repair and/or restoration, some spotty light brown mineral deposits, some minor light brown burnishing, minor root marking, and is a superb little vessel for the type. Ex: Dr. Gunther Marschall collection, Hamburg, Germany, circa 1960's-1970's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Metalwork : Pre AD 1000 item #1226590
Apolonia Ancient Art
Sold
This powerful piece is a Chimu culture silver mask that dates circa Late Intermediate Period, 1000-1400 A.D. This piece is has a Lambayeque Valley, Peru, type of design, and is approximately 11.75 inches wide by 6 inches high by 1.2 inches in relief. This piece is also a large example for the type, and has silver with added copper metal plate. This piece also has a thin applied coat of original spotty red cinnabar than runs through the flat center section of the piece. This intact piece has a "box-type" nose construction, and is attached to the main body of the piece with folded over tabs. There are decorative small hand beaten rounded dot patterns, that are seen at each end of the ear sections, and these ear sections also show a rounded design which resemble ear spools. These main body of this piece is divided into three sections, and the middle section is the nose and "line-formed" mouth which is the focus of this piece, and the eyes seen in each of the two outer sections, frame the entire compact design of the face. On the back side of this piece, there are some textile remains seen between the main body of the piece and the "box-type" constructed nose section. This piece covered a "mummy-bundle" which was also wrapped in textiles, and this piece was likely wrapped around the face of the mummy along with additional textile wrapping. Depending on the status and wealth of the deceased, these Chimu masks could be of ceramic, of wood, or even cloth, but those of the most powerful were of gold and silver. This piece also has a dark gray patina, with several minute spotty black mineral deposits. Another analogous example of nearly the same size can be seen in Bonham's African, Oceanic, and Pre-Columbian Art, Nov.2013, no. 33. ($4,000.00-$6,000.00 estimates, $11,875.00 realised.) This piece is also mounted within a black wooden shadow box, and clear Velcro tabs securely hold it into place which attaches this piece to the black backing. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1384480
Apolonia Ancient Art
$965.00
This extremely rare piece is a Greek bronze jewelry mold that dates to the Hellenistic Period, circa 4th-3rd century B.C., and is approximately 1.75 inches long, by 1.25 inches wide, by .3 inches thick. This complete piece was cast as one solid piece and has a flat back, a single hole for suspension seen below the rounded top, and two extended handles with mounting holes seen on each side of the main body of the piece. This piece was also likely secured with cords through the extended handles to a flat surface, and the artist was then able to apply pressure to the mold. A thin sheet of gold or silver was placed into the mold, and pressure into the mold with a tool formed half of the body of the acorn. Two halves were subsequently joined together to form the complete decorative acorn that were often strung side-by-side into a necklace. This piece also has a beautiful dark green patina, and appears to have some minute wear from use in antiquity. The bronze mold offered here is extremely rare, and offers some insights as to how ancient jewelry was produced. This piece may also have been suspended by a cord with other molds of various sizes in a workshop. This piece also comes with a custom display stand, can easily be removed, as it simply hangs on the stand, and is an extremely rare piece that is seldom seen on the market. Ex: Private Swiss collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv. #12608. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1338257
Apolonia Ancient Art
$935.00
This piece is an Egyptian necklace that is made of 84 individual beads and amulets that date circa 1070-712 B.C., Third Intermediate Period. This piece is approximately 19 inches long, and has an added modern 18k gold clasp that makes this piece very wearable. The majority of the beads and amulets are mold made with a light blue glaze, and are faience type beads that have nice minute detail. The smaller beads likely represent small floral seeds, and there are two (2) closed floral amulets, three (3) grape cluster amulets, three (3) closed fist amulets, two (2) small carved white bone Horus Falcon bead amulets, and one (1) central light purple molded lapis lazuli phallic amulet that is a scarce example. These amulets are not only "protector type", but they are also "fertility type" amulets that promote fertility and the cycle of life. The ancient Egyptians always wore and offered amulets to a deity, because he or she believed that it would magically bestow a particular form of protective power. The necklace offered here is made from elements of beads and amulets that were also worn in antiquity, and/or were votive. For an explanation of all the elements and amulets seen in this attractive necklace see; "Amulets of Ancient Egypt" by Carol Andrews, University of Texas Press, 1994. All of the elements and amulets are intact in superb condition, and have no repair and/or restoration. This necklace also has nice eye appeal, has detailed features, and can easily be seen from a distance. This piece also has a custom display stand. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1363783
Apolonia Ancient Art
$365.00
This superb Greek bronze coin is an (AE 17) that is from the city of Mesembria, and dates circa 4th-3rd century B.C. This coin is approximately 17mm in diameter, weighs 5.8 grams, and is in superb condition (EF+/EF+). This coin also has a beautiful dark green patina, perfect centering, excellent metal, and high relief. The obverse (Obv.) of this coin has an excellent image of a Greek "Attic type" helmet, which was the favorite helmet type of elite cavalry units forged by Alexander the Great. This coin also has perfect centering, and the full crest of the helmet is seen on the flan, which is not often completely seen relative to this coin type. The reverse (Rev.) features an Celtic war shield, and has Greek lettering above and below, which also names the city Mesembria. This lettering is also complete, as this coin has perfect centering, and is not often seen on this coin type. The city of Mesembria was a Greek colony in Thrace on the Black Sea coast, and traded in slaves, and agricultural products. This coin is an exceptional example, is one of the better recorded examples with perfect centering, and has details not often seen both on the obverse and reverse. References: SNG BM 276. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this coin is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1261031
Apolonia Ancient Art
$625.00
This beautiful coin is a large Athenian silver tetradrachm that dates circa 136-80 B.C. The grade is very fine to superb (VF/EF+), with some metal loss on the obverse, is approximately 15.5 grams, and is approximately 1.4 inches wide. The standing owl seen within the overall design on the reverse is approximately .75 inches high. Both sides are very well centered and the reverse is extremely detailed. This coin is very large and has a wide flan, is slightly larger than most examples, and resembles a medallion. This coin type is known as a "New Style" Athenian tetradrachm, which was minted in ancient Athens, and recalled the grandeur of the earlier golden age of Athens. Athens lost the Peloponnesian War to Sparta circa 404 B.C., was later defeated by Macedonia at Chaeronea circa 338 B.C., and her coinage was severely curtailed until circa 190 B.C., when she was finally able to start minting this coin series which is known as the "New Style" series. This coin type was also known to the ancient Greeks as "stephanephoroi", meaning "wreath bearers". This coin is nearly pure silver and was an international currency from the second century B.C. until the time of Augustus. These new Athenian coins, recalling an older more familiar design with the helmeted Athena's head on the obverse and the standing owl on the reverse, quickly became the dominant coin in the region. While their basic design remained unchanged with the goddess Athena and her owl, the obverse on this coin shows the goddess wearing a very stylized helmet, and the reverse shows a wreath encircling an extremely detailed owl balanced on an amphora. The letters on the reverse: A-OE, represent A-THENS, along with the civic symbol of Athens which is the standing owl. There is also a cornucopia symbol to the right of the amphora, and both of these symbols represented the commercial trading bounty of Athens. This coin would also make a great pendant, as it is large and has a great deal of eye appeal. In addition, this coin has a flat flan which is not concave, and this is also a positive feature for a pendant. Sear no. 2555. BMC 11., no. 503. Ex: Harlan Berk collection, circa 1990's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1215119
Apolonia Ancient Art
$1,275.00
This piece is a Mayan terracotta that dates from the Late Classic period, circa 600-900 A.D., and is approximately 6 inches high by 7.5 inches wide by 4.5 inches deep. This piece has powerful eye appeal, as it shows the Mexican rain god Tlaloc with large round eyes, scrolled upper lip, and exposed tooth row. This complete piece is a very large applique that was part of a extremely large vessel which may have had several of these applied appliques that ran around the outside of the vessel. There is original white pigment seen over the exposed teeth and round eyes, root marking seen in sections of the piece, and there are light brown and gray earthen deposits seen over the entire piece. The condition of this piece is intact, with little apparent crack fill, and this piece appears to have broken cleanly away from the main body of the vessel. A wall section of this large vessel also forms the backside of the piece offered here. The mix of Mexican and Mayan motifs in the Late Classic period is not uncommon, and another example of a Mayan terracotta with the Mexican rain god Tlaloc can be seen in "Pre-Columbian Art: The Morton D. May and The Saint Louis Art Museum Collections" by Lee Parsons, New York, 1980, no. 318, p. 205. The Mexican rain god Tlaloc has also appeared since the Early Classic period in the Maya zone, and is often related to scenes of "autosacrifice" involving the nobility, in which they self extract and offer their own blood. This "blood letting ceremony", as an offering to the gods, is also a metaphor for rain, although the Maya had their own rain deity, Chaac. The piece offered here may also have been part of a large ceremonial blood letting vessel. In relation to the letting of blood, the Tlaloc deity also appears on war shields, as seen on Mayan terracotta figures. This piece is scarce to rare, and sits on a custom black metal stand. Ex: E. Duncan collection, Stilwell, Kansas, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1392002
Apolonia Ancient Art
$875.00
This scarce piece is a Huari bowl that dates to the Middle Horizon period, circa 550-1050 A.D. This piece is approximately 6.5 inches high, by 6.8 inches in diameter, and has white, black, dark orange, and dark red colors. This interesting piece has a flat bottom and an oval opening at the rim. This piece has a mirror image design that appears to be a "jugate-designed" type image, which are two heads back-to-back with a shared central white eye. This image also likely represents a sacred mythical creature that could be part feline, as there are also black dots seen within the design that could represent jaguar spots. There are also two raised bands that rise above the main design, and in addition, there are white and black dots that frame the entire image which may be celestial in nature. There is a "key pattern" that forms a ground line, and they also divide the vessel into two halves, along with a "chevron" pattern that is a hallmark design seen on Huari ceramics. This vessel could have been used in a sacred ceremony, and may also have served as a seed storage jar. This piece also has an ancient repair, as indicated by two bow-drilled holes that held a cord wrapping which held a crack together. This piece is complete, and has some minor crack fill seen mostly at the base that was done 30 plus years ago. This piece also has some attractive spotty white calcite deposits seen on the inside and outer surfaces. An interesting piece that has a very complex design. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre 1492 item #1367435
Apolonia Ancient Art
$865.00
This lovely Aztec/Mixtec tripod dates to the Late Postclassic Period, circa 1000-1450 A.D., and is approximately 4.2 inches high, with a diameter at the rim of 5.5 inches. This piece is intact, with no noticeable repair/restoration, and has a light polychrome slip in black, cream, and light red colors. This piece is a tripod bowl with flat plank extended legs that also extend past the outer diameter of the bowl, and because this design, this piece is very stable sitting on a flat surface. This piece also has an attractive black and red "line-designed" geometric pattern that runs around the outer edge of the bowl, and are likely spiritual in nature. In addition, there are raised "line-designed" symbols seen on the inner surface of the bowl, and these symbols are likely sacred as well. These symbols are also completely intact, and this is rare for vessels such as this, as the raised lines are often broken and have missing sections. This piece was also produced by the Mixteca people for the Aztec nobility who preferred these vessels for their food service vessels. It's also unknown whether these vessels were used to grind or abrade a foodstuff or other organic substance, or weather they served a solely ritual, service function. An interesting intact vessel that is becoming scarce in today's market. Ex: Private German collection, circa 1960's. Ex: Dr. Gunther Marschall collection, Hamburg, Germany, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : India : Pre AD 1000 item #661705
Apolonia Ancient Art
$3,675.00
This superb red sandstone fragment is from central India and dates to the Post-Gupta period, circa 8th-9th Century A.D. This piece is approximately 16 inches high and is mounted on a custom metal stand. This piece may originally have been part of a stele and/or a temple. There is a section on the right side of this piece that is flat, and this side may have been the inner part of a doorway. There are also four smiling Nagas seen on this piece with intertwined serpent tails and cobra hoods above their heads. Their raised clasped hands are seen in the Anjali Mudra position, and they are positioned at an angle so that they view the person that would pass through the doorway. There is also an elaborate foliage pattern seen on the edge, and the overall design of this piece is very esoteric. There is an analogous piece that is seen in the Mr. and Mrs. Harold P. Ullman Collection and is published in "Art of the Indian Subcontinent From Los Angeles Collections", Ward Ritchie Press, 1968. This piece may be a part of the same building and/or stele, as this piece also forms part of a door jam. This piece, and the piece offered here, are both extremely fine examples of ancient Indian art and are in superb condition with clear detailed carving. These carvings are highly spiritual, and were intended to protect the viewer, as this was the reason for the depiction of the Nagas. A nice heavy piece with a high degree of spiritual feeling. Ex: Sotheby's New York, "Indian, Himalayan, and Southeast Asian Art", March, 1990. Ex: Private Los Angeles collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1301382
Apolonia Ancient Art
Sold
This scarce piece is a Roman bronze ring that dates circa 2nd-3rd century A.D., and features a reclined woman (Leda) with a swan on top. This Roman erotic type piece is approximately ring size 6 (16mm inner diameter), and was likely made for a young woman or girl. This piece is intact, has no repair/restoration, and is a solid bronze cast piece that can be worn today. This piece also has an attractive dark green patina that is an even color over the entire piece. This piece is in superb to mint condition, and has no wear on the outer surface, with only some slight wear on the inner surface of the hoop. This piece features a nude and reclined woman (Leda) who is seen reclined to the left, raised on her elbows, and has a swan positioned between her bent knees. The swan has his wings outstretched above, and has his neck looped up and down with his head kissing a breast. The piece offered here depicts the Greek myth of "Leda and the Swan", in which Zeus in the form of a Swan makes love to Leda, who gave birth to two sets of twins, one of each pair being mortal and immortal. One set of the twins was male, Castor and Pollux, and the other female, Helen and Clytemnestra. This ancient Greek myth was extremely popular in the Hellenistic Period, circa 3rd-2nd century B.C., and continued down into the Roman Imperial Period. A Roman carved gem, dated circa 3rd century A.D., showing the exact scene seen on the piece offered here, is seen in Christie's Ancient Jewelry, New York, Dec. 2004, no. 160. ($4,000.00-$6,000.00 estimates. See attached photo.) The relief of the figures seen on the piece offered is very high, and are very clear. The entire scene was also stamped into the flat top bezel of the ring, and the main body of the ring was cast as one solid piece. The design seen on this ring would have have been made like an ancient Greek or Roman bronze coin, and in both cases, the designs were stamped and struck with a carved punch die. The stamp punch die, for the erotic design seen here, may also have been used for additional rings and other objects as well. In addition, this ring may have been worn by an individual who was connected with the ancient Roman sex trade, and this ring may have served as an identifying symbol for the individual who wore this scarce ring. A ring such as this erotic type, would also have likely been worn by many individuals who lived in a city with a prevalent sex trade such as Pompeii. This piece also comes with a ring stand display base, and can easily be removed. Ex: Joel Malter collection, circa 1980's, Los Angeles, CA. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Byzantine : Pre AD 1000 item #1363649
Apolonia Ancient Art
$375.00
This rare Byzantine bronze coin is a "double-follis" attributed to Basil II, circa 976-1025 A.D., and is likely Constantinople mint. This rare coin is approximately 35mm wide, weighs approximately 22.1 gms, and is in extremely fine/extremely fine (EF/EF) condition. This coin was minted at the height of the Byzantine Empire under Basil II, and is approximately twice the weight of a "single follis", as the average weight of a "single follis" is approximately 9.54-10.25 grams. This rare coin is a denomination seldom seen on the market, as it was produced with dies that were used for a "single follis", along with a flan that is simply twice the weight of a "single follis". This coin type is also classified as a "medallion", and Byzantine "medallions" were only minted on special occasions. The obverse (Obv.) features the bust of Christ Pantokrator with long hair, along with the image of a halo and cross behind, and within each limb of the cross, there are five dots. There are also two dots seen to the right of the bust, all within a dotted border. The reverse (Rev.) features three lines of lettering that also name Basil II. This superb Byzantine bronze also has a great deal of eye appeal, as it has a beautiful dark green patina with spotty red highlights. This piece is not only a nice example of a Byzantine bronze coin, but it is also a Christian artifact in this large size. References: Sear 1813 (follis); Berk 948 (follis). Ex: Harlan Berk collection, Chicago, Ill., circa 1980's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1398950
Apolonia Ancient Art
$875.00
This esoteric green hard stone piece is a Valdivia-Chorrera hacha that dates circa 1500-600 B.C., and is approximately 5.85 inches long, by 4 inches wide, by 1.7 inches thick. This piece was produced by the Valdivia-Chorrera culture that lived in modern day Ecuador, and was one of the earliest pre-Columbian cultures of South America. This piece is a votive type object and is shaped as a battle ax, and is a type that is also referred to as a "hacha". This piece was smoothed and polished into the refined form that we see today, and this process was very labor intensive. The surfaces of this piece are very refined, and one can easily see the veins and multi-colored inclusions which enhances it's sacred "raison d'etre". This piece is also a hard serpentine type stone, and it's dark green color was highly prized among many pre-Columbian cultures. A near identical example was offered at Christie's, Paris, Art Pre-Columbian: Collection Felix Et Heidi Stoll ET A Divers Amateurs, April, 2019, no. 8. (1,000.00-1,500.00 Euro estimates. 1,000.00 Euro realized. See attached photo.) Ex: Dr. Gunther Marschall collection, Hamburg, Germany, circa 1960's. Ex: Private German collection, circa 1970's.-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Pre AD 1000 item #1161759
Apolonia Ancient Art
Apolonia Ancient Art is a full member of the ATADA (Antique Tribal Art Dealers Association). Apolonia Ancient Art follows the "Trade Practices and Standards", as defined by the ATADA regarding all business transactions. The ATADA is an association of dealers in antique Tribal and PreColumbian art whose aim is to promote responsible dealing, and provide a standard for all of it's members to represent authentic objects that have full and legal title. The ATADA members "Trade Practices and Standards" can be found at: https://www.atada.org/bylaws.
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1402930
Apolonia Ancient Art
$1,275.00
This extremely rare piece is a Mycenaean/Minoan bronze goddess figurine that dates to the LH III Period, circa 1400-1100 B.C. This piece is approximately 1.5 inches high, by .68 inches wide at the fluted base, and is a normal size relative to the known recorded examples. This attractive figurine has a tubular shape, and was cast as one piece. The body is also hollow, and there is an opening seen at the top, along with a "v-shaped" opening at the front of the body. This opening is where the neck/head was attached, and this was likely made from a perishable material such as wood or bone. There are also incised lines seen just below the raised arms at the shoulder area, and this decorative "linear line design" is also seen on many examples of early Greek art from the Late Bronze Age, circa 1300 B.C., down to the Geometric Period, circa 750 B.C. These extremely rare bronze figurines may have been a grave offering, and/or could have been an offering that depicted significant rituals that were associated with rites of passage that involved the departed. The figurine offered here could also have been part of a group of several figures of this type, that together, could have portrayed a ritual as noted above. This theory was developed by Daniela Lefevre-Novaro, and her theory was supported by the figural terracotta models that were found in the Minoan Kamilari burial complex in Kamilari, Crete. (See "Coming of Age in Ancient Greece", by Jenifer Neils and John Oakley, Yale University Press, 2003, pp. 40-43.) The arms of the figurine offered here are also seen extended into the air, and this is an ancient Greek sign of "blessing" and "mourning" death, and this posture is depicted on ancient Greek art from as early as the Late Bronze Age, circa 13th century B.C. The type of figurine offered here is also thought to have originated in Crete, and has also been identified as being a "mother goddess" connected to fertility. (See "Ancient Cyprus" by Vassos Karageorghis, 1981, p. 125.) In summary, this extremely rare piece is likely a goddess figurine that represented several of the aspects noted above, and was either a votive grave offering, or an offering in a shrine. This esoteric bronze goddess figurine is intact, has no repair and/or restoration, and easily stands by itself. This piece also has a beautiful light brown to dark green patina with some dark blue/green highlights, and some spotty dark green mineral deposits. This piece also sits on a custom display stand, and can easily lift off. Ex: Private Austrian collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
Apolonia Ancient Art
$5,875.00
These two rare and superb carved wooden panels are French, and date to the late Gothic period, circa 1590-1680 A.D. These pieces are a matching pair, although they have slight differences. Both of these carved panels are approximately 7.8 inches wide by 17.75 inches high, and are mounted in frames that are approximately 11.75 inches wide by 28 inches high. These outer frames date circa 1800-1850, and were the mounting for the inner carved panels. The two panels offered here, along with several additional panels, are also thought to have been originally set into a private manor house in Normandy. The bulk of these panels were sold at auction in San Francisco, CA., by Butterfield & Butterfield Co. in June 1996. Many of these panels, which were religious in nature, were identified as being produced by artisans who were employed in the area of Coutances, France, where the massive 13th century Gothic cathedral of Notre Dame was built. The panels seen here were finely carved and have great detail, and the condition of both panels offered here is exceptional. These two panels each display two caryatids that are seen back to back, and are carved in high relief. The caryatids were known in antiquity as the priestesses of Artemis at Caryae, and were often seen as a draped female figure that supported an entablature. The figures seen on these two panels are part lion, with the lion's paw feet, part bird, with the detailed feathered wings, and part woman, with the female breasts and faces. The raised hair comb and luxuriant wavy hair is very detailed as well, and is an excellent mark that the artist that carved these pieces was very skilled. Ex: Private French collection, circa 1930's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1370697
Apolonia Ancient Art
Call For Price
This mint quality Greek Illyrian helmet dates circa 6th century B.C., and is approximately 12 inches high, from the top of the crest box to the tip of the cheek pieces, and it is a full size example. This beautiful piece has been classified in "Antike Helm", Lipperheide and Antikenmuseums Collections, Mainz, Germany, 1988, pp. 59-64, as being "Type II, Var.B". This piece is in flawless, mint condition, and has no repair/restoration, and is one of the best examples on the global market. This piece has slightly elongated cheek pieces, a detailed punched decorative dotted band that runs around the outer perimeter edge, and a well-defined crest box. This piece was hand beaten from one sheet of bronze, and the crest box was added into the construction of the helmet, not only to define an attachment area for the crest which was likely made from bird quills, but also to give extra strength to the main body of the piece. The added crest box also was designed to protect the warrior from overhead blows. There is also a slightly extended neck guard which is finely made as well. This exceptional example also has some very minor horizontal scraps and nicks which is also an indication that this piece was in battle. This piece has a compact and attractive design, and is one of the top examples for the type. In addition, this piece has an exceptional dark green patina with dark blue highlights which lends this piece a great deal of eye appeal. The patina seen on this attractive piece is also in "as found" condition, and this helmet has not been over cleaned as most examples. This piece also comes with a custom metal display stand. Ex Axel Guttmann collection, Inventory no. 517, Berlin, Germany, circa 1980's. Ex: Private Dallas, Texas collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Traditional Collectibles : Books : Contemporary item #817549
Apolonia Ancient Art
Price as ordered. Kindle version available at: http://www.amazon.com!
If you are a neophyte or an advanced collector of ancient art, "Into the Antiquities Trade" by Kevin R. Cheek is a valuable resource and a "must read" for every collector. This book defines and explains the political situation relative to the trade, as seen in the chapter "Who's Who", and clarifies the "pro" and "con" positions that the three different camps take regading the trade. This book also offers the collector a refreshing viewpoint that "there is no better preserver of ancient art than the private collector". This book also has a chapter "Some Things to Look For" that is useful for many collectors, especially when they are considering a purchase of ancient art. In addition, this chapter has information relative to the testing of ancient works of art for authenticity, and the detection of forgeries. This chapter also helps to explain market pricing, and the use of descriptions/terms such as "repair", "as found", and "restoration". The Kindle version can be found at: www.amazon.com! This book is also offered in both soft and hard cover, and can be ordered online at: http://www.amazon.com. This book can also be ordered at your local bookstore, including additional bookstores found through Google. ISBN Hardcover: 1-4134-3194-1. ISBN Softcover: 1-4134-3193-3. You may also order a signed copy direct from the author, Kevin R. Cheek, by calling 305-785-5315 or 303-321-7351, or email: apoloniaco@aol.com.
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1328373
Apolonia Ancient Art
$565.00
This complete Greek bronze is a bronze oinochoe pendant and dates to the Geometric Period, circa 8th-7th century B.C. This piece is approximately 2 inches high, and is a large example for the type. This piece was a "votive" type piece and was used as an offering at a temple or an oracle site such as Delphi or Dodona. This piece is in the form of an oinochoe which was used primarily for pouring wine, and as a sacred offering, this piece may have contained a wine offering as well. This piece has an attached strap type handle, and was cast as one piece. The interior is also hollow, and is not a solid example. There are also incised lines that run around the vessel, and these linear lines are a hallmark design feature for Greek bronzes from the Geometric Period. This solid cast piece is also intact, and has no repair/restoration. This piece has a dark black/brown patina, and there are spotty dark brown mineral deposits seen on the outer and inner surfaces. This piece also sits on a custom display stand, and can easily be removed as it is mounted with clay. An interesting piece, as well as an early Greek bronze. Ex: Harlan Berk collection, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1333494
Apolonia Ancient Art
Sold
This little gem is a Greek Attic black-glazed kantharos that dates circa 350-325 B.C. This piece is approximately 2.4 inches high, by 4.6 inches wide from handle to handle. This charming piece is intact, and is in mint quality condition with no repair/restoration. The lustrous black glaze is even around the vessel, and is seen both on the inner and outer surfaces. This piece has a "flat handled" design, and these handles have spurred edges, a looping design, and connect to the main body of the vessel. This piece sits on a torus foot, and there is no reserve underneath, as this piece is entirely covered in a black glaze. This dainty piece was also designed to imitate silver vessels of this type. This type of Attic black-glazed ceramic is also scarce to rare on the market, as it is a rare form. This piece has some spotty white calcite deposits, and a multi-colored iridescent patina. (Another analogous vessel of this type was offered by Charles Ede Limited, London, 2010, Catalog 182, no. 35 for 900.00 pounds.) For the type see, B. Sparkes and L. Talcott, "The Athenian Agora, Vol. XII, Black and Plain Pottery", Princeton, 1970, no. 701, fig. 7. Ex: Private U.K collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv. #091613-05. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1363343
Apolonia Ancient Art
$1,675.00
This dainty and superb piece is a Greek bronze oinochoe that dates to the 5th-4th century B.C. This lovely piece is approximately 6.75 inches high, by 2 inches in diameter through the center of the vessel. This piece features an elongated strap handle that is approximately 5.5 inches high, from the top of the handle to where it attaches to the main body of the vessel. This strap handle also has two small, finely worked rivets that attach this handle to the lip of the vessel, and a heart shaped applique, on the other end of the handle, which is attached to the main body of the vessel. This piece has a flat bottom and stands very stable, as this piece is well balanced. This exceptionally well designed piece also has a raised lip that allowed for better control of a precious liquid, such as an oil-based unguent, and this may also have been the primary function of the raised elongated strap handle. This piece likely served as an accessory for a woman's toilet cabinet, and is an extremely rare to rare design with this elongated handle. This piece has a beautiful dark and light green patina with dark red highlights, and has some spotty dark green mineral deposits. This piece is also intact, has no repair/restoration, and the raised strap handle is remarkably intact and complete. An exceptional Greek bronze vessel that is also a rare type. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1367689
Apolonia Ancient Art
$1,265.00
This attractive piece is a Paracas bowl that dates to the Chavinoid Period Paracas, circa 1000-600 B.C., and is approximately 6.8 inches in diameter, by 3.25 inches high. This piece is among the earliest ceramics that were produced by any Andean pre-Columbian culture, and it has very detailed incised geometric "line-designed" motifs. This light to dark brown glazed piece has added dark red highlights, and this dark red color is seen within an incised band that runs around the piece. This band has two incised geometric feline masks seen nearly on opposite sides of the bowl, and between, there are defined boxes that have an incised "hand-design" symbol within each box. The geometric feline masks are seen in a two-dimensional manner, with raised noses from the surface of the bowl, and incised fangs extending above and below a horizontal mouth. The overall design illustrates a very powerful sacred image that also appears to protect the contents of the bowl. Bowls of this type may also have been produced for ritual purposes and/or offerings. This piece is intact, save for a small pie-shaped shard that was repaired back into the main body of the piece. This piece also has some attractive root marking, and the glaze has a very fine even high gloss finish. There is also some dark brown burnishing seen on the bottom surface of the bowl that also adds to the eye appeal of this piece. (Another analogous piece was offered in Sotheby's "Pre-Columbian Art", New York, June 1999, no. 212. $1,200-$1,500.00 estimates, $1,840.00 realized. See attached photo.) Ex: Dr. Gunther Marschall collection, Hamburg, Germany, circa 1960's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1360699
Apolonia Ancient Art
$965.00
This rare coin is a Greek silver drachm from the Epirote Republic, and dates circa 234-168 B.C. This coin is superb grade (EF+/EF+) condition, weighs 4.8 grams, and is approximately 22 mm in diameter. This coin also has a large flan, and is a well centered example. This coin has on the obverse: a detailed and laureate bust of Zeus facing right, and three separate monograms seen behind and below the bust. The reverse has: a standing eagle on a thunderbolt facing right, with the legend ADEI before, and PUTAN behind, all within a laurel wreath that is seen framing the border. The monograms seen on the obverse may refer the the magistrate that minted this coin and/or the name of the current ruler of the Epirote Republic. The reverse legend also refers to the Epirote Republic as well, and this coin was likely minted in the sacred site of Dodona. Another analogous example of this rare coin type was sold by Nomos AG in Zurich, Switzerland, Oct. 2015, no. 85. (Estimate 500 CHF, 2200 CHF realized. EF/EF- grade. See attached photo.) References: Franke, Epirus, Series 29 (var.); SNG Cop 114. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #1182861
Apolonia Ancient Art
Sold
This piece is a Greek bronze finger ring that dates to the Hellenistic period, circa late 4th century B.C. This piece is approximately ring size 7.5, and likely was made for a young man or woman. This piece has a flat face, with a beveled back face, and an attached ring hoop. This intact piece is very solid, is in superb to mint condition, and can easily be worn today. The back beveled face also allows this piece to easily slip on and off the finger. There is some slight wear to the back face, and this is a good indication that this piece was worn by a living person, and simply was not solely a votive object. This piece has sharp engraving, and the engraved composition has detailed deep relief. This piece shows a flying Nike facing left, and a seated draped woman below who may represent Ledo. The flying Nike was the Greek god of victory, and this example has wings above and is holding a victory wreath in front. The Nike is in the act of crowning the victor with the wreath, and this is a Greek Hellenistic convention of art that is seen on Hellenistic coinage and objects. The seated woman who may represent Leto, made love to Zeus, and she bore him the great archer-deities Apollo and his sister Artemis. The combination of these two symbols seen on this ring is very powerful, and likely offered the wearer "victory in life". This attractive ring may have been used used a personal signet seal ring as well, as it makes a sharp impression. (See the attached photos showing the ring impression that was done in soft clay.) This ring has a nice dark green patina with some minute dark brown mineral deposits. This piece is a superb example for the type, and is a scarce example. (For the type, see J. Spier, "Ancient Gems and Finger Rings", Malibu, 1992, no. 85.) A custom ring stand is included. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1039437
Apolonia Ancient Art
$425.00
This flawless piece is an intact Greek olpe vessel that dates circa 4th century B.C. This piece is approximately 6.5 inches high by 3.25 inches in diameter. This esoteric piece has an attractive tan earthern glaze and is made from a light red clay. This piece has nice "as found" deposits, a flat bottom, and a single strap handle. The large open and round mouth was also designed to pour liquid very rapidly, which lends this vessel very well as a table vessel. Vessels of this type were widely produced in the ancient Greek world, and this vessel shape was also produced in bronze. In fact, our research reveals that bronze vessels of this type seem to be more common than the terracotta vessels of this type, and in addition, this type of terracotta vessel seen in this mint condition is scarce, as most examples have some degree of repair/restoration. This piece probably was used for everyday use and may also been a votive example, and the latter case is probably the case here, as this piece has no apparent wear from use. This piece probaly was used for water and/or wine. A nice example seldom seen in this condition. Ex: Bonhams Antiquities, London, April 2004, no. 343. Ex: Private Ill. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1207767
Apolonia Ancient Art
$3,865.00
This scarce Pre-Columbian piece is a Mayan cylinder vessel that dates Late Classic, circa 550-950 A.D. This attractive piece is approximately 7 inches high by 4.9 inches in diameter. This superb to mint quality vessel is a "Molded Orangeware Vessel", El Salvador/Honduras region, that has well-defined mold made impressions seen within two box-shaped fields seen on each side of the vessel. Each box-shaped field has a standing Mayan priest/dignitary holding an elongated rectangular object in his extended right hand, and the other panel shows this rectangular object hanging on the right elbow of this standing individual. This standing Mayan priest/dignitary seen within both panels has his head placed within a raptorial beaked bird, which may represent a sacred "Moan Bird", and this raptorial beaked bird is likely a ceremonial headdress. This individual is also seen wearing royal ear flares and bracelets, has a water-lily emerging from his lips, and is wearing a sashed lioncloth. There is also a stippled woven mat pattern seen in the background, and the overall composition on both panels have very sharp details and is better than most examples. In addition, each panel shows this standing individual in a slightly different position, and this design conveys a slight movement of this individual, as one views this exceptional piece from panel to panel. This convention of art relative to Mayan ceramics, is generally seen on scarce to rare Mayan molded vessels of this type. This intact piece also has some attractive light gray burnishing, some minute root marking, and spotty dotted black mineral deposits. An analogous example is seen in Sotheby's Pre-Columbian Art, New York, Nov. 24, 1986, no. 127. ($1,500.00-$2,500.00 estimates, $2,750.00 realized. See attached photo.) Ex: Private CA. collection, circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1373047
Apolonia Ancient Art
$725.00
This scarce Roman bronze lamp dates circa 2nd-3rd century A.D., and is approximately 2.5 inches long, by 1.1 inches high. This piece is complete, has no breaks and/or chips, and is in mint "as found" condition. This piece has two openings, one in the top center for filling oil, and the other at the end of the vessel that would hold the wick. The other end of the vessel has an attachment hoop for a chain, or a cord, and could have been hung as a votive offering pendant. This piece also has a flat bottom and easily stands by itself. This piece not only was likely made as a votive offering, but it was also likely functional as well. This piece has a beautiful dark green patina with dark red highlights, and has some heavy dark brown mineral deposits on the inside of the vessel. This piece comes with a custom Plexiglas display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1388383
Apolonia Ancient Art
$925.00
This attractive Greek terracotta dates to the 4th century B.C., and is approximately 3.75 inches high. This large bust is intact to just below the jaw line where it is broken at the neck, and is a bust of a goddess such as Demeter. This esoteric bust has exceptional artistic style, as the portriat is of a more mature goddess with a vibrant face with a slight smile. She is also seen wearing a diadem with perhaps agricultural stalks that are seen within the diadem. Demeter was the mother of Persephone who was responsible for the change of the seasons, and the "rebirth" of crops during the year. This attractive large bust is also in it's natural "as found" condition, and has some minor earthen and mineral deposits. An exceptional example with an intact face and a high degree of eye appeal. This piece is also mounted on a custom steel and Plexiglas display stand with a total height of approximately 5.3 inches. Ex: Munzen and Medaillen AG Basel, Switzerland, circa 1960's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1389023
Apolonia Ancient Art
$6,875.00
This powerful piece is a seated Colima warrior that dates to the Protoclassic Period, circa 100 B.C.-250 A.D., and is approximately 14 inches high. This reddish-brown seated warrior has long youthful limbs, and is seen with the raised right arm balanced on his knee. His cupped right hand perhaps once held an implement, or a lance made from perishable material. This warrior also appears to be in a trance, and has a rounded face with closed "coffee-bean" style eyes. He is also seen wearing a pendant tied around the neck, a headdress/helmet with a small "feline headed" medallion, and raised inlay stone tattoos on the shoulders. The left side of his nude torso is also decorated with a band of black geometric "line-design" tattoos. This piece has very realistic body molding seen on the back side of the vessel, and has a very angular nose. His ears are also pierced for earrings, and overall, this warrior exudes a regal like appearance. This piece was offered for the deceased, and was likely a "protector-type" figurine. The form of this Colima piece is also rare, and the figurine offered here is a rare example that is also known as the "Coahuayana Valley" type. This piece is also intact with no apparent repair and/or restoration, and has some spotty and minute black mineral deposits. A superb large example with a high degree of eye appeal. For the type see: R. Townsend, "Ancient West Mexico, Art and Archaeology of the Unknown Past", The Art Institute of Chicago, 1998. Ex: Sotheby's Parke Bernet, Pre-Columbian Art, New York, Dec. 1981, no. 165. ($2,200.00 realized.) Ex: Sotheby's Pre-Columbian Art, Nov. 2004, no. 268. ($4000.00-$6,000.00 estimates). Ex: Private Kansas collection, circa 2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre AD 1000 item #1254565
Apolonia Ancient Art
$765.00
This interesting piece is a Recuay culture standing warrior that dates to the Early Intermediate Period, circa 400 B.C.-300 A.D., and the Recuay culture was centered in the Northern Peruvian Highlands, Callejon de Huaylas Valley. This piece is approximately 5.8 inches high by 4.2 inches in diameter, and is in intact condition, save for some minor stress cracks that appear to be filled at the base. This piece was made with a "resist-decoration" technique, and is a thin-walled white/cream colored kaolin clay with red-orange, yellow, and black colored line-drawn highlights. This piece also has some attractive light brown burnishing, and some spotty black mineral deposits. This piece shows a very animated figure that appears to be a standing warrior, as he is seen wearing a helmet and probable body armor, which is built into the round and portly design of the main body of the vessel. This figure also appears to be holding some objects in each hand, and the object in his right hand may be a round fruit which he is seen lifting to his wide mouth. The artistic style of this piece is also very geometric in it's design, and the lower legs and feet of this warrior are also designed in high relief at the base of the vessel. This piece also has the typical single spout which is wide and funnel shaped, and is integrated in width and height relative to the head of the warrior, which makes it to be somewhat imperceptible at first glance. It is also likely that the Recuay were a satellite people of the Mochica, and perhaps were guardians of sacrificial llamas and were an elite group of warriors. The ceramic offered here may also have been designed with additional ceramics, which made up a group scene that was created as a ceremonial grave offering. (For the culture and the warrior-type ceramics, see A. Lapiner, "Pre-Columbian Art of South America", New York, 1976, pp. 167-169.) A scarce piece with nice eye appeal. Ex: Dr. Ernst J. Fischer collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1402647
Apolonia Ancient Art
$675.00
This Thasos silver tetradrachm coin is superb quality grade (EF+/EF+), and dates circa 2nd-1st century B.C. This superb graded piece is approximately 33 mm wide, and weighs 16.7 gms. This attractive piece has a very realistic looking young bust of Dionysus seen on the obverse (Obv.), wreathed with grape leaves and bunches. The reverse (Rev.) shows a muscular nude standing Herakles, holding a club in his right hand, and over his left arm, a cloak made from the skin of the Nemean lion. The (Rev.) also shows a legend in Greek lettering to the right that reads "HERAKLES"; and below reads "THASOS", which refers to the island of Thasos where this coin was likely minted. The realistic obverse seen on this piece is better than what is normally seen, and the portrait of a young Dionysus was done by an accomplished die engraver for the period. This coin has a light gray patina with some spotty black mineral deposits, and is an excellent example for the type, as the obverse also has very high relief with some mint luster, and superior artistic style. Ex: Harlan J. Berk, Chicago, Ill., circa 1980's. References: Sear 1759. BMC 74 (var). SNG Cop 1046 (var). I certify that this piece is authentic as to date, culture, and condition: