Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1410476
Apolonia Ancient Art
$2,365.00
This intact and superb faience Egyptian shabti dates to the Late Period, 26th Dynasty, circa 664-525 B.C., and is approximately 6.9 inches high. This esoteric green glazed shabti is intact, and has no repair and/or restoration. This piece is also a large example for the type, and has a very esoteric face with a slight smile and detailed molded body features. This piece is a mummiform standing figure with a tripartite wig, with a seed bag slung over his left shoulder, and is seen holding a pick and a hoe. This piece also stands upright by itself, as it has a flat bottom, and a dorsal pillar is seen on the backside. This piece also has a thick even green glaze, and there are also attractive spotty light brown mineral deposits seen on various sections of this piece. Overall, a very attractive and large example for the type. This piece also has a custom display stand, and can easily be removed. Ex: Major James Findlay collection, Aberdeen, Scotland, circa 1950's-2000's. (Note: Additional documentation is available to the purchaser, including UK Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition.
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1409968
Apolonia Ancient Art
Sold
This rare Greco-Roman bronze depicts Alexander the Great's war horse Bucephalus, and dates to the late Hellenistic Period, circa 1st century B.C.-1st century A.D. This lively piece is approximately 2.4 inches long, by 2.75 inches high, and is a rare type that is designed with a square base plate. This piece easily stands by itself, and has a beautiful emerald dark green patina. This piece has a very lively designed head that is seen slightly tilted to the left, along with a slight turn of the neck to the left as well. In combination, this is a Greek Hellenistic convention of art that is also seldom depicted in subsequent Roman works of art. In addition, the mouth is slightly open, and the body appears to be prancing, as the left front leg is raised, but Bucephalus also appears to be depicted with no motion, and the horse's musculature and facial features indicate the end of "a tremendous exertion". This horse also has a main that is parted at the crest of the neck, and appears to have been cut. This is also an additional Greek Hellenistic convention of art that is also seen on the marble horse fragments now seen in the British Museum that are thought to have been attributed to the Mausoleum at Halicarnassus, circa 353-350 B.C. (See "Fourth-Century Styles in Greek Sculpture" by Brunilde Sismondo Ridgway, University of Wisconsin Press, 1997, pp. 111-130, pl. 29. See attached photo.) It may be that the piece offered here was possibly modeled after these fragments and the building noted above. Bucephalus is also seen wearing a regal lion's skin, and the head of the lion is seen draped over the front of the chest. There is also a raised chevron seen between the ears that also resembles a raised horn, and this is also a regal symbol. Bucephalus meaning "ox-head", was reported to have been a massive creature with a large head, and was described as having a black coat and a large white star on his brow. He was thought to have been in the major battles of Issus and Guagamela, and finally succumbed to injuries after the Battle of the Hydaspes in 326 B.C., and is thought to have been buried in Jalalpur Sharif, Punjab, Pakistan. This piece is completely intact, save for an old repair to the tail, and has some spotty dark brown mineral deposits. The lively and rare piece offered here was likely owned by a wealthy individual who may have been in a horse related business, or the military. The "Cult of Bucephalus" was also very strong down into the Roman period, especially in the eastern Roman provinces. The piece offered here with these Greek Hellenistic conventions of art is seldom seen on the market, and is an exceptional example. This piece also has a Plexiglas display stand. Ex: Private German collection, circa 1970's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1409852
Apolonia Ancient Art
$3,275.00
This mint quality Roman glass plate dates circa 3rd-4th century A.D., and is approximately 9.5 inches in diameter by 1.85 inches high. This exceptional example is in mint quality condition, and has no cracks, chips, or any other surface markings. This attractive piece is a light green glass with a beautiful patina, and has a brilliant golden patina with multi-colored iridescent highlights. This piece also has an applied double base ring, and is a rare feature, as most Roman glass plates of this type have a single base ring. (For another analogous Roman glass plate of this type and size with the typical single base ring see: Christie's Antiquities, New York, June 2010, no. 63. $3,000.00-$5000.00 estimates, $3,750.00 realized. See attached photo.) The piece offered here is seldom seen with the double base ring, along with it's mint quality condition, and as such is a rare example. For the type see: "Roman and Pre-Roman Glass in the Royal Ontario Museum", by John W. Hayes, Toronto, 1975, p. 120, no. 468. Ex: Private CA. collection, Los Angeles, CA., circa 1970's. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's-1990's. Ex: Private CA. collection, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1407413
Apolonia Ancient Art
$3,675.00
This rare Egyptian faience offering cup with the cartouche of Merenptah dates to the New Kingdom Period, circa 1213-1203 B.C., and is approximately 2.25 inches high, by 1.7 inches in diameter at the rim. This example is in flawless mint quality condition, and has an attractive light blue/green faience glaze, both on the inside and outside surfaces. There are also some spotty light brown mineral deposits, and the faience glaze is rather even over the entire piece. In addition, there is a black glazed cartouche of the pharaoh Merenptah, and above, a hieroglyphic inscription meaning "Lord of the Lands". On the inside of this large offering cup, there are the preserved remnants of a calcified light brown material that is in the bottom half inch of the cup. This esoteric piece also has a gracefully designed flared upper lip, and a matching flared bottom base ring. The bottom of this piece is flat, and this piece easily stands upright. There is also an old inventory number "7B", seen inscribed on the flat bottom as well. The pharaoh Merenptah was the son of Ramses II, and was 60 years of age at his accession in about 1213 B.C. He was known for defeating a large force of invaders known as the "Sea Peoples", who are thought to have destroyed much of the Mycenaean palaces and cities. Egypt was one of the few great civilizations that survived through those turbulent times, and Merenptah, and his father Ramses II, are credited with saving Egypt. The rare offering cup offered here is an excellent example from the period, and clearly displays the name of the pharaoh. (Offering cups attributed to the pharaoh Merenptah are rare, and one of the few examples was offered by Royal-Athena Galleries, "Art of the Ancient World", 2015, no. 225. Approximately 1.6 inches high. $6,000.00 estimate. See attached photo.) Ex: Anthony Drexel collection, Philadelphia, circa 1895-1970's. Ex: Dr. Bensen Harer Jr. collection, Seattle, circa 1970's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1407189
Apolonia Ancient Art
$1,675.00
This scarce piece is a scarce Chimu/Inka seated priest and dates circa 1000-1400 A.D., and is approximately 8.2 inches high. This piece is intact, and has some minute spotty black mineral and white calcite deposits. This seated priest ceramic has an orange/red slip that covers the entire vessel, and he is seen wearing a raised conical hat, along with a cape that is tied under the chin. The figure seen here with almond shaped eyes, and the typical conical hat, is also often associated with Chimu/Inka ceramics and wooden marker posts. This charming figure is seen with a slight smile, and appears to be offering a huge shell for a sacred ceremony. This huge cream-colored shell also appears to be a "spondylus" type shell, and was sacred to both the Chimu and Inka cultures. This cream colored shell also stands out against the orange/red slip of the priest, and highlights the importance of this shell. The shell depicted here likely represents a "spondylus limbatus" species, which also can exceed 25 cm in width. These sacred shells were often placed in burials, and in fields to ensure rain for the crops. In addition, these shells were used for regal jewelry, and only Chimu/Inka priests and shamans were allowed to handle them. This piece also has a flat bottom, and has a "stirrup" type handle that is seen at the back. There is also what appears to be a small corn ear seen on the back of the handle as well, and this ties in to the spondylus shell's role with the promotion of rain for the crops. A very interesting piece that displays a very serene Chimu/Inka figure that is seldom portrayed with Chimu/Inka art. Ex: Private West Virginia collection, circa 1960's-1980's. Ex: Private New York collection, circa 1980's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1407136
Apolonia Ancient Art
$1,275.00
These two matching East Greek kylix cups date circa mid 6th century B.C., and are approximately 3.1 inches high, by 7.25 inches wide from handle to handle. These two kylix drinking cups are intact, save for some some minor scrapes, minute chips, and surface scuffs. These pieces also have some attractive root marking, seen mostly on the inner surface, and some spotty black mineral deposits. The inner surfaces also have a thick black glaze, and the main body of these pieces have a raised fluted base. These pieces are very esoteric in design, and are derived from "Attic Little Master" cups. These pieces are also classified as being "East Greek" types, and have been classified as being produced in Rhodes and several East Greek cities such as Ephesos. (See "Excavations at Tocra, 1963-1965, The Archaic Deposits I" by John Boardman and John Hayes, Thames and Hudson, pp. 111-116, no. 1219. See attached illustration.) The two pieces offered here are also nearly identical in form, and were certainly produced in the same workshop as well. These two pieces are excellent examples for the type, and have much of their original glaze. Ex: Private German collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1406949
Apolonia Ancient Art
$375.00
This expressive piece is a Jama-Coaque bust of a shaman that dates circa 500 B.C.-500 A.D., and is approximately 4.5 inches high. The Jama-Coaque culture lived in the tropical forest coastal region of northern Ecuador near the Esmeraldas River, and they produced high quality ceramics with detailed features. One such piece is the detailed bust offered here, and it is a bust of a shaman with incised fine-line facial tattoos. This piece is a fragment of a complete individual, and this type is one of the finest detailed busts, as it has a thick dark red glaze over the face with incised details that were carved into the glaze before it was fired. A great many of the Jama-Coaque ceramics are not glazed, and are made from a plain light tan terracotta. The bust seen here may also depict an important person, and this piece may also have been ceremoniously broken as well. This face also has "coffee-bean" eyes, and may show this shaman in a drug induced trance. This shaman has an open mouth, a regal nose ring, and a cap that extends to the back of the head. This piece is a very expressive example, and is of a type not often seen on the market. This piece also has some minute spotty black mineral deposits, and some attractive light brown burnishing. (For the type see: "Pre-Columbian Art" by Jose Alcina Franch, Abrams Pub., New York, 1983, no. 595.) This piece also sits on a custom display stand, and can easily lift off the stand. Ex: Private German collection, circa 1980's-2000's. (Note: This piece has additional documentation for the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1406805
Apolonia Ancient Art
$2,375.00
This mint quality and scarce Roman glass jug dates to the 1st-2nd century A.D., and is approximately 4.5 inches high, by 4.1 inches in diameter. This attractive glass vessel has a thick single strap handle applied below the lip, and has seven concentric circles that run around the main body of the vessel. These concentric circles were added as a measuring indicator, and was an an aid in determining the amount of liquid that was remaining in the vessel. These lines were ground into the surface after this piece was hand blown. There is also a slight indented depression centered on the bottom that lends this vessel some added stability, and a turned, out and down, wide lip which produced a very thick and strong extended lip. This exceptional mint quality and flawless vessel is a light green glass with a multi-colored patina, and has some spotty thick dark brown encrusted mineral deposits. Roman glass jugs with this type of design are scarce on the market, and are derived from earlier Greek Hellenistic types of glass vessels that have incised concentric lines. For the type see: "Roman and Pre-Roman Glass in the Royal Ontario Museum", by John W. Hayes, Toronto, 1975, pp. 36-38, no. 147. Ex: Private CA. collection, circa 1970's. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's-1990's. Ex: Private CA. collection, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre 1492 item #1406678
Apolonia Ancient Art
$1,675.00
This complete and interesting piece is a votive gold Muisca "Tunjo" warrior/priest figurine that dates circa 10th-16th century A.D., and is approximately 2.1 inches high, by 9 inches wide at the shoulders, by .45 inches deep at the extended feet. This piece is a solid example and weighs approximately 8.5 grams. This piece is also complete, has no restoration/repair, and was cast as one solid example. This piece was not worked and polished after casting, and is as it was when it came out of the mold. The arms, eyes, nose, mouth, ear-flares, and raised crown is made from a tubular type construction. This tubular construction built up on a flat plank design, are also principle artistic hallmarks relative to votive gold figurines from this culture. There is also a raised casting sprue seen at the back base of the feet, and this also attests to this piece being unfinished after casting. This type of piece was made purely as a votive object which explains why these pieces were not finished, and this particular piece likely represented a warrior/priest, as he is seen wearing a regal raised crown. This piece was also created to bring one closer to the gods, and gold objects like this were believed to have been able to interact with them. Several analogous examples are also seen in "Sweat of the Sun and Tears of the Moon", by Andre Emmerich, Hacker Art Books, New York, 1977, pp. 83-88. This piece also has some spotty minute green cuprite and white calcite deposits, has a light hazy patina, and is in it's natural "as found" mint quality condition. The majority of pieces of this type have also been over cleaned and polished, and do not have the exceptional surfaces that this piece has, and as such, is a scarce to rare example. This piece can easily be worn today, as it is a solid example, and also hangs on a custom display stand. Ex: Private German collection circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1406525
Apolonia Ancient Art
$875.00
This extremely rare piece is a Greek bronze frog fibula that dates to the Hellenistic Period, circa 3rd-1st century B.C., and is approximately 1.75 inches high. This piece is complete, save for the thin missing pin at the back, and has no repair and/or restoration. This piece has a beautiful and thick dark green patina, with some minute dark red highlights. This appealing piece has two bulging eyes, a wrinkled neck, indented spots, and folded legs. This piece also likely had a silver gilt, and minute silver deposits can be seen as well. The view of this piece is from the top, and is seen as it would be seen while sitting on the ground ready to jump. The back of this piece is slightly concave, and has the two pin attachments. The wearer of this fascinating piece may have wanted others to remember the myths, and according to Greek myth, the frog referred to fountain deities, and the mythical story of the goddess Latona: Latona, on one of her travels, stopped at a pond to satisfy her thirst, but the peasants gathered there prevented her from drinking, and the goddess in revenge, turned them all into frogs. (Another extremely rare analogous example was published in "Animals in Ancient Art from the Leo Mildenberg Collection", by Arielle Kozloff, Cleveland Museum of Art, 1981, no. 160. See attached photo.) The piece offered here hangs on a custom display stand, and can easily be removed. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1405826
Apolonia Ancient Art
$865.00
This lively piece is a Roman bronze dolphin handle that dates circa 2nd-3rd century A.D., and is approximately 2.25 inches long, by 1.9 inches high. This piece is complete, and is an intact example with no restoration and/or repair. This solid piece was cast as one piece, and has a pronounced upper dorsal fin, a lively twisted tail, and a base tab that the head and snout is attached to. This piece was likely attached to a vessel, such as a large cauldron, and may also have served as a decorative element, as well as a handle. This piece has a beautiful dark green patina, and is a superb example for the type. This piece is also mounted on a custom display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection, circa 1990's-2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Prehistorical item #1405428
Apolonia Ancient Art
$6,875.00
This piece is an extremely large Vicus/Mochica gold gilt bronze roundel-pectoral that dates to the Early Intermediate Period, circa 400-200 B.C., and is approximately 16.2 inches in diameter. This massive piece covered the upper torso of a priest during a religious ceremony, and hung around his neck from three holes seen at the top. This extremely rare bronze roundel-pectoral also has a gold gilt surface on both sides, and had a great deal of powerful eye appeal for the ceremony, as this piece had a bright gleaming presence. The gold gilt is also seen with a light to dark green patina, along with some spotty dark brown mineral deposits. This vibrant piece was also likely meant to represent the sun, and played a key role in an important ceremony. The ceremonial costume of this priest likely had additional gold and/or gold gilt additions such as a crown, arm bands, and a cloak. This gold gilt roundel-pectoral may also have had some additional hanging objects to complete the striking look of a ceremonial priest who wore this piece, and he was also likely a regal member of this culture. It's also very likely that this piece was part of a "mummy bundle", as there are also some spotty textile fragments adhered to Side A. (For numerous examples of mummy bundles that display ceremonial priestly and regal regalia see: "The Royal Tombs of Sipan", by Walter Alva and C. Donnan, 1993.) The exceptional and rare piece offered here is also very solid, as it is approximately 3/16 inch thick, and was cast as one piece, and was hand beaten into shape. This piece is also slightly concave, and is not perfectly round as well. (This type of piece was also identified by Christopher Donnan in "Moche Art of Peru", University of California, pp. 166-167, fig. 244, as being held by "Figure B" in a mural at Panamarca. See attached photo. "Figure B" was also identified as being a principle figure in the so-called "Presentation Theme", who is seen holding/wearing a ceremonial disk pectoral, an owl type mask, and is seen presenting a goblet to "Figure A", who is identified as being a high priest.) This massive piece is extremely rare, is seldom seen on the market, and is displayed within a custom 20 by 20 inch shadow box, and can easily be removed. Ex: Judith Small Nash collection, New York, circa 1980's-1990's. Ex: Alvin Einbender collection, Ketchum, Idaho, circa 1990's-2000's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1405317
Apolonia Ancient Art
$1,875.00
This lovely piece is Greek Apulian bottle that dates circa 350-340 B.C., and is approximately 4.1 inches high. by 2.9 inches in diameter. This piece is also attributed to the "Chevron Painter", who is also classified by A.D. Trendall as being from the "Darius-Underworld" workshop. (See "Red Figure vases of South Italy" by A.D. Trendall, Thames and Hudson, New York, 1989, pp. 89-94.). This piece has a chevron type pattern, seen below the rim and the neck of this vessel, and this hallmark attribute is one of the principle hallmarks of this painter. In addition, the seated woman has thick arms, a yellow dotted necklace and earrings, and a wavy lower ground-line design of her garment which are additional attributes. In her left hand, she is holding a cista (box), and there is also a name seen below her extended right arm. Her left hand also appears to be pointing to this name. This name is likely "DIONE", who was known to the ancient Greeks as an earth-goddess, a consort of Zeus, and the mother of Aphrodite. The backside of this attractive piece has a dark orange/red acanthus pattern, and a small raised ring base. This piece also has very vibrant colors, and is in mint quality condition with no repair and/or restoration. There are also some minute white calcite mineral deposits that are mostly seen on the bottom of the piece. An exceptional and scarce piece that is of a type that is seldom seen on the market. Ex: Robert Feuer collection, New York, circa 1970's-1980's. Ex: Private New York collection, circa 2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1404980
Apolonia Ancient Art
$685.00
This scarce Greek lead figurine of Aphrodite dates to the late Hellenistic Period, circa 2nd-1st century B.C., and is approximately 1.75 inches high. This piece is missing the arms and head, and is a lovely torso that is nude from the waist up. This piece was also cast from a two-part mold, and is a solid example. This piece was a votive type piece, and was made as an offering for a temple or a sanctuary. This piece also has a heavy encrusted dark green patina with some light brown mineral deposits, and is a scarce example, as Greek votive lead figurines are seldom seen on the market. This piece also comes with a custom display stand. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's-1990's. Ex: Private CA. collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1404947
Apolonia Ancient Art
$425.00
This intact piece is a Roman bronze figurine of the god Mercury, and dates circa 2nd-3rd century A.D., and is approximately 2.2 inches high. This piece has an attractive dark green patina, and some spotty light mineral deposits. This piece was cast as one solid piece from a mold, and was likely produced as a votive object for a temple, or for a private Roman shrine in a home known as a "lararium". Mercury is also the Roman name for the Greek god Hermes, and both gods are seen wearing the winged cap known as a "petasus". The "caduceus" also served as a herald's staff which possessed magical powers, and has two entwined snakes at the top. The figurine seen here is also seen holding a money bag in his extended right hand, and this was to offer the owner of this piece fortune in commerce. This piece also has a square built-in base, and this piece stands by itself. The piece offered here is very simple in design, and imbues this piece with a magical haunting appearance. It's also very likely that a religious pilgrim would have purchased this object as a votive donation to either a temple or shrine. This piece also comes with a custom display stand. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's-1990's. Ex: Private CA. collection, circa 2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1404824
Apolonia Ancient Art
$12,875.00
This extremely rare Greek bronze dates to the Geometric Period, circa late 8th-7th century B.C., and is approximately 3.9 inches high. This piece is a votive bronze warrior, and was likely offered to a shrine such as Dodona or Delphi. In addition, this type is known as a "ithyphallic type" figurine, as this figurine displays a large phallus, and is a symbol of strength and fertility, along with the cult of Dionysus. This piece also has a bent lower right leg, and was intentionally bent so that the spirit of the warrior would not spiritually leave the shrine. This piece also has a single belt seen around the waist, has incised facial details, and outstretched stubby arms. The head also has an angular jaw and large almond eyes that are artistic hallmarks of the Greek "Geometric Period". This piece has a beautiful light blue patina with dark brown/green highlights, and is intact with no repair and/or restoration. This piece is also very analogous, and nearly identical to an example found at the Greek sacred shrine of Dodona, and is now on display at the Archaeological Museum of Ioannina, Greece, no. 4905. (For a view of this piece, see the attached photo from the Archaeological Museum of Ioannina, and at Wikimedia: https://commons.wikimedia.org). The piece offered here is about the same size as the piece noted above, and both pieces were cast as a single piece. The piece noted above also has three belt rings seen around the waist, and the piece offered here has a single belt ring. This belt ring may also signify the rank of the warrior, and these warriors are completely nude save for these waist belt rings. There is also a strong possibility that the Museum of Ioannina piece noted above, and the piece offered here, were both made at the same workshop. This piece is also analogous to a larger Greek Bronze Warrior that was offered in Christie's Antiquities, New York, Dec. 2014, no. 7 ($40,000.00-$60,000.00 estimates, $43,750.00 realized. See attached photo.) The extremely rare piece offered here is seldom seen on the market, as there are only a handful of recorded examples, and the majority of bronze figurines of this design are Italic in origin and date circa 625-600 B.C. This piece also hangs on a custom display stand, and can easily be removed. Ex: M. Waltz collection, Germany, circa 1960's-2000's. (Note: Additional documentation is available to the purchaser including US Customs Entry documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1402930
Apolonia Ancient Art
$1,275.00
This extremely rare piece is a Mycenaean/Minoan bronze goddess figurine that dates to the LH III Period, circa 1400-1100 B.C. This piece is approximately 1.5 inches high, by .68 inches wide at the fluted base, and is a normal size relative to the known recorded examples. This attractive figurine has a tubular shape, and was cast as one piece. The body is also hollow, and there is an opening seen at the top, along with a "v-shaped" opening at the front of the body. This opening is where the neck/head was attached, and this was likely made from a perishable material such as wood or bone. There are also incised lines seen just below the raised arms at the shoulder area, and this decorative "linear line design" is also seen on many examples of early Greek art from the Late Bronze Age, circa 1300 B.C., down to the Geometric Period, circa 750 B.C. These extremely rare bronze figurines may have been a grave offering, and/or could have been an offering that depicted significant rituals that were associated with rites of passage that involved the departed. The figurine offered here could also have been part of a group of several figures of this type, that together, could have portrayed a ritual as noted above. This theory was developed by Daniela Lefevre-Novaro, and her theory was supported by the figural terracotta models that were found in the Minoan Kamilari burial complex in Kamilari, Crete. (See "Coming of Age in Ancient Greece", by Jenifer Neils and John Oakley, Yale University Press, 2003, pp. 40-43.) The arms of the figurine offered here are also seen extended into the air, and this is an ancient Greek sign of "blessing" and "mourning" death, and this posture is depicted on ancient Greek art from as early as the Late Bronze Age, circa 13th century B.C. The type of figurine offered here is also thought to have originated in Crete, and has also been identified as being a "mother goddess" connected to fertility. (See "Ancient Cyprus" by Vassos Karageorghis, 1981, p. 125.) In summary, this extremely rare piece is likely a goddess figurine that represented several of the aspects noted above, and was either a votive grave offering, or an offering in a shrine. This esoteric bronze goddess figurine is intact, has no repair and/or restoration, and easily stands by itself. This piece also has a beautiful light brown to dark green patina with some dark blue/green highlights, and some spotty dark green mineral deposits. This piece also sits on a custom display stand, and can easily lift off. Ex: Private Austrian collection, circa 1980's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1402763
Apolonia Ancient Art
$3,675.00
This Romano-Egyptian micro-mosaic cut glass tile is a bust of Horus, and dates to the Ptolemaic Period, circa 332-31 B.C. This piece is approximately 1.3 cm high, by 1.1 cm wide, by .02 cm deep, and is a complete example with no repair and/or restoration. This rare and exceptional example depicts Horus, the Egyptian falcon-headed god, and is seen in profile with white cheeks, black feathers, a red spotted eye and beak detail, and a green and white striped chest detail, all set against a cobalt blue background. Glass micro-mosaics, like this piece, were made in long canes which were then cut into sections that all showed the same image. This piece also has some minute black spotty mineral deposits, and is an exceptional example, as it also has vibrant colors and the bust of Horus is seldom seen relative to pieces of this type. This piece is also translucent, especially with the cobalt blue background that frames the image of Horus. (Another example of this type was offered in Christie's Antiquities, "The Groppi Collection", London, April 2012, no. 87. The Groppi example may also be from the same workshop as the piece offered here, as the design of Horus is analogous in terms of design and the use of the colored glass.) Ex: Private Swiss collection, circa 1970's-1980's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition: